TABLE OF CONTENTS

1 2 3 4 5 6 7 8 9 10 11 12 13 14

Foreword The Wars of Man The Contending of Horus and Seth The Missiles of Zeus and Indra The Earth Chronicles The Wars of the Olden Gods Mankind Emerges When Earth Was Divided The Pyramid Wars Peace on Earth The Prisoner in the Pyramid "A Queen Am I!" Prelude to Disaster Abraham: The Fateful Years The Nuclear Holocaust Epilogue The Earth Chronicles: Time Chart Sources Index

vi 1 25 49 70 91 109 129 153 173 202 229 251 281 310 343 345 351 366

FOREWORD

Long before man warred with man. the gods battled among themselves. Indeed, it was as the Wars of the Gods that the Wars of" Man began. And the Wars of the Gods, for control of this Earth, had begun on their own planet. It was thus that mankind’s first civilization succumbed to a nuclear holocaust. This is fact, not fiction; it has all been written down long agoin the Earth Chronicles.

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THE WARS OF MAN

In the spring of 1947, a shepherd boy searching for a lost sheep in the barren cliffs overlooking the Dead Sea, discovered a cave that contained Hebrew scrolls hidden inside earthenware jars. Those and other scrolls found in the area in subsequent yearscollectively spoken of as the Dead Sea Scrollshad lain u ndisturbed for nearly two thousand years, carefully wrapped and hidden away during the turbulent years when Judea challenged the might of the Roman empire. Was this part of the official library of Jerusalem, carted away to safety before the city and its temple fell in A.D. 70, oras most scholars assumea library of the Essenes, a sect of hermits with messianic preoccupations? The opinions are divided, for the library contained both traditional biblical texts as well as writings dealing with the sect’s customs, organization, and beliefs. One of the longest and most complete scrolls, and perhaps the most dramatic, deals with a future war, a kind of Final War. Titled by scholars The War of the Sons of Light Against the Sons of Darkness, it envisages spreading warfarelocal battles that will first involve Judea’s immediate neighbors, which shall increase in ferocity and scope until the whole ancient world would be engulfed: "The first engagement of the Sons of Light against the Sons of Darkness, that is against the army of Belial, shall be an attack upon the troops of Edom, Moab, the Ammonites and the Philistine area; then upon that of the Kittians of Assyria: and upon those violators of the Covenant who give them aid. . . ." And after those battles, "they shall advance upon the Kittians of Egypt" and "in due time . . . against the kings of the north." In this War of Men, the scroll prophesied, the God of Israel shall take an active role: On the day the Kittians fall, there shall be mighty combat and carnage, in the presence of the God of Israel; For that is the day which He appointed of old for the final battle against the Sons of Darkness. 1

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THE WARS OF GODS AND MEN

The Prophet Ezekiel had already prophesied the Last Battle, "in the latter days," involving Gog and Magog, in which the Lord himself shall "smite thy bow out of thy left hand, and will cause thine arrows to fall out of thine right hand." But the Dead Sea scroll went further, foreseeing the actual participation of many gods in the battles, engaged in combat side by side with mortal men: On that day, the Company of the Divine and the Congregation of the Mortals shall engage side by side in combat and carnage. The Sons of Light shall battle against the Sons of Darkness with a show of godlike might, amid uproarious tumult, amid the war cries of gods and men. Though Crusaders. Saracens, and countless others in historical times have gone to war "in the name of God," the belief that in a war to come the Lord himself shall be actually present on the battlefield, and that gods and men would fight side by side, sounds as fantasy, to be treated allegorically at best. Yet it is not as extraordinary a notion as it may appear to be, for in earlier times, it was indeed believed that the Wars of Men were not only decreed by the gods but were also fought with the gods’ active participation. One of the most romanticized wars, when "love had launched a thousand ships," was the War of Troy, between the Achaean Greeks and the Trojans, ft was, know we not, launched by the Greeks to force the Trojans to return the beautiful Helen to her lawful spouse. Yet an epic Greek tale, the Kypria, represented the war as a premeditated scheme by the great god Zeus: There was a time when thousands upon thousands of men encumbered the broad bosom of the Earth. And having pity on them, Zeus in his great wisdom resolved to lighten Earth’s burden. So he caused the strife at Ilion (Troy) to that end; that through death he might make a void in the race of men. Homer, the Greek storyteller who related the war’s events in the Iliad, blamed the whim of the gods for instigating the conflict and for turning and twisting it to its ultimate major proportions. Acting directly and indirectly, sometimes seen and sometimes unseen, the various gods nudged the principal actors of this human drama to their fates. And behind it all was Jove (Jupiter/Zeus): "While the

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other gods and the armed warriors on the plain slept soundly, Jove was wakeful, for he was thinking how to do honor to Achilles and destroy much people at the ships of the Achaeans." Even before the battle was joined, the god Apollo began the hostilities: "He sat himself down away from the ships with a face as dark as night, and his silver bow rang death as he shot his arrow in the midst of them [the Achaeans] . . . For nine whole days he shot his arrows among the people. . . . And all day long, the pyres of the dead were burning." When the contending sides agreed to postpone hostilities so that their leaders might decide the issue in hand-to-hand combat, the unhappy gods instructed the goddess Minerva: "Go at once into the Trojan and Achaean hosts, and contrive that the Trojans shall be the first to break their oaths and set upon the Achaeans." Eager for the mission, Minerva "shot through the sky as some brilliant meteor ... a fiery train of light followed in her wake." Later on, lest the raging warfare cease for the night, Minerva turned night into day by lighting up the battlefield: She "lifted the thick veil of darkness from their eyes, and much light fell upon them, both on the side of the ships and on where the fight was raging; and the Achaeans could see Hector and all his men." As the battles raged on and on, sometimes pitching one hero against another, the gods, too, kept a watchful eye over individual warriors, swooping down to snatch away a beleaguered hero or to steady a driverless chariot. But when the gods and goddesses, finding themselves on opposing sides, began to hurt each other, Zeus called a halt, ordering them to keep out of the mortals’ fighting. The respite did not last long, for many of the leading combatants were sons of gods or goddesses (by human mates). Especially angered was Mars, when his son Ascalaphus was pierced to death by one of the Achaeans. "Do not blame me, ye gods that dwell in heaven, if I go to the ships of the Achaeans and avenge the death of my son," Mars announced to the other Immortals, "even if in the end I shall be struck by Jove’s lightning and shall lie in blood and dust among the corpses." "So long as the gods held themselves aloof from the mortal warriors," wrote Homer, "the Achaeans were triumphant, for Achilles who has long refused to fight was now with them." But in view of the mounting anger among the gods, and the help the Achaeans were now getting from the demigod Achilles, Jove changed his mind:

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THE WARS OF GODS AND MEN "For my own part, I shall stay here. seated on Mount Olympus, and look on in peace. But you others, do go among the Trojans and Achaeans, and help either side as you might be disposed." Thus spake Jove, and gave the word for war; Whereon the gods took their several sides and went into battle.

The Battle of Troy, indeed Troy itself, were long thought of as just part of the fascinating but incredible Greek legends, which scholars have tolerantly called mythology. Troy and the events pertaining to it were still considered to be purely mythological when Charles McLaren suggested, back in 1822, that a certain mound in eastern Turkey, called Hissarlik. was the site of the Homeric Troy. It was only when a businessman named Heinrich Schliemann, risking his own money, came up with spectacular discoveries as he dug up the mound in 1870, that scholars began to acknowledge the existence of Troy. It is now accepted that the Battle of Troy had actually taken place in the thirteenth century B.C. It was then, according to the Greek sources, that gods and men had fought side by side: in such beliefs the Greeks were not alone. In those days, though the tip of Asia Minor facing Europe and the Aegean Sea were dotted with what were essentially Greek settlements, Asia Minor proper was dominated by the Hittites. Known at first to modem scholars only from biblical references, then from Egyptian inscriptions, the Hittites and their kingdom Hattialso came to life as archaeologists began to uncover their ancient cities. The decipherment of the Hittite script and their Indo-European language made it possible to trace their origins to the second millennium B.C., when Aryan tribes began to migrate from the Caucasus areasome southeast to India, others south west to Asia Minor. The Hittite kingdom nourished circa 1750 B.C. and began to decline five hundred years later. It was then that the Hittites were harassed by incursions from across the Aegean Sea. The Hittiles spoke of the invaders as the people of Achiyawa; many scholars believe that they were the very same people whom Homer called Achioithe Achaeans, whose attack upon the w estern tip of Asia Minor he immortalized in the Iliad. For centuries prior to the war of Troy, the Hittites expanded their kingdom to imperial proportions, claiming to have done so upon the orders of their supreme god TESHUB ("The Stormer").

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His olden title was "Storm God Whose Strength Makes Dead." and Hittite kings sometimes claimed that the god had actually taken a hand in the battle: "The mighty Stormgod, my Lord," [wrote the king Murshilis]. "showed his divine power and shot a thunderbolt" at the enemy, helping to defeat it. Also aiding the Hittites in battle was the goddess ISHTAR, whose epithet was "Lady of the battlefield." It was to her "Divine Power" that many a victory was attributed, as she "came down [from the skies] to smile the hostile countries." Hittite influence, as many references in the Old Testament indicate, extended south into Canaan; but they were there as settlers, not as conquerors. While they treated Canaan as a neutral zone, laying to it no claim, this was not the attitude of the Egyptians. Repeatedly the Pharaohs sought to extend their rule northward to Canaan and the Cedar Land (Lebanon); they succeeded in doing so. circa 1470 B.C.. when they defeated a coalition of Canaanite kings at Megiddo. The Old Testament, and inscriptions left by the Hitti tes’ foes, pictured the Hittites as expert warriors who perfected the use of the chariot in the ancient Near East. But the Hittites’ own inscriptions suggest that they went to war only when the gods gave the word, that the enemy was offered a chance to surrender peacefully before hostilities began, and that once a war was won, the Hittites were satisfied to receive tribute and take captives: the cities were not sacked; the populace was not massacred. But Thothmes III. the Pharaoh who was victorious at the battle of Megiddo. was proud to say in his inscriptions: "Now his majesty went north, plundering towns and laying encampments waste." Of a vanquished king the Pharaoh wrote: "I desolated his towns, set fire to his encampments, made mounds of them; t h e i r resettlement can never take place. All the people I captured. I made prisoners; their countless cattle I carried off, and their goods as well. I took away every resource of life; I cut down their grain and felled all their groves and all their pleasant trees. I totally destroyed it." It was all done, the Pharaoh wrote, on the say-so of AMONRA, his god. The vicious nature of Egyptian warfare and the pitiless destructiveness they inflicted upon a vanquished foe were subjects of boastful inscriptions. The Pharaoh Pepi I, for example, commemorated his victory over the Asiatic "sand-dwellers" in a poem which hailed the army which "hacked up the land of the sand-dwellers . . . cut down its fig trees and vines . . . cast fire into all its dwell-

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ings. killed its people by many tens of thousands." The commemorative inscriptions were accompanied by vivid depictions of the battle scenes (Fig. 1).

Adhering to this wanton tradition, the Pharaoh Pi-Ankhy, who sent troops from Upper Egypt to subdue the rebellious Lower Egypt, was enraged by his generals’ suggestion that adversaries who survived the battle be spared. Vowing "destruction forever," the Pharaoh announced that he would conic to the captured city "to ruin that which had remained." For this, he stated, "My father Amon praises me." The god Amon, to whose battle orders the Egyptians attributed their viciousness, found his match in the God of Israel. In the words of the Prophet Jeremiah, "Thus sayeth the Lord of Hosts, the God of Israel: ’I will punish Amon, god of Thebes, and those who trust in him, and shall bring retribution upon Egypt and its gods, its Pharaoh and its kings.’ " This, we learn from the Bible, was an ongoing confrontation; nearly a thousand years earlier, in the days of the Exodus, Yahweh, the God of Israel, smote Egypt with a scries of afflictions intended not only to soften the heart of its ruler but also as "judgments against all the gods of Egypt." The miraculous departure of the Israelites out of bondage in Egypt to the Promised Land was attributed in the biblical tale of Exodus to the direct intervention of Yahweh in those momentous events:

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And they journeyed from Succoth and encamped at Etham, at the edge of the desert. And Yahweh went forth before them, by day in a pillar of cloud to lead them the way, and by night in a pillar of fire to give them light. There then ensued a sea battle of which the Pharaoh preferred to leave no inscriptions; we know of it from the Book of Exodus: And the heart of the Pharaoh and his servants was changed with respect to the people. . . . And the Egyptians pursued after them, and they overtook them encamped by the sea. . . . And Yahweh drove back the sea with a strong east wind all that night, and dried up the waters; and the waters separated. And the Children of Israel went into the midst of the sea upon dry ground. . . . At daybreak, when the Egyptians realized what had happened, the Pharaoh ordered his chariots after the Israelites. But: It came to pass at the time of the morning watch that Yahweh surveyed the camp of the Egyptians from the pillar of fire and cloud; And he stunned the Egyptian camp and loosened the wheels of their chariots, making their driving difficult. And the Egyptians said: "Let us flee from the Israelites, for Yahweh fighteth for them against Egypt." But the Egyptian ruler pursuing the Israelites ordered his chariots to press on with the attack. The result was calamitous for the Egyptians: And the waters returned, and covered the chariots and the horsemen and all the host of the Pharaoh that was following them; not one of them remained. . . . And Israel beheld the great power which Yahweh had shown upon the Egyptians.

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THE WARS OF GODS AND MEN

The biblical language is almost identical to the words of a later Pharaoh, Ramses II, used by h i m to describe the miraculous appearance of" Amon-Ra at his side during a decisive battle fought with the Hittites in 1286 B.C. Taking place at the fortress of Kadesh in Lebanon, the battle pitted four divisions of the Pharaoh Ramses II against forces mobilized by the Hittite king Muwatallis from all parts of his empire. It ended with an Egyptian retreat, cutting short Egypt’s northward thrust toward Syria and Mesopotamia. It also drained H i t t i t e resources and left them weakened and exposed. The Hittite victory might have been more decisive, for they had almost captured the Pharaoh himself. Only partial Hittite inscriptions dealing with the battle have been found; but Ramses, on his return to Egypt, saw fit to describe in detail the miracle of his escape.

Fig. 2 His inscriptions on temple walls, accompanied by detailed illustrations (Fig. 2), relate how the Egyptian armies had reached Kadesh and encamped south of it. readying themselves for the battle. Surprisingly the Hittite enemy did not step forward to do battle. Ramses then ordered two of his divisions to advance toward the fortress. It was then that the Hittite chariots appeared as if from nowhere, attacking the advancing divisions from behind and causing havoc in the encampments of the two others. As the Egyptian troops began to flee in panic. Ramses suddenly realized that "His Majesty was all alone with his bodyguard": and "when the king looked behind him, he saw that he was blocked off by 2,500 chariots"not his own but of the Hittites. Abandoned by

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his officers, charioteers, and infantry, Ramses turned to his god, reminding him that he finds himself in this predicament only because he had followed the god’s orders: And His Majesty said: "What now, my Father Amon? Has a father forgotten his son? Have I ever done anything without you? Whatever I did or did not do, was it not in accordance with your commands?" Reminding the Egyptian god that the enemy was beholden to other gods, Ramses went on to ask: "What are these Asiatics to you. O Amon? These wretches who know nothing of thee, O God?" As Ramses went on pleading with his god Amon to save him, for the god’s powers were greater than those of "millions of foot soldiers, of hundreds of thousands of chariot-soldiers," a miracle happened: the god showed up on the battlefield! Amon heard when I called him. He held out his hand to me, and I rejoiced. He stood behind me and called out: "Forward! Forward! Ramses, beloved of Amon, I am with thee!" Following the command of his god, Ramses tore into the enemy troops. Under the influence of the god the Hittites were inexplicably enfeebled: "their hands dropped to their sides, they were unable to shoot their arrows nor raise their spears." And they called unto one another: "This is no mortal who is among us: this is a mighty god; his deeds are not the deeds of a man; a god is in his limbs." Thus unopposed, slaying the enemy left and right, Ramses managed to escape. After the death of Muwatallis, Egypt and the Hittite kingdom signed a peace treaty, and the reigning Pharaoh took a Hittite princess to be his principal wife. The peace was needed because not only the Hittites but also the Egyptians were increasingly coming under attack by "Peoples of the Sea"invaders from Crete and other Greek islands. They gained a foothold on the Mediterranean coast of Canaan to become the biblical Philistines; but their attacks on Egypt proper were beaten back by the Pharaoh Ramses III, who

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commemorated the battle scenes on temple walls (Fig. 3). He attributed his victories to his strict adherence to "the plans of the AllLord, my august divine father, the Lord of the Gods." It was to his god Amon-Ra, Ramses wrote, that the credit for the victories was due: for it was "Amon-Ra who was after them, destroying them."

Fig. 3 The bloody trail of man’s war against his fellow men in behalf of the gods now takes us back to Mesopotamiathe Land Between the Rivers (Euphrates and Tigris)the biblical Land of Shin’ar. There, as is related in Genesis 11, the first-ever cities arose, with buildings made with bricks and towers that scraped the skies. It was there that recorded history began; it was there that prehistory began with the settlements of the Olden Gods. It is a tale of long ago, which we will soon unfold. But right now let us return to a thousand years before the dramatic times of Ramses II in Egypt. Then, in faraway Mesopotamia, kingship was taken over by an ambitious young man. He was called SharruKin"Righteous Ruler": our textbooks call him Sargo n the First. He built a new capital city, calling it Agade, and established the kingdom of Akkad. The Akkadian language, written in a wedgelike (cuneiform) script, was the mother tongue of all the Semitic languages, of which Hebrew and Arabic are still in use. Reigning for the better part of the twenty-fourth century B.C., Sargon attributed his long reign (fifty-four years) to the special status granted him by the Great Gods, who made him "Overseer of Ishtar. Anointed Priest of ANU. Great Righteous Shepherd of ENLIL." It was Enlil, Sargon wrote, "who did not let anybody oppose Sargon" and who gave Sargon "the region from the Upper Sea to the Lower Sea" (from the Mediterranean to the Persian

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Gulf). It was therefore to "the gate of the House of Enlil" that Sargon brought the captive kings, ropes tied to the dog collars around their necks. In one of his campaigns across the Zagros mountains, Sargon experienced the same godly feat that the combatants at Troy had witnessed. As he ’"was moving into the land of Warahshi . . . when he pressed forward in the darkness . . . Ishtar made a light to shine for him." Thus was Sargon able to "penetrate the gloom" of darkness as he led his troops through the mountain passes of today’s Luristan. The Akkadian dynasty begun by Sargon reached its peak under his grandson Naram-Sin ("Whom the god Sin loves"). His conquests, Naram-Sin wrote on his monuments, were possible because his god had armed him with a unique weapon, the "Weapon of the God," and because the other gods granted him their explicit consentor even invited himto enter their regions. Naram-Sin’s principal thrust was to the northwest, and his conquests included the city-state of Ebla, whose recently discovered archive of clay tablets has caused great scientific interest: "Although since the time of the separation of mankind none of the kings has ever destroyed Annan and Ibla, the god Nergal did open up the path for the mighty Naram-Sin and gave him Annan and Ibla. He also gave him as a present Amanus, the Cedar Mountain, to the Upper Sea." Just as Naram-Sin could attribute his successful campaigns to his heeding the commands of his gods, so was his downfall attributed to his going to war against the word of the gods. Scholars have put together from fragments of several versions a text that has been titled The Legend of Naram-Sin. Speaking in the first person. NaramSin explains in this talc of woe that his troubles began when the goddess Ishtar "changed her plan" and the gods gave their blessing to "seven kings, brothers, glorious and noble; their troops numbered 360,000." Coming from what is now Iran, they invaded the mountain lands of Gutium and Elam to the east of Mesopotamia and were threatening Akkad itself. Naram-Sin asked the gods what to do and was told to put aside his weapons and, instead of going to battle, to go sleep with his wife (but, for some deep reason, avoid making love): The gods reply to him: "O Naram-Sin, this is our word: This army against you . . . Bind your weapons, in a corner place them!

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THE WARS OF GODS AND MEN Hold back your boldness, stay at home! Together with your wife, in bed go sleep. but with her you must not . . . Out of your land, unto the enemy, you must not go."

But Naram-Sin. announcing that he would rely on his own weapons, decided to attack the enemy in spite of the gods’ advice. "When the first year arrived, I sent out 120,000 troops, but none of them returned alive," Naram-Sin confessed in his inscription. More troops were annihilated in the second and third years, and Akkad was succumbing to death and hunger. On the fourth anniversary of the unauthorized war, Naram-Sin appealed to the great god Ea to overrule Ishtar and put his case before the other gods. They advised him to desist from further fighting, promising that "in days to come, Enlil will summon perdition upon the Sons of Evil," and Akkad would have respite. The promised era of peace lasted about three centuries, during which the olden part of Mesopotamia. Sumer, reemerged as the center of kingship, and the oldest urban centers of the ancient world Ur, Nippur, Lagash, Isin, Larsaflourished again. Sumer, under the kings of Ur, was the center of an empire that encompassed the whole of the ancient Near East. But toward the end of the third millennium B.C., the land became the arena for contending loyalties and opposing armies; and then that great civilizationman’s first known civilizationsuccumbed to a major catastrophe of unprecedented proportions. It was a fateful event which, we believe, was echoed in biblical tales. It was an event whose memory lingered on for a long time, commemorated and bewailed in numerous lamentation poems; they gave a very graphic description of the havoc and desolation that befell that great heartland of ancient civilization. It was, those Mesopotamian texts stated, a catastrophe that befell Sumer as a result of a decision of the great gods sitting in council. It took southern Mesopotamia almost a century to be resettled and another century to fully recover from the divine annihilation. By then, the center of Mesopotamian power had shifted northward, to Babylon. There, a new empire was to rise, proclaiming an ambitious god. MARDUK, as its supreme deity. Circa 1800 B.C.. Hammurabi, the king renowned for his law code, ascended the throne in Babylon and began to extend its boundaries. According to his inscriptions the gods not only told

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him if and when to launch his military campaigns but were literally leading his armies: Through the power of the great gods the king, beloved of the god Marduk. reestablished the foundations of Sumer and Akkad. Upon the command of Anu. and with Enlil advancing in front of his army, with the mighty powers which the great gods gave him. he was no match for the army of Emutbal and its king Rim-Sin. . . . To defeat more enemies the god Marduk granted Hammurabi a "powerful weapon" called "Great Power of Marduk": With the Powerful Weapon with which Marduk proclaimed his triumphs, the hero [Hammurabi] overthrew in battle the armies of Eshnuna, Subartu and Gutium. . . . With the "Great Power of Marduk" he overthrew the armies of Sutium, Turukku, Kamu. . . . With the Mighty Power which Anu and Enlil had given him he defeated all his enemies as far as the country of Subartu. But before long Babylon had to share its might with a new rival to its northAssyria, where not Marduk but the bear ded god ASHUR ("The All-Seeing") was proclaimed supreme. While Babylon tangled with the lands to its south and east, the Assyrians extended their rule northward and westward, as far as "the country of Lebanon, on the shores of the Great Sea." These were lands in the domains of the gods NINURTA and ADAD, and the Assyrian kings carefully noted that they launched their campaigns on the explicit commands of these great gods. Thus, Tiglat-Pileser I commemorated his wars, in the twelfth century B.C., in the following words: Tiglat-Pileser. the legitimate king, king of the world, king of Assyria, king of all the four regions of the earth; The courageous hero who is guided by the trust-inspiring commands given by Ashur and Ninurta, the great gods, his lords, thus overthrowing his enemies. . . .

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THE WARS OF GODS AND MEN At the command of my lord Ashur, my hand conquered from beyond the lower Zab River to the Upper Sea which is in the west. Three times I did march against the Nairi countries. ... I made bow to my feet 30 kings of the Nairi countries. 1 took hostages from them, I received as their tribute horses broken to the yoke. . . . Upon the command of Anu and Adad, the great gods, my lords, I went to the Lebanon mountains; I cut cedar beams for the temples of Anu and Adad.

In assuming the title "king of the world, king of the four regions of the Earth," the Assyrian kings directly challenged Babylon, for Babylon encompassed the ancient region of Sumerand Akkad. To legitimize their claim the Assyrian kings had to take control of those olden cities where the Great Gods had their homes in olden times; but the way to these sites was blocked by Babylon. The feat was achieved in the ninth century B.C. by Shalmaneser III; he said thus in his inscriptions: I marched against Akkad to avenge . . . and inflicted defeat. ... I entered Kutha, Babylon and Borsippa. I offered sacrifices to the gods of the sacred cities of Akkad. I went further downstream to Chaldea, and received tribute from all the kings of Chaldea. . . . At that time, Ashur, the great lord . . . gave me scepter, staff ... all that was necessary to rule the people. I was acting only upon the trustworthy commands given by Ashur, the great lord, my lord who loves me. Describing his various military campaigns, Shalmaneser asserted that his victories were achieved with weapons provided by two gods: "I fought with the Mighty Force which Ashur, my lord, had given me; and with the strong weapons which Nergal, my leader, had presented to me." The weapon of Ashur was described as having a "terrifying brilliance." In a war with Adini the enemy fled on seeing "the terrifying Brilliance of Ashur; it overwhelmed them." When Babylon, after several acts of defiance, was sacked by the Assyrian king Sennacherib (in 689 B.C), its demise was made possible because its own god, Marduk, became angry with its king and people, and decreed that "seventy years shall be the measure of its desolation"exactly as the God of Israel had later decreed for Jerusalem. With the subjugation of the whole of Mesopotamia, Sennacherib was able to assume the cherished title "King of Sumer and Akkad."

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In his inscriptions, Sennacherib also described his military campaigns along the Mediterranean coast, leading to battles with the Egyptians at the gateway to the Sinai peninsula. His list of conquered cities reads like a chapter in the Old TestamentSidon, Tyre, Byblos, Akko, Ashdod, Ashkalon"strong cities " that Sennacherib "overwhelmed" with the aid of "the awe-inspiring Brilliance, the weapon of Ashur, my lord." Reliefs that illustrate his campaigns (as the one depicting the siege of Lachish, Fig. 4) show the attackers using rocketlike missiles against their enemy. In

Fig. 4

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the conquered cities Sennacherib ’"killed their officials and patricians . . . and hung their bodies on poles surrounding the city; the common citizens I considered prisoners of war." An artifact known as the Prism of Sennacherib preserved an historical inscription in which he made mention of the subjugation of Judea and his attack on Jerusalem. The quarrel Sennacherib had with its king, Hezekiah. was the fact that he held captive Padi, the king of the Philistine city of Ekron, "who was loyal to his solemn oath to his god Ashur." "As to Hezekiah, the Judean." Sennacherib wrote, "who did not submit to my yoke, I laid siege to forty-six of his strong cities, walled forts, and to the countless small villages in their vicinity. . . . Hezekiah himself I made captive in Jerusalem, his royal residence; like a bird in a cage I surrounded him with earthworks. . . . His towns which I had plundered I cut off from his land and gave them over to Mitinti, king of Ashdod; Padi. king of Ekron; and Sillibel, king of Gaza. Thus I reduced his country." The siege of Jerusalem offers several interesting aspects. It had no direct cause but only an indirect one: the forced holding there of the loyal king of Ekron. The "awe-inspiring Brilliance, the weapon of Ashur," which was employed to "overwhelm the strong cities" of Phoenicia and Philistia, was not used against Jerusalem. And the customary inscriptional ending"I fought with them and inflicted defeat upon them"is missing in the case of Jerusalem; Sennacherib merely reduced the size of Judea by giving its outlying areas to neighboring kings. Moreover, the usual claim that a land or a city was attacked upon the "trustworthy orders" of the god Ashur was also absent in the case of Jerusalem; one wonders whether all this meant that the attack on the city was an unauthorized attacka whim of Sennacherib himself but not the wish of his god? This intriguing possibility becomes a convincing probability as we read the other side of the storyfor such an oth er side docs exist in the Old Testament. While Sennacherib glossed over his failure to capture Jerusalem, the tale in II Kings, chapters 18 and 19, offers the full story. We learn from the biblical report that "in the fourteenth year of king Hezekiah Sennacherib, the king of Assyria, came upon all the walled cities of Judea and captured them." He then sent two of his generals with a large army to Jerusalem, the capital. But instead of storming the city, the Assyrian general Rab-Shakeh began a verbal exchange with the city’s leadersan exchange he ins isted on con-

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ducting in Hebrew so that the whole populace might understand him. What did he have to say that the populace ought to have known? As the biblical text makes clear, the verbal exchanges concerned the question of whether the Assyrian invasion of Judea was authorized by the Lord Yahweh! "And Rab-Shakeh said unto them: Speak ye now to Hezekiah: Thus sayeth the great king, the king of Assyria: What confidence is it wherein thou trusteth?" If ye say unto me: "We trust in Yahweh, our God" . . . Now then. Am I come against this place to destroy it without Yahweh? Yahweh did say unto me: "Go up against this land, and destroy it!" The more the ministers of king Hezekiah. standing upon the city’s walls, pleaded with Rab-Shakeh to cease saying these untrue things in Hebrew and to deliver his message in the then language of diplomacy, Aramaic, the more did Rab-Shakeh approach the walls to shout his words in Hebrew for all to hear. Soon he began to use foul language against Hezekiah’s emissaries; then he started to degrade the king himself. Carried away by his own oratory. RabShakeh abandoned his claim to have had Yahweh’s permission to attack Jerusalem and went on to belittle the God himself. When Hezekiah was told of the blasphemy, "he rent his clothes, and covered himself with sackcloth and went into the House of Yahweh. . . . And he sent word to the Prophet Isaiah, saying: ’This is a day of trouble, of rebuke, of blasphemy. . . . May Yahweh thy Lord hear all the words of Rab-Shakeh, whom his master the king of Assyria hath sent to scorn the Living God.’ And the word of the Lord Yahweh came back through his Prophet Isaiah: ’Concerning the king of Assyria . . . the way that he came, he shall return; and unto this city he shall not come in . . . for I shall defend this city to save it.’ " And it came to pass that night, that the angel of Yahweh went forth and smote in the camp of the Assyrians a hundred and eighty-five thousand;

18

THE WARS OF GODS AND MEN and at sunrise, lo and behold, they were all dead corpses. So Sennacherib, the king of Assyria. departed, and journeyed back and dwelt in Nineveh.

According to the Old Testament, after Sennacherib had returned to Nineveh, "it came to pass, as he was worshiping in the temple of his god Nisroch, that Adrammelech and Sharezzer his sons smote him with a sword; and they escaped unto the land of Ararat. And Esarhaddon, his son, reigned in his stead." Assyrian records confirm the biblical statement: Sennacherib was indeed so assassinated, and his younger son Esarhaddon did ascend the throne after him. An inscription of Esarhaddon known as Prism B describes the circumstances more fully. On the command of the great gods, Sennacherib had publicly proclaimed his younger son as successor. "He called together the people of Assyria, young and old, and he made my brothers, the male offspring of my father, take a solemn oath in the presence of the gods of Assyria ... in order to secure my succession." The brothers then broke their oath, killi ng Sennacherib and seeking to kill Esarhaddon. But the gods snatched him away "and made me stay in a hiding place . . . preserving me for kingship." After a period of turmoil Esarhaddon received "a trustworthy command from the gods: ’Go, do not delay! We will march with you!’ " The deity who was delegated to accompany Esarhaddon was Ishtar. As his brothers’ forces came out of Nineveh to beat off his attack on the capital, "Ishtar, the Lady of Battle, who wished me to be her high priest, stood at my side. She broke their bows, scattered their orderly battle array." Once the Ninevite troops were disorganized, Ishtar addressed them in behalf of Esarhaddon. "Upon her lofty command, they went over in masses to me and rallied behind me," Esarhaddon wrote, "and recognized me as their king." Both Esarhaddon and his son and successor Ashurbanipal attempted to advance against Egypt, and both employed Weapons of Brilliance in the battles. "The terror-inspiring Brilliance of Ashur," Ashurbanipal wrote, "blinded the Pharaoh so that he became a madman." Other inscriptions of Ashurbanipal suggest that this weapon, which emitted an intense, blinding brightness, was worn by the

The Wars of Man

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gods as part of their headgear. In one instance an enemy "was blinded by the brightness from the god-head." In another, "Ishtar. who dwells in Arbela, clad in Divine Fire and sporting the Radiant Headwear, rained flames upon Arabia." The Old Testament, too, refers to such a Weapon of Brilliance that could blind. When the Angels (literally, emissaries) of the Lord came to Sodom prior to its destruction, the populace attempted to break down the door of the house in which they were resting. So the Angels "smote the people at the entrance of the house with blindness . . . and they were unable to find the doorway." As Assyria rose to supremacy, even extending its rule over Lower Egypt, its kings, in the words of the Lord through his prophet Isaiah, forgot that they were only an instrument of the Lord: "Ho Assyria, the whip of mine anger! My wrath is the rod in their hands; against impious nations I send them; upon people who have crossed me I charge them." But the Assyrian kings went beyond mere punishment; "rather, it is in its heart to annihilate and wipe out nations not few." This went beyond the intention of the God; therefore, the Lord Yahweh announced, "I shall hold to account the king of Assyria, on account of the fruits of the growing haughtiness of his heart." The biblical prophecies predicting the downfall of Assyria indeed came true: As invaders from the north and cast were joined by rebellious Babylonians from the south, Ashur, the religious capital, fell in 614 B.C., and Nineveh, the royal capital, was captured and sacked two years later. The great Assyria was no more. The disintegration of the Assyrian empire was seized by vassal kings in Egypt and Babylonia as an opportunity to attempt the restoration of their own hegemonies. The lands between them were once again the cherished prize, and the Egyptians, under the Pharaoh Necho, were quicker in invading these territories. In Babylonia, Nebuchadnezzar IIas recorded in his inscriptionswas ordered by the god Marduk to march his ar my westward. The expedition was made possible because "another god," the one who held the original sovereignty over the area, "has not desired the cedar land" anymore; and now "a foreign enemy was ruling and robbing it." In Jerusalem the word of the Lord Yahweh through his prophet Jeremiah was to side with Babylon, for the Lord Yahwehcalling

20

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Nebuchadnezzar "’my servant"had decided to make th e Babylonian king the instrument of His wrath against the gods of Egypt: Thus sayeth Yahweh, Lord of Hosts, the God of Israel: "Indeed will I send for and fetch Nebuchadnezzar, my servant. . . . And he shall smite the land of Egypt, and deliver such as are for death to death, and such as are for captivity to captivity, and such as are for the sword to the sword. And I will kindle a fire in the house of Egypt’s gods, and he will burn them. . . . And he will break the obelisks of Heliopolis, the one which is in the land of Egypt; The houses of the gods of Egypt shall he bum with fire." In the course of this campaign the Lord Yahweh announced that Jerusalem, too. shall be punished on account of its people’s sins, having taken up the worship of the "Queen of Heaven" and of the gods of Egypt: "Mine anger and my fury shall be poured upon this place. . . and it shall burn and shall not be quenched. . . . In the city on which my name has been called, the doom will I begin." And so it was that in the year 586 B.C. "Nebuzaraddan, captain of the guard of the king of Babylon, came into Jerusalem; and he burned the House of Yahweh. and the king’s house, and all the houses of Jerusalem . . . and all the walls around Jerusalem were torn down by the army of the Chaldeans." This desolation, Yahweh promised, however, would last only Seventy years. The king who was to fulfill this promise and enable the rebuilding of the Temple of Jerusalem was Cyrus. His ancestors, speaking an Indo-European language, are believed to have migrated south from the Caspian Sea area to the province of Anshan along the eastern coast of the Persian Gulf. There Hakham-Anish ("Wise Man"), the leader of the migrants, began a dynasty we call Achaemenid; his descendantsCyrus, Darius. Xerxesm ade history as rulers of what was to be the Persian empire. When Cyrus ascended the throne of Anshan in 549 B.C., his land was a distant province of Elam and Media. In Babylon, then the center of power, the kingship was held by Nabunaid, who became king under most unusual circumstances: not by the customary choice by the god Marduk. but as a result of a unique pact between a High Priestess (the mother of Nabunaid) and the god

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Sin. A partly damaged tablet contains the eventual indictment of Nabunaid: "He set an heretical statue upon a base ... he called its name ’the god Sin’. ... At the proper time of the N Year Fesew tival, he advised that there be no celebrations. ... He confounded the rites and upset the ordinances." While Cyrus was busy fighting the Greeks of Asia Minor, Mardukseeking to restore his position as the national god of Babylon"scanned and looked throughout the countries, s earching for a righteous ruler willing to be led. And he called out the name of Cyrus. King of Anshan, and pronounced his name to be ruler of all the lands." After the first deeds of Cyrus proved to be in accord with (he god’s wishes. Marduk "ordered h i m to march against his own city Babylon. He made him [Cyrus) set out on the road to Babylon, going at his side like a real friend." Thus, literally accompanied by the Babylonian god, Cyrus was able to take Babylon without bloodshed. On a day equivalent to March 20, 538 B.C.. Cyrus "held the hands of Bel [The Lord] Marduk" in Babylon’s sacred precinct. On New Year’s Day his son, Cambyses, officiated at the restored festival honoring Marduk. Cyrus left his successors an empire that encompassed all the earlier empires and kingdoms but one. Sumer. Akkad. Babylon, and Assyria in Mesopotamia; Elam and Media to the east; the lands to the north; the Hittite and Greek lands in Asia Minor; Phoenicia and Canaan and Philistiaall had now come under one sovereign king and one supreme god. Ahura-Mazda, God of Truth and Light. He was depicted in ancient Persia (Fig. 5a) as a bearded deity roaming the skies within a Winged Discvery m uch in the manner in which the Assyrians had depicted their supreme god. Ashur (Fig. 5b). When Cyrus died in 529 B.C., the only remaining independent land with its independent gods was Egypt. Four years later his son and successor, Cambyses, led his troops along the Mediterranean coast of the Sinai peninsula and defeated the Egyptians at Pelusium; a few months later he entered Memphis, the Egyptian royal capital, and proclaimed himself a Pharaoh. Despite his victory, Cambyses carefully refrained from employing in his Egyptian inscriptions the usual opening formula "the great god. Ahura-Mazda, chose me." Egypt, he recognized, did not come within the domains of this god. In deference to the independent gods of Egypt, Cambyses prostrated himself before their statues, accepting their dominion. In return the Egyptian

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priests legitimized his rule over Egypt by granting him the title "Offspring of Ra." The ancient world was now united under one king, chosen by the "great god of truth and light" and accepted by the gods of Egypt. Neither men nor gods had cause left to war with each other. Peace on Earth! But peace failed to last. Across the Mediterranean Sea. the Greeks were increasing in wealth, power, and ambitions. Asia Minor, the Aegean Sea. and the eastern Mediterranean saw increasing clashes, both local and international. In 490 B.C., Darius I attempted to invade Greece and was defeated at Marathon; nine years later Xerxes I was defeated at Salamis. A century and a half later Alexander of Macedonia crossed over from Europe to launch a campaign of conquest that saw the blood of men flow in all the ancient lands as far as India. Was he carrying out a "trustworthy command" of the gods? On

The Wars of Man

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the contrary. Believing a legend that he was lathered by an Egyptian god. Alexander at first fought his way to Egypt to hear the god’s oracle confirm his semidivine origins. But the oracle also predicted his early death, and Alexander’s travels and conquests were thereafter motivated by a search for the Waters of Life, so that he might drink of them and evade his fate. He died, in spite of all the carnage, young and in his prime. And ever since, the Wars of Men have been the wars of men alone.

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2

THE CONTENDING OF HORUS AND SETH

Was it a sad commentary on the history of warfare that the messianic Essenes envisioned the Final War of Men as one in which the Company of the Divine would join the Congregation of the Mortals, and the "war cries of gods and men" would mingle on the battlefield? Not at all. What The War of the Sons of Light Against the Sons of Darkness had envisioned was simply that human warfare shall end just as it had begun: with gods and men fighting side by side. Incredible as it may sound, a document does exist that describes the first war in which the gods involved mortal men. It is an inscription on the walls of the great temple at Edfu, an ancient Egyptian holy city that was dedicated to the god Horus. It was there. Egyptian traditions held, that Horns established a foundry of "divine iron" and where, in a special enclosure, he maintained the great Winged Disk that could roam the skies. "When the doors of the foundry open," an Egyptian text declared, "the Disk riseth up": The inscription (Fig. 6), remarkable for its geographical accuracy, begins with an exact datea date not in the affairs of men but of the gods. It deals with events when the gods themselves, long before the Pharaohs, reigned over Egypt: In the year 363 His Majesty, Ra, the Holy One. the Falcon of the Horizon, the Immortal Who Forever Lives, was in the land of Khenn. He was accompanied by his warriors, for the enemies had conspired against their lord in the district which has been called Ua-Ua since that day. Ra went there in his boat, his companions with him. He landed in the district of the Throne Place of Horus, in the western part of this district, east of the House of Khennu, the one which has been called Royal Khennu from that time on. 25

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THE WARS OF GODS AND MEN Horus. the Winged Measurer, came to the boat of Ra. He said to his forefather: "O Falcon of the Horizon, I have seen the enemy conspire against thy Lordship, to take the Luminous Crown unto themselves."

Fig. 6 With a few words the ancient scribe succeeded in drawing the background as well as setting the stage for the unusual war that was about to unfold. We gather at once that the fighting was brought on by a conspiracy by certain "enemies" of the gods Ra and Horus, to take away the "Luminous Crown of Lordship" unto themselves. This, obviously, could have been done only by some other god or gods. To forestall the conspiracy Ra"accompanied by his war riors"went in his boat to a district where Horns had set up his headquarters.

The Contending of Horus and Seth

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The "boat" of Ra, as is known from many other texts, was a Celestial Boat in which Ra could soar to the farthest heavens. In this instance Ra used it to land far away from any waters, "in the western part" of the district of Ua-Ua. There he landed east of the "Throne Place" of Horus. And Horus came out to greet his forefather and reported to him that "the enemy" was gathering its forces. Then Ra, the Holy One, the Falcon of the Horizon, said unto Horus, the Winged Measurer: "Lofty issue of Ra. my begotten: Go quickly, knock down the enemy whom you have seen." So instructed. Horns took off in the Winged Disk to search for the enemy from the skies: So Horus, the Winged Measurer, flew up toward the horizon in the Winged Disk of Ra; it is therefore that he has been called from that day on "Great God. Lord of the Skies." From the skies, flying in the Winged Disk. Horus spotted the enemy forces and unleashed upon them a "storm" that could neither be seen nor heard, yet it brought instantaneous death: In the heights of the skies, from the Winged Disk, he saw the enemies, and came upon them from behind. From his forepart he let loose against them a Storm which they could neither see with their eyes, nor hear with their ears. It brought death to all of them in a single moment; not a being remained alive through this. Horus then flew back to the boat of Ra in the Winged Disk, "which shined in many colors." and heard his victory made official by Thoth. the god of magical crafts: Then Horus, the Winged Measurer, reappeared in the Winged Disk, which shined in many colors; and he came back to the boat of Ra, the Falcon of the Horizon. And Thoth said: "O Lord of the gods! The Winged Measurer has returned in the great Winged Disk, shining with many colors". . . .

2X

THE WARS OF GODS AND MEN

Therefore is he named from that day on "The Winged Measurer." And they named after Horus, the Winged Measurer, the city of Hut "Behutet," from that day on. It was in Upper Egypt that the first battle, above reported, had taken place between Horus and "the enemies." Heinrich Brugsch, who first published the text of the inscription back in 1870 (Die Sage von der geflugten Sonnenscheibe), suggested that the "Land of Khenn" was Nubia, and that Horus had spotted the enemies at Syene (today’s Aswan). More recent studies, such as Egypt in Nubia by Walter B. Emery, agree that Ta-Khenn was Nubia and that Ua-Ua was the name of its northern part, the area between the Nile’s first and second cataracts. (The southern part of Nubia was called Kush.) These identifications seem valid, since the city of Behutet. which was granted to Horus as a prize for his first victory, was the very city of Edfu, which has been dedicated to Horus ever since. Traditions held that Edfu was where Horus established a divine metal foundry, at which unique weapons made of "divine iron" were forged. It was there, too. that Horus trained an army of mesniu"Metal People." They were depicted on the wa lls of the temple of Edfu as men with shaven heads, wearing a short tunic and a deep collar, carrying weapons in each hand. A depiction of an unidentified, harpoonlike weapon was included in the hieroglyphic words for "divine iron" and "metal people." The mesniu were, according to Egyptian traditions, the first men ever to have been armed by the gods with weapons made of metal. They also were, as we shall soon gather from the unfolding tale, the first men to have been enlisted by a god to fight in the wars between the gods. The area between Aswan and Edfu now firmly secured, and men-warriors armed and trained, the gods were ready to advance northward, toward the heartland of Egypt. The initial victories apparently also strengthened the alliance of the gods, for we are told that the Asiatic goddess Ishtar (the Egyptian text calls her by her Canaanite name, Ashtoreth) had joined the group. Hovering in the sky, Horus called on Ra to scout the land below: And Horus said: "Advance, O Ra! Look for the enemies who are lying below, upon the land!" Then Ra, the Holy One, travelled forth; and Ashtoreth was

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with him. And they looked for the enemies upon the land; but each one of them was hidden. Since the enemies on the land were hidden from sight, Ra had an idea: "And Ra said unto the gods accompanying him: ’Let us guide our vessel toward the water, for the enemy lies in the land.’ And they called the waters ’The Travelled Waters’ f om that day r on." While Ra could utilize the amphibious capabilities of his vehicle, Horus was in need of a waterborne vessel. So they gave him a boat, "and called it Mak-A (Great Protector) unto this day." It was then that the first battle involving mortal men ensued: But the enemies too went into the waters, making themselves as crocodiles and hippopotami, and they were striking at the boat of Ra, the Falcon of the Horizon. . . . It was then that Horus, the Winged Measurer, came along with his helpers, those who served as warriors, each one called by name, with the Divine Iron and a chain in their hands, and they beat off the crocodiles and the hippopotami. And they hauled up 651 enemies to that place; they were killed in sight of the city. And Ra. the Falcon of the Horizon, said unto Horus, the Winged Measurer: "Let this place be known as the place where thine victory in the southlands has been established." Having vanquished their enemies from the skies, on land, and in the waters, the victory of Horus seemed complete; and Thoth called for a celebration: Then said Thoth unto the other gods: "O Gods of Heaven, let your hearts rejoice! O Gods of Earth, let your hearts rejoice! The young Horus has brought peace, having performed extraordinary feats in this campaign." It was then that the Winged Disk was adopted as the emblem of Horus victorious: It is from that day that the metal emblems of Horus have existed. It was Horus who had fashioned as his emblem the Winged Disk, placing it upon the forepart of the boat of Ra. The goddess of the north and the goddess of the south, represented as two serpents, he placed alongside.

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THE WARS OF GODS AND MEN And Horus stood behind the emblem, upon the boat of Ra, the Divine Iron and the ehain in his hand.

In spite of the proclamation of Horus by Thoth as a bringer of peace, peace was not yet in hand. As the company of the gods kept advancing northward, "they glimpsed two brightnesses on a plain southeast of Thebes. And Ra said to Thoth: "This is the enemy; let Horus slaughter them. ..." And Horus made a great massacre among them." Once again, with the aid of the army of men he had trained and armed, Horus was victorious; and Thoth kept naming the locations after the successful battles. While the first aerial battle broke through the defenses separating Egypt from Nubia at Syene (Aswan), the ensuing battles on land and water secured for Horus the bend of the Nile, from Thebes to Dendera. There great temples and royal sites proliferated in days to come. Now the way was open into the heartland of Egypt. For several days the gods advanced northwardHorus keeping watch from the skies in the Winged Disk, Ra and his companions sailing down the Nile, and the Metal People guarding the flanks on land. A series of brief, but fierce, encounters then ensued; the place nameswell established in ancient Egyptian ge ographyindicate that the attacking gods reached the area of lakes that had stretched in antiquity from the Red Sea to the Mediterranean (some of which still remain): Then the enemies distanced themselves from him, toward the north. They placed themselves in the water district, facing the back-sea of the Mediterranean; and their hearts were stricken with fear of him. But Horus. the Winged Measurer, followed close behind them in the boat of Ra, the Divine Iron in his hand. And all his Helpers, armed with weapons of iron forged, were staged all around. But the attempt to surround and entrap the enemies did not succeed: ’"For four days and four nights he roamed the waters in pursuit of them, without seeing even one of the enemies." Ra then advised him to go up again in the Winged Disk, and this lime Horus was able to see the fleeing enemies; "he hurled his Divine Lance after them and he slew them, and performed a great over-

The Contending of Horns and Seth

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throw of them. He also brought 142 enemy prisoners to the forepart of the boat of Ra," where they were quickly executed. The Edfu temple inscription now shifts to a new panel, for indeed there began a new chapter in that War of the Gods. The enemies that had managed to escape "directed themselves by the Lake of the North, setting themselves toward the Mediterranean, which they desired to reach by sailing through the water district. But the god smote their hearts [with fear), and when they reached the middle of the waters as they fled, they directed themselves from the western lake to the waters which connect with the lakes of the district Mer, in order to join themselves there with the enemies who were the Land of Seth." These verses provide not only geographical information; they also identify "the enemies" for the first time. The conflict had shifted to the chain of lakes that in antiquity, much more than nowadays, physically separated Egypt proper from the Sinai peninsula. To the east, beyond this watery barrier, lay the domain of Seth the erstwhile adversary and slayer of Osiris, the father of Horns. Seth, we now learn, was the enemy against whose forces Horus had been advancing from the south. And now Horus reached the line dividing Egypt from the Land of Seth. For a while there was a lull in the fighting, during which Horus brought up to the front line his armed Metal People, and Ra reached the scene in his boat. The enemies, too, regrouped and crossed back the waters, and a major battle followed. This time, 381 of the enemy were captured and executed (no casualty figures on the side of Horus are ever given in the text); and Horus. in hot pursuit, crossed the waters into the territory of Seth. It was then, according to the inscription in the great temple of Edfu, that Seth was so enraged that he faced Horus for a series of battleson the ground and in the airfor god-to-god combat. Of this combat there have been found several versions, as we shall see. What is interesting at this point is the fact brought out by E. A. Wallis Budge in The Gods of the Egyptians: that in the first involvement of men in the Wars of the Gods, it was the arming of mankind with the Divine Iron that brought victory to Horus: "It is pretty clear that he owed his success chiefly to the superiority of the weapons with which he and his men were armed, and to the material of which they were made." Thus, according to Egyptian writings, did man learn to lift sword against man. When all the fighting was over, Ra expressed satisfaction with

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the works of "these Metal People of Horus," and he decreed that henceforth they "shall dwell in sanctuaries" and shall be served with libations and offerings "as their reward, because they have slain the enemies of the god Horus." They were settled at Edfu, the Upper Egypt capital of Horus, and in This (Tanis in Greek, the biblical Zo’an), the Lower Egypt capital of the god. In time they outgrew their purely military role and attained the title Shamsu-Hor ("Attendants of Horus"), serving as his human aides and emissaries. The inscription on the temple walls at Edfu. it has been established, was a copy of a text that was known to the Egyptian scribes from earlier sources; but when and by whom the original text had been composed, no one can really tell. Scholars who have studied the inscription have concluded that the accurate geographical and other data in the text indicate (in the words of E. A. Wallis Budge) "that we are not dealing entirely with mythological events; and it is nearly certain that the triumphant progress ascribed to HorBehutet (Horus of Edfu) is based upon the exploits of some victorious invader who established himself at Edfu in very early times." As with all Egyptian historical texts, this one, too, begins with a date: "In the year 363." Such dates always indicate the year in the reign of the Pharaoh to whom the event pertains: each Pharaoh had his first year, second year, and so on. The text in question, however, deals not with the affairs of kings but with divine mattersa war among the gods. The text thus relates events that had happened in the "year 363" in the reign of certain gods and takes us back to the early times when gods, not men, ruled over Egypt. That there indeed had been such a time, Egyptian traditions left no doubt. The Greek historian Herodotus (fifth century B.C.), on his extensive visit to Egypt, was given by the priests details of the Pharaonic dynasties and reigns. "The priests," he wrote, "said that Men was the first king of Egypt, and that it was he who raised the dyke which protects Memphis from the inundations of the Nile," diverted the river, and proceeded to build Memphis on the reclaimed land. "Besides these works he also, the priests said, built the temple of Vulcan, which stands within the city, a vast edifice, very worthy of mention. "Next they read me from a papyrus the names of 330 monarchs who were his successors upon the throne. In this number of successors there were eighteen Ethiopian kings, and one queen who was a native: all the rest were kings and Egyptians."

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The priests then showed Herodotus rows of statues representing the successive Pharaohs and related to him various details pertaining to some of these kings and their claims to divine ancestry. "The beings represented by these images were very far indeed from being gods," Herodotus commented; "however," he went on to say: In times preceding them it was otherwise: Then Egypt had gods for its rulers, who dwelt upon the Earth with men, one of them being always supreme above the rest. The last of these was Horus, the son of Osiris, whom the Greeks called Apollo. He deposed Typhon, and ruled over Egypt as its last god-king. In his book Against Apion, the first-century Jewish historian Flavius Josephus quoted as one of his sources on the history of Egypt the writings of an Egyptian priest named Manetho. Such writings were never found; but any doubt regarding the existence of such a historian was dispelled when it was realized that his writings formed the basis for several works by later Greek historians. It is now established with certainty that Manetho (his hieroglyphic name meant "Gift of Thoth"), indeed a high priest and great scholar, compiled the history of Egypt in several volumes at the command of king Ptolemy Philadelphus circa 270 B.C. The original manuscript was deposited in the great library of Alexandria, only to perish there together with numerous other invaluable documents when the building and its contents were set on fire by Muslim conquerors in A.D. 642. Manetho was the first known historian to have divided the Egyptian rulers into dynastiesa practice continued to this day. His King Listnames, lengths of reign, order of success ion, and some other pertinent informationhas been mainly preserv ed through the writings of Julius Africanus and Eusebius of Caesarea (in the third and fourth centuries A.D.). These and other versions based on Manetho agree that he listed as the first ruler of the first dynasty of Pharaohs the king Men (Menes in Greek)the very same king that Herodotus reported, based on his own investigations in Egypt. This fact has since been confirmed by modem discoveries, such as the Tablet of Abydos (Fig. 7) in which the Pharaoh Seti I, accompanied by his son, Ramses II, listed the names of seventy-five of his predecessors. The first one to be named is Mena.

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Fig. 7

The Contending of Horus and Seth

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If Herodotus was correct in regard to the dynasties of Egyptian Pharaohs, could he also have been right in regard to a "preceding time" when ’"Egypt had gods for its rulers"? Manetho. we find, had agreed with Herodotus also on that matter. The dynasties of the Pharaohs, he wrote, were preceded by four other dynastiestwo of gods, one of demigods, and a transitional dynasty. At first, he wrote, seven great gods reigned over Egypt for a total of 12,300 years: Ptah Ra Shu Geb Osiris Scth Horns Seven gods ruled ruled ruled ruled ruled ruled ruled ruled 9,000 years 1,000 years 700 years 500 years 450 years 350 years 300 years 12,300 years

The second dynasty of gods, Manetho wrote, consisted of twelve divine rulers, the first of whom was the god Thoth; they reigned for 1,570 years. In all, he said, nineteen gods ruled for 13,870 years. Then there followed a dynasty of thirty demigods, who reigned for 3,650 years; in all, there were forty-nine divine and semidivine rulers over Egypt, reigning a total of 17,520 years. Then, for 350 years, there was no ruler over the whole of Egypt; it was a chaotic time, during which ten human rulers continued the kingship at This. Only thereafter did Men establish the first human dynasty of Pharaohs and built a new capital dedicated to the god Ptahthe "Vulcan" of Herodotus. A century and a half of archaeological discoveries and the deciphering of the hieroglyphic writing have convinced scholars that the Pharaonic dynasties probably began in Egypt circa 3100 B.C.; indeed, under a ruler whose hieroglyph reads Men. He united Upper and Lower Egypt and established his capital at a new city called Men-Nefer ("The Beauty of Men")Memphis in Greek. H is accession to this throne of a united Egypt had indeed followed a chaotic period of a disunited Egypt, as Manetho had stated. An inscription on an artifact known as the Palermo Stone has preserved at least nine archaic names of kings who wore only the Red Crown of Lower Egypt and who ruled before Menes. Tombs and

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actual artifacts have been found belonging to archaic kings bearing such names as "Scorpion," Ka, Zeser, Narmer, and Sma. Sir Flinders Petrie, the noted Egyptologist, claimed in his The Royal Tombs of the First Dynasty and other writings that these names correspond to names given by Manetho in the list often human rulers who reigned at Tanis during the chaotic centuries. Petrie suggested that this group, which preceded the First Dynasty, be called "Dynasty O." A major archaeological document dealing with Egyptian kingship, the so-called Turin Papyrus, begins with a dynasty of gods that lists Ra, Geb, Osiris, Seth, and Horns, then Thoth, Maat, and others, and assigns to Horusjust as Manetho dida reign of 300 years. This papyrus, which dates from the time of Ramses II, lists after the divine rulers thirty-eight semidivine rulers: "Nineteen Chiefs of the White Wall and nineteen Venerables of the North." Between them and Menes, the Turin Papyrus states, there ruled human kings under the patronage of Horus; their epithet was Shamsu-Hor! Addressing the Royal Society of Literature in London in 1843, the curator of Egyptian Antiquities at the British Museum, Dr. Samuel Birch, announced that he had counted on the papyrus and its fragments a total of 330 namesa number that "coinc ided with the 330 kings mentioned by Herodotus." Even if they disagree among themselves on details, Egyptologists now agree that the archaeological discoveries sustain the information provided by the ancient historians concerning the dynasties begun by Menes, following a chaotic period of about ten rulers in a disunited Egypt; and that there had been a prior period when Egypt was united under rulers whose names could have been none other than Horus, Osiris, and so on. However, scholars who find it difficult to accept that these rulers were "gods" suggest that they were only "deified" human beings. To throw more light on the subject, we can start with the very place chosen by Menes for the capital of the reunified Egypt. The location of Memphis, we find, was not a matter of chance; it was related to certain events pertaining to the gods. Nor was the manner in which Memphis was built unsymbolic: Menes built the city on an artificial mound, created through the diversion of the Nile at that spot and other extensive damming, dyking, and land-reclamation works. This he did in emulation of the manner in which Egypt itself had been created. The Egyptians believed that "a very great god who came forth in the earliest times" arrived in the land and found it lying under water and mud. He undertook great works of dyking and land reclamation, literally raising Egypt out of the watersthus explaining

The Contending of Horus and Seth

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Egypt’s nickname "The Raised Land." This olden god was named Ptaha "God of Heaven and Earth." He was considered to be a great engineer and master artificer. The veracity of the legend of The Raised Land is enhanced by its technological aspects. The Nile is a peaceful and navigable river up to Syene (Aswan); beyond that, the river’s southward course is treacherous and obstructed by several cataracts. Just as the level of the Nile is regulated today by the dams at Aswan, so apparently was it in prehistoric Egypt. Ptah, Egyptian legends held, established his base of operations on the island of Abu. the one called since Greek times Elephantine on account of its shape: it is located just above the first cataract of the Nile, at Aswan. In text and drawings (Fig. 8) Ptah, whose symbol was the serpent, was depicted as

Fig. 8

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controlling the Nile’s waters from subterranean caverns. "It was he who kept the doors that held the inundations, who drew back the bolts at the proper time." In technical language we are being informed that at the most appropriate site from an engineering point of view, Ptah built "twin caverns" (two connected reservoirs) whose locks could be opened and closed, "bolted" and unbolted, thus regulating artificially the level and flow of the Nile’s waters. Ptah and the other gods were called, in Egyptian, Ntr"Guardian, Watcher." They had come to Egypt, the Egyptians wrote, from Ta-Ur, the "Far/Foreign Land," whose name Ur meant "olden" but could have also been the actual place namea place well known from Mesopotamian and biblical records: the ancient city of Ur in southern Mesopotamia. And the straits of the Red Sea, which connected Mesopotamia and Egypt, were called Ta-Neter, the "Place of the Gods," the passage by which they had come to Egypt. That the earliest gods did come from the biblical lands of Shem is additionally borne out by the puzzling fact that the names of these olden gods were of "Semitic" (Akkadian) derivation. Thus Ptah, which had no meaning in Egyptian, meant "he who fashioned things by carving and opening up" in the Semitic tongues. In timeafter 9,000 years, according to ManethoRa, a son of Ptah, became the ruler over Egypt. His name, too, had no meaning in Egyptian, but because Ra was associated with a bright celestial body, scholars assume that Ra meant "bright." We do know with greater certainty that one of his nicknames, Tem, had the Semitic connotation "the Complete, the Pure One." It was believed by the Egyptians that Ra, too, had come to Earth from the "Planet of Millions of Years" in a Celestial Barge, the conical upper part of which, called Ben-Ben ("Pyramidion Bird"), was later on preserved in a specially built shrine in the sacred city Anu (the biblical On, which is better known by its Greek name Heliopolis). In dynastic times Egyptians made pilgrimages to this shrine to view the Ben-Ben and other relics associated with Ra and the celestial travels of the gods. It was to Ra as Tern that the Israelites were forced to build the city called in the Bible Pi-Torn "The Gateway of Tern." It was the Heliopolitan priests who first recorded the traditions of the gods of Egypt and who related that the first "company" of the gods headed by Ra consisted of nine "Guardians"Ra and

The Contending of Horus and Seth

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lour divine couples who followed him. The first divine couple to rule when Ra tired of staying in Egypt were his own children, the male Shu ("Dryness"’) and the female Tefnut ("Moisture"): their main task, according to Egyptian talcs, was to help Ra control the skies over the Earth. Shu and Tefnut set the example for mortal Pharaohs in later times: the king selected his own half-sister as his royal spouse. They were followed on the divine throneas both leg ends and Manetho inform usby their children, again a brothe r-sister couple: Geb ("Who Piles Up the Earth") and Nut ("The Stretched-out Firmament"). The purely mythological approach to the Egyptian tales of the godsthat of primitive people watching Nature and s eeing "gods" in its phenomenahas led scholars to assume that Ge b represented the Earth deified, and Nut the Heavens: and that by calling Geb and Nut Father and Mother of the gods who thereafter reigned over Egypt, the Egyptians believed that the gods were born of the union of Earth and Heaven. But if the legends and verses in the Pyramid Texts and The Book of the Dead are to be taken more literally, it appears that Geb and Nut were so named on account of activities related to the periodic appearance of the Bennu bird, from which the Greeks obtained the legend of the Phoenix: an eagle whose feathers were red and gold, which died and reappeared at intervals lasting several millennia. It was for that birdwhose name was the same as that of the contrap tion in which Ra landed on Earththat Geb engaged in great earthworks and Nut "stretched out the firmament of the sky." These feats, it appears, were carried out by the gods in the "Land of the Lions"; it was there that Geb "hath opened up the earth" for the great spherical object that came from the "stretched-out skies" and appeared on the horizon. In the aftermath of the above-described feats, Geb and Nut turned over the direct rule of Egypt to their four children: Asar ("The All-Seeing"), whom the Greeks called Osiris, and his sisterwife Ast, better known as Isis; and Seth and his wife Nephtys (Nebt-Hat, "Lady of the House"), the sister of Isis. It was with these gods, who were truly gods of Egypt, that the Egyptian tales most concerned themselves; but in depicting them (Fig. 9) Seth was never shown without his animal disguise: his face was never seen, and the meaning of his name still defies Egyptologists, even if it is identical to the name given in the Bible to Adam and Eve’s third son.

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With two brothers who married their own two sisters, the gods confronted a serious problem of succession. The only plausible solution was to divide the kingdom: Osiris was given the northern lowlands (Lower Egypt), and Seth was given the southern, mountainous part (Upper Egypt). How long this arrangement lasted we can only guess from Manetho’s chronicles: but it is certain that Seth was not satisfied with the division of sovereignty and resorted to various schemes to gain control over the whole of Egypt. Scholars have assumed that the sole motive of Seth was a craving for power. But once one grasps what the gods’ rules of succession were, it becomes possible to understand the profound effect these rules had upon the affairs of the gods (and then of human kings). Since the gods (and then men) could have, in addition to the official spouse, one or more concubines, as well as beget children through illicit love affairs, the first rule of succession was this: the son first born to the official spouse was the heir to the throne. If the official spouse bore no son, the son first born to any of the concubines became the heir. However, if at any time, even after the birth of the Firstborn heir, a son was born to the ruler by his own halfsister, this son superseded the Firstborn and became the Legal Heir. It was this custom that was the cause of much rivalry and strife among the Gods of Heaven and Earth andwe suggeste xplains the basic motivation of Seth. Our source for this suggestion is the treatise De hide et Osiride (Of his and Osiris) by Plutarch, a historian-biographer of the first century A.D., who wrote down for the Greeks and Romans of his time the legendary histo-

The Contending of Horus and Seth

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ries of the Near Eastern gods. The Egyptian sources on which he relied were believed at the time to have been writings of the god Thoth himself, who. as the Scribe of the Gods, recorded for all times their histories and deeds upon this Earth. "Now the story of Isis and Osiris, its most significant [retained] and superfluous parts omitted, is thus briefly related," wrote Plutarch in his opening sentence and went on to tell that Nut (whom the Greeks compared with their goddess Rhea) had mothered three sons: the firstborn was Osiris, the last Seth. She also gave birth to two daughters, Isis and Nephtys. But not all of these children were really fathered by Geb: only Seth and Nephtys were. Osiris and his second brother were in truth fathered by the god Ra, who came unto his granddaughter Nut in stealth; and Isis was fathered by Thoth (the Greek god Hermes) who, "being likewise in love with the same goddess," reciprocated in various ways "in recompense for the favours which he had received from her." The setting, then, was this: the firstborn was Osiris, and. though not by Geb. his claim to the succession was even greater, having been fathered by the great Ra himself. But the legitimate heir was Seth, having been born to the ruling Geb by his half-sister Nut. As if this were not enough, matters were further complicated by the race between the two brothers to assure that their son would be the next legitimate successor. To achieve that Seth could have fathered a son only by his half-sister Isis, whereas Osiris could achieve this by fathering a son by either Isis or Nephtys (both being only halfsisters to him). But Osiris deliberately blocked Seth’s chances to have his descendants rale over Egypt by taking Isis as his spouse. Seth then married Nephtys; but as she was his full sister, none of their offspring could qualify. So was the stage set for Seth’s increasingly violent rage against Osiris, who deprived him both of the throne and of the succession. The occasion for Seth’s revenge, according to Plutarch, was the visit to Egypt of "a certain queen of Ethiopia named Aso. "In conspiracy with his supporters Seth held a banquet in her honor, to which all the gods were invited. For his scheme Seth had a magnificent chest constructed, large enough to hold Osiris: "This chest he brought into the banqueting room; where, after it had been much admired by all who were present, Sethas though in jestpromised to give it to any one of them whose body it would fit. Upon this the whole company, one after the other, went into the chest. "Last of all, Osiris lay himself down in it, upon which the con-

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spirators immediately ran together, clapped the cover upon it, and then fastened it down on the outside with nails, pouring likewise melted lead over it." They then carried the chest in which Osiris was imprisoned to the seashore, and where the Nile flows into the Mediterranean at Tanis sank the chest in the sea. Dressed in mourning apparel and cutting off a lock of her hair as a sign of grief. Isis went in search of the chest, "At length she received more particular news of the chest, that it had been carried by the waves of the sea to the coast of Byblos" (in what is now Lebanon). Isis retrieved the chest holding the body of Osiris and hid it in a deserted place until she could figure out how to resurrect Osiris. But Seth somehow found all that out, seized the chest, and cut up the body of Osiris into fourteen pieces, which he dispersed all over Egypt. Once again Isis went in search of the scattered limbs of her brother-husband. Some versions say that she buried the pans where she found them, starting the worship of Osiris at those places: others say she bound together the parts she found, starting the custom of mummification. All agree that she found all parts except onethe phallus of Osiris. Nevertheless, before finally disposing of the body, she managed to extract from the body of Osiris its "essence," and self-inseminated herself with his seed, thus conceiving and giving birth to the boy Horus. She hid him from Seth in the papyrus swamps of the Nile delta. Many legends have been found concerning the events that followed: legends copied and recopied on papyri, forming chapters of The Book of the Dead, or used as verses in the Pyramid texts. Put together they reveal a major drama that involved legal maneuvering, kidnapping for purposes of state, a magical return from the dead, homosexuality, and finally a great wara dram a in which the stake was the Divine Throne of the gods. Since all seemed to believe that Osiris had perished without leaving an heir, Seth saw this as his chance to obtain a legitimate heir by forcing Isis to espouse him. He kidnapped her and held her prisoner until she consented, but with the aid of the god Thoth, Isis managed to escape. A version recorded on the so-called Metternich Stela, composed as a tale by Isis in her own words, describes her escape in the night and her adventures until she reached the swamps where Horus was hidden. She found Horus dying from a scorpion’s sting (Fig. 10). One can infer from the text that it was word of her son’s dying that prompted her escape. The people who

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Fig. 10 lived in the swamps came out at her cries but were helpless to be of any aid. Then help came from a spacecraft: Then Isis sent forth a cry to heaven and addressed her appeal to the Boat of Millions of Years. And the Celestial Disk stood still, and moved not from the place where it was. And Thoth came down, and he was provided with magical powers, and possessed the great power which made the word become indeed. And he said: "O Isis, thou goddess, thou glorious one, who has knowledge of the mouth; behold, no evil shall come upon the child Horus, for his protection cometh from the Boat of Ra. "I have come this day in the Boat of the Celestial Disk from the place where it was yesterday. When the night cometh, this Light shall drive away [the poison] for the healing of Horus. . . . "I have come from the skies to save the child for his mother." Revived from death by the artful Thoth and, some texts say, immu-

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nized forever as a result of Thoth’s treatment, Horus grew up as Netch-atef, "Avenger of his Father." Educated and trained in martial arts by goddesses and gods who sided with Osiris, he was groomed as a Divine Prince worthy of celestial association. Then, one day, he appeared before the Council of the Gods to claim the throne of Osiris. Of the many gods who were surprised by his appearance, none was more so than Seth. All seemed to wonder: Did Osiris indeed father this son? As described in a text known as the Chester Beatly Papyrus No. 1, Seth suggested that the gods’ deliberations be recessed so as to give him a chance to discuss the problem peacefully with his newly appeared nephew. He invited Horus to "come, let us pass a happy day in my house," and Horus agreed. But what Seth had in mind was not peacemaking; his mind was set on trickery: And when it was eventide, the bed was spread for them, and the twain lay thereon. And in the night Seth caused his member to become stiff, and he made it go between the loins of Horus. When the gods next met in council, Seth demanded that the Office of Ruler be resolved as his, for Horus was disqualified: whether or not he was of the seed of Osiris, the seed of Seth was now in him. entitling him to succeed, not precede, Seth! Now it was the turn of Horus to surprise the gods. When Seth poured out his semen, "I caught the seed between my hands," Horus said. In the morning he showed it to his mother, telling her what had happened. Isis then made Horus erect his member and pour his semen into a cup. Then she went to the garden of Seth and poured the semen of Horus on the lettuce that Seth then unknowingly ate. So, announced Horus, "Not only is Seth’s seed not in me, but my seed is in him! It is Seth who has been disqualified!" Baffled, the gods called upon Thoth to resolve the issue. He checked the semen that Horus had given his mother, which Isis kept in a pot; it was found to be indeed the semen of Seth. He then scanned the body of Seth and confirmed that it contained the semen of Horus. . . . Enraged, Seth did not wait for the discussions to continue. Only a fight to the bitter end could now settle the issue, he shouted as he left. Seth had by then, per Manctho, ruled 350 years. If we add to this the timethirteen years, we believeit had taken Is is to find the thirteen parts of the dismembered Osiris, it was indeed "in the year

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363" that Ra joined Horus in Nubia, from there to accompany Horus on his war against "the Enemy." In Horus, Royal God of Egypt, S. B. Mercer summed up the scholarly opinions on the subject with these emphatic words: "The story of the conflict between Horus and Seth represents a historical event." According to the Edfu temple inscription, the first face-to-face battle between Horus and Seth took place at the "Lake of the Gods," thereafter known as the "Lake of Battle." Horus managed to hit Seth with his Divine Lance; when Seth fell down, Horus captured him and brought him before Ra. "His spear was in his (Seth’s] neck, and the legs of the evil one were chained, and his mouth had been closed by a blow from the club of the god [Horus]." Ra decided that Isis and Horus could do with Seth and the other captured "conspirators" as they pleased. But as Horus began to slay the captives by cutting off their heads, Isis had pity on her brother Seth, and set him free. There are several versions of what ensued, including one known as the Fourth Sallier Papyrus; and, according to most, the release of Seth so infuriated Horus that he beheaded his own mother, Isis; but the god Thoth put her severed head back in place and resurrected her. (This incident is also reported by Plutarch.) After his escape Seth at first hid in a subterranean tunnel. After a lull of six days, a series of aerial battles ensued. Horus took to the air in a Nar (a "Fiery Pillar"), which was depicted as an elongated, cylindrical vessel equipped with fins or short wings. Its bulkhead contained two "eyes," which kept changing color from blue to red and back to blue; from the rear, jetlike trails were shown (Fig. 11); from the front, the contraption spewed out rays.

Fig. 11

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(The Egyptian texts, all written by the followers of Horus, contain no description of Seth’s aerial vehicle.) The texts describe a battle that ranged far and wide, and the first to be hit was Horusstruck by a bolt of light from Seth’s vehicle. The Nar lost one of its "eyes.’’ and Horus continue the fight from d the Winged Disk of Ra. From out of this he shot a "harpoon’" at Seth; now Seth was hit. and lost his testicles. . . . Dwelling on the nature of the weapon. W. Max Muller wrote in Egyptian Mythology that it had "a strange, practically impossible head" and was nicknamed in the hieroglyphic texts "the weapon of thirty." As ancient depictions reveal (Fig. 12a). the "harpoon" was indeed an ingenious three-in-one rocket: as the first, larger missile was fired, the way was opened for the two smaller missiles to be launched. The nickname ("Weapon of Thirty") suggests that the missiles were what we nowadays call Multiple Warhead Missiles, each missile holding ten warheads. Through sheer coincidence, but probably because similar circumstances result in similar connotations, the McDonnell Douglas Corporation of St. Louis, Missouri, has named its newly developed naval guided missile "The Harpoon" (Fig. 12b). The great gods called a truce and once again summoned the adversaries before the Council of the Gods. We glean details of the deliberations from a text inscribed on a stone column by the Pharaoh Shabako (eighth century B.C.), who stated that the text is a copy made from a very old leather scroll, "devoured by worms," which was found buried in the great temple of Ptah at Memphis. The Council, at first, redivided Egypt between Horus and Seth along the lines of the division at the time of Osiris, but Geb had second thoughts and upset the decision, for he was concerned with the question of continuity: Who would "open the body" to successive generations? Seth, having lost his testicles, could no longer have offspring. . . . And so Geb, "Lord Earth, gave as a heritage to Horus" the whole of Egypt. To Seth a dominion away from Egypt was to be given; henceforth, he was deemed by the Egyptians to have become an Asiatic deity. The Council of the Gods adopted the recommendations unanimously. Its final action is thus described in the Papyrus of Hunefer: Horus is triumphant in the presence of the whole company of the gods. The sovereignty over the world hath been given unto him. and his dominion is in the uttermost parts of Earth.

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THE WARS OF GODS AND MEN The throne of the god Geb hath been adjudged unto him. along with the rank which hath been founded by the god Shu. This legitimization, the Papyrus went on to say: Hath been formalized by deerees [lodged] in the Chamber of Records; It hath been inscribed upon a metal tablet according to the commandments of thy father Ptah. . . . Gods celestial and gods terrestrial transfer themselves to the services of thy son Horns. They follow him to the Hall of Decrees. He shall lord over them.

3

THE MISSILES OF ZEUS AND INDRA

After Herodotus had visited Egypt in the fifth century B.C., he was convinced that it was from the Egyptians that the Greeks had obtained their notions and beliefs of the gods; writing for his countrymen, he employed the names of Greek gods to describe the comparable Egyptian deities. His conviction of the Egyptian origin of Greek theology stemmed not only from comparable attributes and meanings of the gods’ names, but also (and mostly) from similarities in the tales concerning them. Of these, one uncanny parallel certainly must have struck him as no mere coincidence: it was the tale of the castration of one god by another in a struggle for supremacy. The Greek sources from which Herodotus could have drawn are. fortunately, still available: various literary works, such as Homer’s Iliad; the Odes of Pindar of Thebes, written and well known just before Herodotus’ time; and first and foremost, the Theogony ("Divine Genealogy") by Hesiod, a native of Askara in central Greece who composed this work and another (Works and Days) in the eighth century B.C. A poet, Hesiod chose to attribute the writing of the Theogony to the Muses, goddesses of music, literature, and art, who, he wrote, encouraged him "to celebrate in song" the histories "of the revered race of gods, from the beginning . . . and then to chant of the race of men and strong giants; and so gladden the heart of Zeus within Olympus." This all happened when he was "shepherding his lambs" one day near the Holy Mountain which was their abode. In spite of this pastoral introduction, the tale of the gods as revealed to Hesiod was mostly one of passion, revolt, cunning, and mutilation; as well as of struggle and global wars. In spite of all the hymnal glorification of Zeus, there is no apparent attempt to cover up the chain of bloody violence that had led to his supremacy. 49

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Whatever the Muses sang of, Hesiod wrote down; and "these things did sing the Muses, nine daughters begotten of Zeus": Verily, at first Chaos came to be, and next the wide-bosomed Gaea . . . And dim Tartarus, in the depths of wide-pathed Earth, and Eros, fairest among the deathless gods . . . From Chaos came forth Erebus and black Nyx; And of Nyx were born Aether and Hemera. This first group of celestial gods was completed when Gaea ("Earth") brought forth Uranus ("Starry Heaven") and then espoused her own firstborn son so that he might be included in the First Dynasty of the gods. Besides Uranus, and soon after he was born, Gaea also gave birth to his graceful sister, Uraea, and to "Pontus, the fruitless Deep with his raging swell." Then the next generation of gods were bomoffspring of Gaea’s mating with Uranus: Afterwards she lay with Uranus, and bare deep-swirling Oceanus; Coeus and Crius and Hyperion and Iapetus; Theia and Rhea, Themis and Mnemosyne: And gold-crowned Phoebe, and lovely Thetys. After them was born Cronos, the wily, youngest and most terrible of her children. In spite of the fact that these twelve were offspring of the mating of a son with his own mother, the childrensix male s, six femaleswere worthy of their divine origins. But as U ranus got lustier and lustier, the offspring that followedth ough formidable in mightdisplayed various deformities. First of th e "monsters" to be born were the three Cyclopes, Brontes ("The Thunderer"), Steropes ("The Maker of Lightning"), and Arges ("Who Makes Radiation"); "in all else they were like the gods, but one eye only was set in the midst of their foreheads: and they were named ’Orbeyed’ (Cyclopes) because one orbed eye was set in their foreheads." "And again three more sons were born of Gaea and Uranus, great and valiant beyond telling: Cottus and Briareos and Gyes, audacious children." Of giant size, the three were called Hekatoncheires ("The Hundred-Armed"): "From their shoulders sprang

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an hundred arms, not to be approached, and each had fifty heads upon his shoulders." "And Cronos hated his lusty sire," Hesiod wrote; but "Uranus rejoiced in his evil doing." It was then that Gaea "shaped a great sickle and told her plan to her dear sons," whereby their "sinful father" would be punished for his "vile outrages": to cut off the genitals of Uranus and put an end to his sexual drives. But "fear seized them all"; and only "great Cronos, the wily, took courage." And so it was that Gaea gave Cronos the sickle she had made of gray Hint and hid him "in an ambush" in her quarters, which were by the Mediterranean Sea. And Uranus came at nighttime, longing for love; and he lay about Gaea, spreading himself upon her. Then the son from his ambush stretched forth his left hand to grasp; and in his right hand he held the great long sickle with jagged teeth. Swiftly, he cut off his own father’s genitals, and cast them away, to fall behind him . . . into the surging sea. The deed was done, but the castration of Uranus did not completely terminate his line of offspring. As his blood gushed forth, some of the blood drops impregnated Gaea, and she conceived and bore "the strong Erinyes" (female Furies of vengeance) "and the great Gigantes with gleaming armor, holding long spears in their hands; and the Nymphs whom they call Meliae [’the Nymphs of the ash tree’]." Of the castrated genitals, leaving a trail of foam as the surging sea carried them to the island of Cyprus, "there came forth an awful and lovely goddess . . . gods and men call her Aphrodite [’She of the Foam’]." The incapacitated Uranus called out to the monster-gods for vengeance. His own children, he cried out, had become Titans, Strainers who had "strained and did presumptuously the dreadful deed"; now the other gods had to make sure "that vengeance for it would afterwards come." The frightened Cronos then imprisoned the Cyclopes and the other monstrous giants far away, so that none would answer the call of Uranus. All along, while Uranus was busy bringing forth his own offspring, the other gods were also proliferating; their children bore

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names indicating their attributesby and large bene volent. Now, after the evil deed, the goddess Nyx responded to his call by bringing forth the deities of evil: "She bare the Destinies and the ruthless avenging Fates: Clotho [’The Spinner’] and Lac hesis [’The Disposer of Lots’] and Atropos [’Inevitable’]. . . . S e bare Doom and h Black Fate and Death . . . and Blame and Painful Woe . . . Famine and Sorrows." And she also brought into the world "Deceit and Strife ... as also Fighting, Battles, Murders, Killings, Quarrels, Lying Words, Disputes, Lawlessness and Ruin." Lastly there was borne by Nyx Nemesis ("Retribution"). The call of Uranus has been answered: fighting, battles, and war came to be among the gods. It was into this dangerous world that the Titans were bringing forth the third generation of the gods. Fearful of retribution, they kept closely to each other, five of the six brothers espousing five of their own six sisters. Of these divine brother-sister couples, most important was that of Cronos and Rhea, for it was Cronos, by reason of his bold deed, who had assumed the leadership among the gods. Of this union, Rhea gave birth to three daughters and three sons: Hestia, Demeter, and Hera: and Hades, Poseidon, and Zeus. No sooner had one of these children been bom than "the great Cronos swallowed each . . . intent that no other of the proud Sons of Heaven should hold kingly office among the deathless gods." The reason for eliminating his own offspring by swallowing them was a prophecy he had learned of, that "strong though he was, he was destined to be overcome by his own son": Fate was to repeat unto Cronos that which he had done unto his father. But Fate could not be evaded. Wisened to the tricks of Cronos, Rhea hid her last-born son Zeus on the island of Crete. To Cronos she gave instead of the baby "a great stone wrapped in swaddling clothes." Not realizing the deception, Cronos swallowed the stone, thinking it was the baby Zeus. Soon thereafter he began vomiting, disgorging one by one all the children he had previously swallowed. "As the years rolled on, the strength and glorious limbs of the prince [Zeus] increased quickly." For a while, as a worthy grandson of the lusty Uranus, Zeus chased lovely goddesses, often getting into trouble with their companion gods. But then he turned his mind to affairs of state. For ten years a war had been raging between the older Titans, "the lordly Titans from high Mount Othyres" (which was their abode), and the younger gods "whom rich-haired Rhea bare in union with Cronos" and who settled on the opposite Mount Olympus. "With bitter wrath they were fight-

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ing continually with one another at that time for ten full years, and the hard strife had no close or end for either side, and the issue of war hung evenly balanced." Was this fighting merely the culmination of deteriorating relations between neighboring godly colonies, an outbreak of rivalry between intermingled and unfaithful gods and goddesses (where mothers slept with their sons, and uncles impregnated their nieces), or the first instance of the everlasting rebellion of the young against the old regime? The Theogony does not provide a clear answer, but later Greek legends and plays suggest that all these motives combined to create a prolonged and "stubborn war" between the younger and the older gods. It was this ongoing war that was seen by Zeus as his chance to seize the lordship over the gods and therebyknowin gly or unknowinglyfulfill the destiny to which his father Cronos had been fated, by deposing him. As his first step Zeus "set free from their deadly bonds the brothers of his father, sons of Uranus, whom his father in his foolishness had bound." In gratitude, the three Cyclopes gave him the divine weapons Gaea had hidden away from Uranus: "The Thunder, and the Radiating Thunderbolt and the Lightning." They also gave Hades a magic helmet, which made its wearer invisible; and Poseidon received a magical trident, which could make the earth and sea shake. To refresh the Hekatoncheires after their long captivity and return their vigor to them, Zeus provided the trio with "nectar and ambrosia, the same that the gods cat": then he addressed them and said: Hear me, O bright children of Uranus and Gaea, that I may say what my heart within bids me. A long while now have we, who are sprung from Cronos, and the Titan gods, fought with each other every day, to get victory and to prevail. Would you now show your great might and strength. and face the Titans in the bitter strife? And Cottus, one of the Hundred-Armed, answered him and said: "Divine one, you speak that which we know well . . .

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through your devising we are come back from the murky gloom and from our merciless bonds. And so now, with fixed purpose and deliberate counsel, we will aid your power in the dreadful strife, and fight against the Titans in hard battle." So "all that were bom of Cronos, together with those dreaded mighty ones of overwhelming strength whom Zeus brought up to light. . . they all, both male and female, stirred up the hated battle that day." Arrayed against these Olympians were the older Titans, who also "eagerly strengthened their ranks." As the battle was joined it ranged all over the Earth and in the skies: The boundless sea rang terribly around. and the earth crashed loudly; Wide heaven was shaken and groaned, and high Olympus reeled from its foundations under the charge of the undying gods. From the deep sound of the gods’ feet, and the fearful onset of their hard missiles, the heavy quaking reached even far Tartarus. In a verse reminiscent of the Dead Sea Scroll text, the Theogony recalled the war cries of the battling gods: Thus, then, they launched their grievous bolts at one another; And the cry of both armies as they shouted reached to the starry heaven as they clashed with a great battle-cry. Zeus himself was fighting with all his might, using his Divine Weapons to the utmost. "From the skies, opposite Mount Olympus, he came forthwith, hurling his lightning. The bolts flew thick and fast from his strong hand, Thunder and Lightning together, whirling as an awesome flame. The fertile earth crashed around in burning, and the vast wood crackled aloud with fire all about. All the land seethed, as did the sweetwater streams and the salty sea." Then Zeus hurled a Thunder-Stone (Fig. 13) against Mount Othyres; it was, indeed, nothing short of an atomic explosion:

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Fig. 13 The hot vapor lapped around the Titans. of Gaea born; Flame unspeakable rose bright to the upper air. The Flashing glare of the Thunder-Stone, its lightning, blinded their eyes so strong it was. Astounding heat seized Chaos . . . It seemed as if Earth and wide Heaven above had come together; A mighty crash, as though Earth was hurled to ruin.

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’"So great a crash was there while the gods clashed together in strife." In addition to the awesome sound, the blinding Hash, and the extreme heat, the hurling of the Thunder-Stone also created an immense wind storm: Also were the winds brought rumbling, earthquake and duststorm, thunder and lightning. All this did the Thunder-Stone of great Zeus bring about. And when the two contending camps heard and saw what had happened, "an horrible uproar of terrible strife arose; mighty deeds were shown; and the battle inclined." The fighting was abating; for the gods had the upper hand over the Titans. "Insatiated for war." the three Cyclopes set upon the Titans, overpowering them with hand-held missiles. "They bound them in bitter chains." and hurled them into captivity to far Tartarus. "There, by the counsel of Zeus who rides the clouds, the Titan gods are hidden under misty gloom, in a dank place at the ends of huge Earth." The three Cyclopes stayed there, too, as "trusty warders of Zeus," to watch over the imprisoned Titans. As Zeus was about to claim "the aegis." the suzerainty over all the gods, a sudden challenger appeared on the scene. For, "when Zeus had driven the Titans from heaven, great Gaea bare her youngest child Typhoeus of the love of Tartarus, with the aid of golden Aphrodite." Typhoeus ("Typhon") was a real monster: "Strength was with his hands in all that he did, and the feet of the strong god were untiring. From his shoulders grew an hundred heads of a snake, a fearful dragon, with dark, flickering tongues. From under the brows of his eyes, in his marvellous heads, fire flashed; and fire burned from his heads as he glared. And there were voices in all his dreadful heads, which uttered incredible sounds": the sound of a man as he speaks, and the sound of a bull, and that of a lion, and the sound of a puppy. (According to Pindar and Aeschylus, Typhon was gigantic in height, "and his head reached to the stars.") "Truly a thing past help would have happened on that day," the Muses revealed to Hesiod; it was almost inevitable that Typhoeus "would have come to reign over mortals and immortals." But Zeus was quick to perceive the danger and lost no time in attacking him.

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The series of battles that ensued were no less awesome than the fighting between the gods and the Titans, for the Snake-God Typhon was equipped with wings and could fly about just as Zeus (Fig. 14). "Zeus thundered hard and mightily, and the earth around resounded terribly, as did the wide heaven above and the sea and the watery streams, even the nether parts of the Earth." Divine Weapons were again employedby both combatants :

Fig, 14 Through the two of them, through the thunder and lightning. heat engulfed the dark-blue seas; And through the fire from the Monster, and the scorching winds and blazing Thunderbolt, the whole Earth seethed, and sky and sea. Great waves raged along the beaches . . . And there arose an endless shaking. In the Lower World, "Hades trembled where he ruled": tremble did the Titans imprisoned at the ends of earth. Chasing each other in the skies and over land, Zeus managed to be the first to achieve a direct hit with his "lurid Thunderbolt." The bolt "burned all the marvelous heads of the monster, all that were around him"; and Typhoeus crashed down to earth in his marvelous contraption:

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THE WARS OF GODS AND MEN When Zeus had vanquished h i m and lashed him with his strokes, Typhoeus was hurled down a maimed wreck. The huge earth groaned. A flame shot forth from the stricken lord in the dim, rugged, secluded valley of the Mount. when he was smitten. A great part of huge earth was scorched by the terrible vapor, melting as tin melts when heated by man’s art . . . In the glow of a blazing fire did the earth melt down.

In spite of the crash and the tremendous impact of Typhon’s vehicle, the god himself remained alive. According to the Theogony, Zeus cast him, too, "into wide Tartarus." With this victory his reign was secure; and he turned to the important business of procreation, bringing forth progeny by wives and concubines alike. Though the Theogony described only one battle between Zeus and Typhon, the other Greek writings assert that that was the final battle, preceded by several others in which Zeus was the first one to be hurt. Initally Zeus fought with Typhon at close quarters, using the special sickle his mother had given him for the "evil deed," for it was his purpose also to castrate Typhon. But Typhon enmeshed Zeus in his net. wrested his sickle away, and with it cut out the sinews of Zeus’ hands and feet. He then deposited the helpless Zeus, his sinews, and his weapons in a cave. But the gods Aegipan and Hermes found the cave, resurrected Zeus by restoring his sinews, and returned his weapons to him. Zeus then escaped and flew back "in a Winged Chariot" to Olympus, where he acquired a new supply of bolts for his Thunderer. With these Zeus renewed the attack on Typhon, driving him to Mount Nyssa, where the Fates tricked Typhon into eating the food of mortal men; whereupon he was weakened instead of being strengthened. The renewed fighting began in the skies over Mount Haemus in Thrace, continued over Mount Etna in Sicily, and ended over Mount Casius on the Asiatic coast of the eastern Mediterranean. There Zeus, using his Thunderbolt, shot Typhon down from the skies. The similarity between the battles, the weapons used, the locations, as well as the tales of castration, mutilation, and resurrectionall in the course of a struggle for succession convinced

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Herodotus (and other Greek classical historians) that the Greeks had borrowed their theogony from the Egyptians. Aegipan stood for the African Ram God of Egypt, and Hermes paralleled the god Thoth. Hesiod himself reported that when Zeus came unto the mortal beauty Alcmena so that she might bear him the heroic Heracles, he slipped at night from Mount Olympus and went to the land of Typhaonion, resting there atop the Phikion (The Sphinx Mountain). "The deadly Sphinx that destroyed the Cadmeans" ("The Ancients"), which featured in the doings of Hera, the official spouse of Zeus, was also connected in these legends with Typhon and his domain. And Apollodorus reported that when Typhon was born and grew to an incredible size, the gods rushed to Egypt to take a look at the awesome monster. Most scholars have held that Mount Casius, the site of the final battle between Zeus and Typhon, was located near the mouth of the Orontes river in today’s Syria. But as Otto Eissfeldt has shown in a major study (Baal Zaphon, Zeus Kasios und der Durchgang der Israelilen durches Meer), there was another mount called by that name in antiquitya promontory on the Serbonic Sealet that juts out of the Sinai peninsula into the Mediterranean Sea. He suggested that that was the mount referred to in the legends. Once again, all one had to do was to trust the information given to Herodotus in Egypt. Describing the land route from Phoenicia to Egypt via Philistia (History, Book III, 5), he wrote that the Asian lands ’ ’extend to Lake Serbonis, near the place wh Mount Casius ere juts out into the sea. Egypt begins at Lake Serbonis, where the tale goes that Typhon hid himself." Once again, Greek and Egyptian tales converged, with the Sinai peninsula as the climax. Notwithstanding the many connecting threads the ancient Greeks had found between their theogony and that of Egypt, it was much farther awayin Indiathat nineteenth-century Europ ean scholars have found even more amazing parallels. No sooner had Sanskrit, the language of ancient India, been mastered at the end of the eighteenth century than Europe began to be enchanted by translations of hitherto unknown writings. At first a field dominated by the British, the study of Sanskrit literature, philosophy, and mythology was by the mid-nineteenth century a favorite of German scholars, poets, and intellectuals, for Sanskrit turned out to be a mother tongue of the Indo-European languages (to which German belonged), and its bearers to India were mi-

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grants from the shores of the Caspian Sea"Aryans," as the Germans believed their ancestors, too, to have been. Central to this literature were the Vedas, sacred scriptures believed by Hindu tradition to be "not of human origin," having been composed by the gods themselves in a previous age. They were brought to the Indian subcontinent by the Aryan migrants sometime in the second millennium B.C., as oral traditions. But as time went on, more and more of the original 100,000 verses were lost; so, circa 200 B.C., a sage wrote down the remaining verses, dividing them into four parts: the Rig-Veda (the "Veda of Verses"), which is made up of ten books; the Sama-Veda (the "Chanted Vedas"); the Yajur-Veda (mostly sacrificial prayers); and the Atharva-Veda (spells and incantations). In time, the various components of the Vedas and the auxiliary literature that stemmed from them (the Mantras, Brahmanas, Aranyakas, Upanishads) were augmented by the non-Vedic Puranas ("Ancient Writings"). Together with the great epic tales of the Mahabharata and the Ramayana, they make up the sources of the Aryan and Hindu tales of Heaven and Earth, gods and heroes. Because of the long oral interval, the length and profusion of texts finally written down over many centuries, the many names, generic terms, and epithets employed for the deities interchangeablyand the fact that many of these original names and terms were non-Aryan after allconsistency and precision are not hallmarks of this Sanskrit literature. Yet some facts and events emerge as basic tenets of the Aryan-Hindu legacy. In the beginning, these sources relate, there were only the celestial bodies, "The Primeval Ones Who Flow." There was an upheaval in the heavens, and "The Dragon" was split in two by the "Flowing One of Storms.’’ Calling the two parts by names of nonAryan origin, the tales assert that Rehu, the upper part of the destroyed planet, unceasingly traverses the heavens in search of vengeance; the lower part, Ketu ("The Cut-off One"), has joined the "Primeval Ones" in their "flowing" (orbits). Many Ages then passed, and a dynasty of Gods of Heaven and Earth made its appearance. The heavenly Mar-Ishi, who headed them, had seven (or ten) children by his consort Prit-Hivi ("The Broad One"), who personified the Earth. One of them, Kas-Yapa ("He of the Throne"), made himself chief of the Devas ("The Shiny Ones"), seizing the title Dyaus-Pitar ("Sky Father")the un doubted source of the Greek title-name Zeus ("Dyaus") and its Roman parallel Jupiter ("Dyauspiter").

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Quite prolific, Kasyapa begot many gods, giants, and monstrous offspring by diverse wives and concubines. Most prominent, and individually known and revered since Vedic times, were the Adityassome born to Kasyapa by his consort Aditi ( "Boundless"). Numbering seven at first, they were Vishnu, Varuna, Mitra, Rudra, Pushan, Tvashtri, and Indra. Then the Aditis were joined by Agni, a son of Kasyapa either by his spouse Aditi or (as some texts suggest) by his own mother Prithivi. As in the Greek Olympian circle, the number of the Aditis finally rose to twelve. Among them were Bhaga, who is believed by scholars to have become the supreme Slavic god Bogh. The last one to be born by Aditithough whether he was fathered by Kasyapa was uncertainwas Surya. Tvashtri ("Fashioner"), in his role as "All-Accomplishing," the artisan of the gods, provided them with aerial cars and magical weapons. From a blazing celestial metal he fashioned a discus for Vishnu, a trident for Rudra, a "fire weapon" for Agni, a "bolthurling Thunderer" for Indra, and a "flying mace" for Surya. In ancient Hindu depictions, all these weapons appeared as hand-held missiles of diverse shapes (Fig. 15). In addition, the gods acquired other weapons from Tvashtri’s assistants; Indra, for example, obtained an "aerial net" with which he could snare his foes during sky battles.

Fig. 15

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The celestial chariots or "aerial cars" were invariably described as bright and radiant, made of or plated with gold. India’s Vimana (aerial car) had lights shining at its sides and moved "swifter than thought," traversing rapidly vast distances. Its unseen steeds were "Sun-eyed," emitting a reddish hue, but also changing colors. In other instances the aerial cars of the gods were described as multitiered; sometimes they could not only fly in the air, but also travel under water. In the epic tale of the Mahabharata, the arrival of the gods for a wedding feast in a fleet of aerial cars is described thus (we follow the translation of R. Dutt in Mahabharata, The Epic of Ancient India): The gods, in cloud-borne chariots, came to view the scene so fair: Bright Adityas in their splendor, Maruts in the moving air; Winged Suparnas, scaly Nagas, Deva Rishies pure and high, For their music famed, Gandharvas; (and) fair Apsaras of the sky. . . . Bright celestial cars in concourse sailed upon the cloudless sky. The texts also speak of the Ashvins ("Drivers"), gods who specialized in piloting aerial chariots. "Swift as young falcons," they were "the best of charioteers who reach the heavens," always piloting their craft in pairs, accompanied by a navigator. Their vehicles, which sometimes appeared in groups, were golden-made, "bright and radiant . . . with easy seat and lightly rolling." They were constructed on a triple principle, having three levels, three seats, three supporting poles, and three rotating wheels. "That chariot of yours," Hymn 22 of Book VIII of the Rig-Veda said in praise of the Ashvins, "hath a triple seat and reins of goldthe famous car that traverses Heaven and Earth." The rotating wheels, it appears, served diverse functions: one to raise the craft, another to give it direction, the third to speed it along: "One of your chariot’s wheels is moving swiftly around; one speeds for you its onward course." As in the Greek tales, so did the gods of the Vedas display little morality or restraint in sexual matterssometimes g etting away with it, sometimes not, as when the indignant Adityas selected Rudra ("The Three-Eyed") to kill their grandfather Dyaus for

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having violated their sister Ushas. (Dyaus, wounded, saved his life by fleeing to a distant celestial body.) Also as in the Greek tales, so did the gods according to Hindu lore mingle, in later times, in the loves and wars of mortal kings and heroes. In these instances the aerial vehicles of the gods played roles even greater than their weapons. Thus, when one hero drowned, the Ashvins appeared in a fleet of three aerial chariots, "self-activated watertight ships which traverse the air," dived into the ocean, retrieved the hero from the watery depths, and "conveyed him over land, beyond the liquid ocean." And then there was the tale of Yayati, a king who married the daughter of a god. When the couple bore children, the happy grandfather gave the king "a highly effulgent golden celestial chariot, which could go everywhere without interruption." Without losing time, "Yayati ascended the chariot and, irrepressible in battle, within six nights conquered the entire Earth." As in the Iliad, so did Hindu traditions tell of wars of men and gods over beautiful heroines. Best known of these tales is the Ramayana, the long epic tale of Rama the prince whose beautiful wife was abducted by the king of Lanka (the island of Ceylon, off India). Among the gods who turned out to help Rama was Hanuman, the god with a monkey face, who conducted aerial battles with the winged Garuda (Fig. 16), one of the monstrous offspring of

Fig. 16

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Kasyapa. In another instance, Sukra, a god "sullied by immorality," abducted Tara, the beautiful wife of Indra’s charioteer. "The Illustrious Rudra" and other gods then came to the aid of the aggrieved husband. There ensued "a terrible battle, destructive of gods and demons, on account of Tara." In spite of their awesome weapons, the gods were bested and had to seek refuge with "the Prime Deity." Thereupon the grandfather of the gods himself came to Earth, and put an end to the fighting by returning Tara to her husband. Then Tara gave birth to a son "whose beauty overclouded the celestials .... Filled with suspicion, the gods demanded to know who the true father was: the lawful husband or the abductor-god." She proclaimed that the boy was the son of Soma, "Celestial Immortality"; and she named him Budah. But all that was in times yet to come; in the olden days the gods battled among themselves for more important causes: supremacy and rule over the Earth and its resources. With so many offspring of Kasyapa by diverse wives and concubines, as well as the descendants of the other olden gods, conflict soon became inevitable. The dominance of the Adityas was especially resented by the Asuras, elder gods whose mothers bore them to Kasyapa before the Adityas were born. Bearing a non-Aryan name of a clear Near Eastern origin (being akin to names of the supreme gods of Assyria. Babylon, and EgyptAshur, Asar, Osiris), the y eventually assumed in the Hindu traditions the role of the evil gods, the "demons." Jealousy, rivalry, and other causes of friction finally led to war when the Earth, "which at first produced food without cultivation," succumbed to a global famine. The gods, the texts reveal, sustained their immortality by drinking Soma, an ambrosiac that was brought down to Earth from the Celestial Abode by an eagle and was drunk mixed with milk. The "kine" ("cow-cattle") of the gods also provided the gods’ favored "sacrifices" of roasted meat. But a time came when all these necessities became scarcer and scarcer. The Satapatha Brahmana describes the events that followed: The gods and the Asuras, both sprung from the Father of Gods and Men, were contending for superiority. The gods vanquished the Asuras; yet afterwards, these once more harassed them. . . . The gods and the Asuras, both of them sprung from the Father of Gods and Men, were [again] contending for superiority. This

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time, the gods were worsted. And the Asuras thought: "To us alone assuredly belongs this world!" They thereupon said: "Well, then, let us divide this world between ourselves; and having divided it, let us subsist thereon." Accordingly, they set about dividing it from west to east. Hearing this, the defeated Adityas went to plead for a share in Earth’s resources: When they heard this, the gods said: "The Asuras are actually dividing this Earth! Come, let us go where the Asuras are dividing it; for what would become of us if we were to get no share of Earth?" Placing Vishnu at their head, they went to the Asuras. Haughtily the Asuras offered to give the Adityas only as much of Earth as Vishnu could lie upon. . . . But the gods used a subterfuge and placed Vishnu in an "enclosure" that could "walk in three directions." thereby regaining three of the Earth’s four regions. The outsmarted Asuras then attacked from the south; and the gods asked Agni "how they could vanquish the Asuras forever." Agni suggested a pincer maneuver: while the gods attack from their regions, "I will go round to the northern side, and you will shut them in from here; and whilst shutting them in, we will put them down." Having so vanquished the Asuras, the Satapatha Brahmana records, "the gods were anxious as to how they might replenish the sacrifices"; accordingly, many of the battle segments of the ancient Hindu writings deal with the recapture of the kine and the resupply of the Soma beverage. These wars were fought on land, in the air, and beneath the seas. The Asuras, according to the Mahabharata, made for themselves three metal fortresses in the skies, from which they attacked the three regions of the Earth. Their allies in the war with the gods could become invisible and used invisible weapons; and others fought from a city beneath the sea, which they had captured from the gods. One who excelled in these battles was Indra ("Storm"). On land he smote ninety-nine strongholds of the Asuras, killing great numbers of their armed followers. In the skies he fought from his aerial car the Asuras, who were hiding in their "cloud fortresses."

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Hymns in the Rig-Veda list groups of gods as well as individual deities defeated by Indra (we follow the translation by R. T. Griffith, The Hymns of the Rig-Veda): Thou slewest with thy bolt the Sasyu . . . Far from the floor of Heaven in all directions, the ancient riteless ones fled to destruction . . . The Dasyu thou hast burned from the heavens. They met in fight the army of the blameless, then the Navagvas put forth all their power. Like emasculates contending with men they fled, by steep paths from Indra they scattered. Indra broke through Ilibsa’s strong castles, and Sushna with his horn he cut to pieces . . . Thou slewest thy fighting foe with thy Thunder . . . Fierce on his enemies fell Indra’s weapon. with his sharp rushing Thunderbolt he rent their towns to pieces. Thou goest forth from fight to fight intrepidly, destroying castle after castle with thy strength. Thou Indra, with thy friend who makes the foe bow down, slowest from far away the guileful Namuchi. Thou hast struck down in death Karanja, Parnaya . . . Thou hast destroyed the hundred towns of Vangrida. The ridges of the lofty heaven thou madest shake when thou, daring, by thyself smote Sambara. Defeating the gods’ enemies in groups as well as in single combat, and making them "flee to destruction," Indra turned his efforts to the freeing of the kine. The "demons" hid them inside a mountain, guarded by Vala ("Encircler"); Indra, aided by the Angirases, young gods who could emit divine flames, smashed into the fortified hideaway and freed the kine. (Some scholars, as J. Herbert in Hindu Mythology, hold that what Indra released or retrieved was a Divine Ray, not cows, for the Sanskrit word go has both meanings.) When these wars of the gods began, the Adityas named Agni ("Agile") as Hotri, their "Chief of Office." As the wars pro-

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gressedsome texts suggest for well over a thousand yearsVishnu ("Active") was made the Chief. But when the fighting was over, Indra, having contributed so much to the victory, claimed the supremacy. As in the Greek Theogony, one of his first acts to establish his claim was to slay his own father. The Rig-Veda (Book iv: 18, 12) asks Indra rhetorically: "Indra, who made thy mothera widow?" The answer follows also as a question: "What god was present in the fray, when thou didst slay thy father, seizing him by the foot?" For this crime Indra was excluded by the gods from the drinking of the Soma, thereby endangering his continued immortality. They "ascended up to Heaven," leaving Indra with the kine he had retrieved. But "he went up after them, with the raised Thunderweapon," ascending from the northern place of the gods. Fearing his weapon, the gods shouted: "Do not hurl!" and agreed to let Indra share once again in the divine nourishments. Indra’s seizing of the leadership of the gods, however, did not go unchallenged. The challenge came from Tvashtri, to whom oblique references are made in the Hymns as "the Firstborn"a fact that may explain his own claim to the succession. Indra smote him quickly with the Thunder-Weapon, the very weapon that Tvashtri had fashioned for him. But then the struggle was taken over by Vritra ("The Obstructor"), whom some texts call the firstborn of Tvashtri but whom some scholars interpret as having been an artificial monster, because he quickly grew to an immense size. At first Indra was bested, and he fled to a far corner of Earth. When all the gods then abandoned him, only the twenty-one Maruts stood by his side. They were a group of gods who manned the fastest aerial cars, who "loud roaring as the winds make the mountains rock and reel" as they "lift themselves aloft": These verily wondrous, red of hue, Speed on their course with a roar over the ridges of the sky . . . And spread themselves with beams of light . . . Bright, celestial, with lightning in their hands and helmets of gold upon their heads. With the aid of the Maruts, Indra returned to battle Vritra. The hymns which describe the fight in glowing terms have been translated by J. Muir (Original Sanskirt Texts) into rhyming poetic verses:

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THE WARS OF GODS AND MEN The valiant god his car ascends, Swept by his fervid bounding speeds, Athwart the sky the hero speeds, The Marut-hosts his escort form, Impetuous spirits of the storm. On flashing lightning-cars they ride. And gleam in warlike pomp and pride . . . Like lions’ roar their voice of doom; With iron force their teeth consume. The hills, the earth itself, they shake; All creatures at their coming quake.

While earth quaked and all creatures ran for cover, only Vritra, the foe, calmly watched their approach: Perched on a steep aerial height Shone Vritra’s stately fortress bright. Upon the wall, in martial mood, The bold gigantic demon stood. Confiding in his magic arts. And armed with store of fiery darts. "Without alarm, defying the might of Indra’s arm," unafraid of "the terrors of the deadly flight" rushing toward him, Vritra stood in wait. And then was seen a dreadful sight. When god and demon met in fight. His sharpened missiles Vritra shot, His thunderbolts and lightnings hot he hurled as thick as rain. The god his fiercest rage defied; His blunted weapons glanced aside, at Indra launched in vain. When Vritra spent all his fiery missiles, Indra was able to take over the offensive; The lightnings then began to flash. The direful thunderbolts to crash, by Indra proudly hurled.

The Missiles of Zeus and Indra The gods themselves with awe were stilled And stood aghast: and terror filled the universal world. . . .

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The Thunderbolts hurled by Indra, "forged by the master hand of Tvashtri" of divine iron, were complex, blazing missiles: Who the arrowy shower could stand. Discharged by Indra’s red right hand The thunderbolts with hundred joints. The iron shafts with thousand points. Which blaze and hiss athwart the sky, Swift to their mark unerring fly. And lay the proudest foeman low. With sudden and resistless blow. Whose very sound can put to flight The fools who dare the Thunderer’s might. Unerringly the guided missiles hit their target: And soon the knell of Vritra’s doom Was sounded by the clang and boom of Indra’s iron shower: Pierced, cloven, crushed, with horrid yell The dying demon headlong fell down from his cloud-built tower. Fallen to the ground "as trunks of trees that axe had felled." Vritra lay prostrate; but though "footless and handless, still he challenged Indra." Then Indra gave him the coup-de-grace, and "smote him with his bolt between the shoulders." Indra’s victory was complete; but as Fate would have it, the fruits of victory were not his alone. As he was claiming the throne of Kasyapa, his father, old doubts surfaced concerning his true parenthood. It was a fact that upon his birth his mother had hid him from Kasyapa’s wrath. Why? Was there truth to the rumors that his true father was his own elder brother, Tvashtri? The Vedas lift the veil of mystery only partly. They tell, however, that Indra, great god that he was, did not rule alone: he had to share powers with Agni and Surya his brothersjust as Zeus had to share dominions with his brothers Hades and Poseidon.

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As if the similarities of the genealogies and warfare between the Greek and Hindu gods were not enough, tablets discovered in the Hittite royal archives (at a site nowadays called Boghazkoi) contained more tales of the same story: how. as one generation waned unto the other, one god fought another for supremacy. The longest texts discovered dealt, as could be expected, with the Hittite supreme deity Teshub: his genealogy; his rightful assumption of dominion over Earth’s upper regions; and the battles launched against him by the god KUMARBI and his offspring. As in the Greek and Egyptian tales, the Avenger of Kumarbi was hidden with the aid of allied gods until he grew up somewhere in a "dark-hued" part of Earth. The final battles raged in the skies and in the seas; in one battle Teshub was supported by seventy gods riding in their chariots. At first defeated and either hiding or exiled, Teshub finally faced his challenger in god-to-god combat. Armed with the "Thunder-stormer which scatters the rocks for ninety furlongs" and "’the Lightning which flashes frightfully," he ascended skyward in his chariot, pulled by two gold-plated Bulls of Heaven, and "from the skies he set his face" toward his enemy. Though the fragmented tablets lack the tale’s ending, it is evident that Teshub was finally victorious. Who were these ancient gods, who fought each other for supremacy and sought dominion over Earth by pitting nation against nation? Fittingly, perhaps, treaties that had ended some of the very wars launched by men for their gods provide important clues. When the Egyptians and the Hittites made peace after more than two centuries of warfare, it was sealed by the marriage of the daughter of the Hittite king Hattusilish III to the Egyptian Pharaoh Ramses II. The Pharaoh recorded the event on commemorative stelae which he placed at Kamak, at Elephantine near Aswan, and at Abu Simbel. Describing the journey and the arrival of the princess in Egypt, the inscription relates that when "His Majesty saw that she was as beautiful of face as a goddess," he at once fell in love with her and 70

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deemed her to be "something lovely granted him by the god Ptah" and a sign of Hittite acknowledgment of his "victory." What all this diplomatic maneuvering had entailed was clarified by other parts of the inscription: thirteen years earlier, Hattusilish had sent to the Pharaoh the text of a Peace Treaty; but Ramses II, still brooding over his near-fatal experience in the battle of Kadesh, ignored it. "The great Chief of Hatti then wrote appeasingly to His Majesty year after year; but the King Ramses paid no attention." Finally, the King of Hatti, instead of sending messages inscribed on tablets, "sent his eldest daughter, preceded by precious tribute" and accompanied by Hittite nobles. Wondering what all these gifts meant, Ramses sent an Egyptian escort to meet and accompany the Hittites. And, as related above, he succumbed to the beauty of the Hittite princess, made her a queen, and named her Maat-Neferu-Ra ("The Beauty Which Ra Sees"). Our knowledge of history and antiquity has also profited by that love at first sight, for the Pharaoh then accepted the lingering Peace Treaty, and proceeded to inscribe it, too, at Kamak, not far from where the tale of the Battle of Kadesh and the Tale of the Beautiful Hittite Princess had been commemorated. Two copies, one almost complete, the other fragmentary, have been discovered, deciphered, and translated by Egyptologists. As a result we not only have the full text of the Treaty but also know that the Hittite king wrote down the treaty in the Akkadian language, which was then (as French was a century and two ago) the common language of international relations. To the Pharaoh he sent a copy of the Akkadian original written on a silver tablet, which the Egyptian inscription at Karnak described thus: What is in the middle of the tablet of silver, on the front side: Figures consisting of an image of Seth, embracing an image of the Great Prince of Hatti, surrounded by a border with the words "the seal of Seth, ruler of the sky; the seal of the regulation which Hattusilish made" . . . What is within that which surrounds the image of the seal of Seth on the other side: Figures consisting of a female image of the goddess of Hatti embracing a female image of the Princess of Hatti, surrounded by a border with the words "the seal of the Ra of the town of Arinna, the lord of the land" . . . What is within the [frame) surrounding the figures: the seal of Ra of Arinna, the lord of every land.

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In the royal Hittite archives, archaeologists have in fact discovered royal seals depicting the chief H i t t i t e deity embracing the Hittite king (Fig. 17), exactly as described in the Egyptian record, even including the inscription surrounding the border of the seal. Against all odds, the original treaty itself, inscribed on two tablets in the Akkadian language, was also found in these archives. But the Hittite texts called their chief deity Teshub, not "Seth of Hatti." Since Teshub meant "Windy Storm." and Seth (to judge by his Greek name Typhon) meant "Fierce Wind," it appeared that the Egyptians and Hittites were matching their pantheons according to the epithet-names of their gods. In line with that, Teshub’s spouse HEBAT was called "Lady of the Skies" to parallel the goddess by that title in the Egyptian version of the treaty; Ra ("The Bright One") was paralleled by a Hittite "Lord of the Sky" whom the Akkadian version called SHAMASH ("The Bright One"), and so on. The Egyptians and the Hittites, it became evident, were matching separate, but parallel, pantheons; and scholars began to wonder what other ancient treaties would reveal. One that provided surpris-

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ing information was the treaty made circa 1350 B.C. between the Hittite king Shuppilulima and Mattiwaza, king of the Human kingdom of Mitanni, which was situated on the Euphrates river midway between the Land of the Hittites and the ancient lands of Sumer and Akkad. Executed as usual in two copies, the treaty’s original was deposited in the shrine of the god Teshub in the Human city Kahata place and a tablet lost in the sands of time. But the duplicate tablet, deposited in the Hittite holy city of Arinna "in front of the goddess of the Rising Disc," was discovered by archaeologists some 3,300 years after it was written! As did all treaties in those days, the one between the H i t t i t e and Mitannian kings ended with a call upon "the gods of the contracting parties to be present, to listen and to serve as witnesses," so that adherence to the treaty shall bring divine bliss, and its violation the wrath of the gods. These "gods of the contracting parties" were then listed, beginning with Teshub and his consort Hebat as the supreme reigning gods of both kingdoms, the gods "who regulate kingship and queenship" in Hatti and Mitanni and in whose shrines the copies of the treaty were deposited. Then, a number of younger deities, both male and female, offspring of the two reigning gods, were listed by the provincial capitals where they acted as governing deities, representing their parents. Here, then, was a listing of the very same gods in the very same hierarchical positions; unlike the Egyptian instance, when different pantheons were being matched. As other discovered texts proved, the Hittite pantheon was in fact borrowed from (or through) the Humans. But this particular treaty held a special surprise: toward the end of the tablet, among the divine witnesses, there were also listed Mitra-ash. Uruwana, Indar, and the Nashatiyanu godsthe very M itra, Varuna, Indra, and the Nasatya gods of the Hindu pantheon! Which of the threeHittite, Hindu, Humanwas then t he common source? The answer was provided in the same HittiteMitannian treaty: none of them; for those so-called "Aryan" gods were listed in the treaty together with their parents and grandparents, the "Olden Gods": the couples Anu and Antu, Enlil and his spouse Ninlil, Ea and his wife Damkina; as well as "the divine Sin, lord of the oath . . . Nergal of Kutha ... the warrior god Ninurta ... the warlike Ishtar." These are familiar names; they had been invoked in earlier days by Sargon of Akkad, who had claimed that he was "Overseer of Ishtar, anointed priest of Anu, great righteous shepherd of Enlil."

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His grandson Naram-Sin ("Whom the god Sin loves") could attack the Cedar Mountain when the god Nergal "opened the path" for him. Hammurabi of Babylon marched against other lands "on the command of Anu, with Enlil advancing in front of the army." The Assyrian king Tiglat-Pileser went conquering on the command of Anu, Adad, and Ninurta; Shalmaneser fought with weapons provided by Nergal; Esarhaddon was accompanied by Ishtar on his march to Nineveh. No less illuminating was the discovery that the Hittites and the Hurrians. though they pronounced the deities’ names in their own language, wrote the names employing Sumerian script; even the "divine" determinative used was the Sumerian DIN.GIR, literally meaning "The Righteous Ones" (DIN) "Of the Rocketship" (GIR). Thus the name of Teshub was written DIN. GIR IM ("Divine Stormer"), which was the Sumerian name for the god ISHKUR, also known as Adad; or it was written DIN.GIR U, meaning "The god 10," which was the numerical rank of Ishkur/Adadthat of Anu being the highest (60), that of Enlil 50, that of Ea 40, and so on down the line. Also, like the Sumerian Ishkur/Adad, Teshub was depicted by the Hittites brandishing his lightning-emitting weapon, a "Weapon of Brilliance" (Fig. 18).

Fig. 18

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By the time the Hittites and their writings were reclaimed from oblivion, scholars had already determined that before the Hittite and Egyptian civilizations, before Assyria and Babylon, even before Akkad, there arose in southern Mesopotamia the high civilization of Sumer. All the others were offshoots of that first-known civilization. And it is by now established beyond doubt that it was in Sumer that the tales of gods and men were first recorded. It was there that numerous textsmore numerous than can be imagined, more detailed than could be expectedwere first inscribed. It was there that the written records of history and prehistory on our planet Earth had originated. We call them THE EARTH CHRONICLES. The discovery and understanding of the ancient civilizations has been a process of continuous astonishment, of incredible realizations. The monuments of antiquitypyramids, ziggura ts, vast platforms, columned ruins, carved stoneswould have remained enigmas, mute evidence to bygone events, were it not for the Written Word. Were it not for that, the ancient monuments would have remained puzzles: their age uncertain; their creators obscure; their purpose unclear. We owe what we know to the ancient scribesa prolif ic and meticulous lot, who used monuments, artifacts, foundation stones, bricks, utensils, weapons of any conceivable material, as inviting slates on which to write down names and record events. Above all there were the clay tablets: flattened pieces of wet clay, some small enough to be held in the palm of the hand, on which the scribe deftly embossed with a stylus the symbols that formed syllables, words, and sentences. Then the tablet would be left to dry (or be kiln-dried), and a permanent record had been createda record that has survived millennia of natural erosion and human destructiveness. In place after placein centers of commerce or of a dministration, in temples and palaces, in all parts of the ancient Near East there were both state and private archives full of such tablets; and there were also actual libraries where the tablets, tens of thousands of them, were neatly arranged by subject, their contents entitled, their scribe named, their sequel numbered. Invariably, whenever they dealt with history or science or the gods, they were identified as copies of earlier tablets, tablets in the "olden language." Astounded as the archaeologists were to uncover the grandeur of Assyria and Babylonia, they were even more puzzled to read in

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their inscriptions of "olden cities." And what was the meaning of the title "king of Sumer and Akkad" that the kings of these empires coveted so much? It was only with the discovery of the records concerning Sargon of Agade that modern scholars were able to convince themselves that a great kingdom, the Kingdom of Akkad, had indeed arisen in Mesopotamia half a millennium before Assyria and Babylonia were to flourish. It was with the greatest amazement that scholars read in these records that Sargon "defeated Uruk and tore down its wall. . . . Sargon, king of Agade, was victorious over the inhabitants of Ur. ... He defeated E-Nimmar and tore down its wall and defeated its territory from Lagash as far as the sea. His weapons he washed in the sea. In the battle with the inhabitants of Umma he was victorious. . . ." The scholars were incredulous: Could there have been urban centers, walled cities, even before Sargon of Agade. even before 2500 B.C.? As is now known, indeed there were. These were the cities and urban centers of Sumer, the "Sumer" in the title "king of Sumer and Akkad." It was, as a century of archaeological discoveries and scholarly research has established, the land where Civilization began nearly six thousand years ago; where suddenly and inexplicably, as though out of nowhere, there appeared a written language and literature; kings and priests; schools and temples; doctors and astronomers; high-rise buildings, canals, docks, and ships; an intensive agriculture; an advanced metallurgy; a textile industry; trade and commerce; laws and concepts of justice and morality; cosmological theories; and tales and records of history and prehistory. In all these writings, be it long epic tales or two-line proverbs, in inscriptions mundane or divine, the same facts emerge as an unshakable tenet of the Sumerians and the peoples that followed them: in bygone days, the DIN.GIR"The Righteous On es of the Rocketships," the beings the Greeks began to call "gods"had come to Earth from their own planet. They chose southern Mesopotamia to be their home away from home. They called the land KI.EN.GIR"Land of the Lord of the Rockets" (the Ak kadian name, Shumer, meant "Land of the Guardians"); and they established there the first settlements on Earth. The statement that the first to establish settlements on Earth were astronauts from another planet was not lightly made by the Sumerians. In text after text, whenever the starting point was re-

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called, it was always this: 432,000 years before the Deluge, the DIN.GIR ("Righteous Ones of the Rocketships") came down to Earth from their own planet. The Sumerians considered it a twelfth member of our Solar Systema system made up of the Sun in the center, the Moon, all the nine planets we know of today, and one more large planet whose orbit lasts a Sar, 3,600 Earth-years. This orbit, they wrote, takes the planet to a "station" in the distant heavens, then brings it back to Earth’s vicinity, crossing between Mars and Jupiter. It was in that positionas depict ed in a 4,500-year-old Sumerian drawing (Fig. 19) that the planet obtained its name NIBIRU ("Crossing") and its symbol, the Cross.

The leader of the astronauts who had come to Earth from Nibiru, we know from numerous ancient texts, was called E. A ("Whose House Is Water"); after he had landed and established Eridu, the first Earth Station, he assumed the title EN.KI ("Lord of Earth"). A text that was discovered in the ruins of Sumer records his landing on Earth as a first-person report: When I approached Earth there was much flooding. When I approached its green meadows, heaps and mounds were piled up at my command. I built my house in a pure place . . . My houseits shade stretches over the Snake Marsh.

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The text then proceeds to describe Ea’s efforts to build extraordinary waterworks in the marshlands at the head of the Persian Gulf: He surveyed the marshlands, cut canals for drainage and water control, built dykes, dug ditches, and built structures of bricks molded from the local clays. He joined the Tigris and Euphrates rivers by canals; and at the edge of the marshlands he built his Water House, with a wharf and other facilities. It all had a reason. On his planet gold was needed. Not for jewelry or another frivolous use, for at no time during the millennia that followed were these visitors to Earth ever shown wearing golden jewelry. Gold was. no doubt, required for the space programs of the Nibiruans, as is evident from the Hindu texts’ references to the celestial chariots being covered with gold; indeed, gold is vital to many aspects of the space instruments and vehicles of our own times. But that alone could not have been the reason for the intensity of the Nibiruans’ search for gold on Earth and their immense efforts to obtain it here and transfer it in large quantities to their own planet. The metal, with its unique properties, was needed back home for a vital need, affecting the very survival of life on that planet; as best as we can make out, this vital need could have been for suspending the gold particles in Nibiru’s waning atmosphere and thus shield it from critical dissipation. A son of Nibiru’s ruler, Ea was well chosen for the mission. He was a brilliant scientist and engineer whose nickname was NU.DIM.MUD, "He Who Fashions Things." The plan, as his epithet-name E.A. indicated, was to extract the gold from the waters of the quiet Persian Gulf and the adjoining shallow marshlands that extended from the gulf into Mesopotamia. Sumerian depictions showed Ea as lord of the flowing waters, sitting in a laboratory and surrounded by interconnected flasks (Fig. 20). But the unfolding tale suggests that all was not going well with this scheme. The gold production was far below expectations, and to speed it up, more astronautsthe rank and file w ere called Anunnaki ("Those Who From Heaven to Earth Came")la nded on Earth. They came in groups of fifty, and one of the texts reveals that one of these groups was led by Enki’s firstborn son MAR.DUK. The text records Marduk’s urgent message to his father describing a near-calamity on the flight to Earth, as the spaceship passed by one of the Solar System’s large planets (probably Jupiter) and almost collided with one of that planet’s satellites. Describing the "attack" on the spacecraft, the excited Marduk told his father;

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Fig. 20 It has been created like a weapon; It has charged forward like death . . . The Anunnaki who are fifty it has smitten . . . The flying, birdlike Supreme Orbiter it has smitten on the breast. A Sumerian engraving on a cylinder seal (Fig. 21) may well have illustrated the scene of Lord Earth (on the left) anxiously greeting his son, dressed as an astronaut (on the right), as the spaceship leaves Mars (the six-pointed star) and nears Earth (the seventh planet when counting from the outside in, symbolized by the seven dots and depicted together with the Moon). Back on the home planet, where Enki’s father AN (Anu in Akkadian) was the ruler, the progress of the landing parties was followed with anxiety and expectation. These must have turned to impatience at the slow progress, and then to disappointment. Evidently the scheme to extract gold from seawaters by laboratorylike processes did not work as expected. But the gold was still badly needed; and the Anunnaki faced a

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tough decision: to abandon the projectwhich was ou t of the questionor to try to obtain the gold in a new way: mining. For gold, the Anunnaki knew by then, was naturally available in abundance in the AB.ZU ("The Primeval Source") on the continent of Africa. (In the Semitic languages that had evolved from the Sumerian. Za-abAbzu in reversehas remained the word f or gold to this very day). There was, however, one major problem. The African gold had to be extracted from the depths of the earth through mining; and the far-reaching decision to change from the sophisticated water-treatment process to a backbreaking toil below the surface of the earth was not lightly taken. Clearly the new enterprise required more Anunnaki. a mining colony in "the place of the shining lodes," expanded facilities in Mesopotamia, and a fleet of ore vessels (MA.GUR UR.NU AB.ZU "Ships fo r Ores of the Abzu") to connect the two. Could Enki handle it all by himself? Anu felt that he could not; and eight Nibiru years after Enki’s landing28,800 Earth-yearshe came to Earth to see things for himself. He came down accompanied by the Heir Apparent EN.LIL ("Lord of the Command")a son who, Anu must have felt, could take charge of Earth mission and organize the gold deliveries to Nibiru. The choice of Enlil for the mission might have been a necessary one, but it must have been an agonizing one as well; for it only sharpened the rivalry and jealousy between the two half-brothers. For Enki was the firstborn son of Anu by Id, one of his six concubines, and could have expected to follow Anu on Nibiru’s throne.

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But thenas in the biblical tale of Abraham, his co ncubine Hagar, and his half-sister wife SarahAnu’s half-sister wi fe Antum bore him a son, Enlil. And by the Nibiruan rules of successionso faithfully adopted by the biblical patriarchEnlil became the legal heir instead of Enki. And now this rival, this robber of Enki’s birthright, came to Earth to take over the command! One cannot stress enough the importance of lineage and genealogy in the Wars of the Gods; the struggles for succession and supremacy, on Nibiru as on Earth later on. Indeed, as we unravel the puzzling persistence and ferocity of the wars of the gods, trying to fit them into the framework of history and prehistorya task never undertaken before it becomes clear that they stemmed from a code of sexual behavior based not on morality but on considerations of genetic purity. At the core of these wars lay an intricate genealogy that determined hierarchy and succession; and sexual acts were judged not by their tenderness or violence but by their purpose and outcome. There is a Sumerian tale of how Enlil, commander-in-chief of the Anunnaki, took a fancy to a young nurse whom he saw swimming naked in the river. He persuaded her to go sailing with him and made love to her against her protestations ("my vulva is small, it knows not intercourse"). In spite of his rank Enlil was arrested by the "fifty senior gods" as he returned to his city Nippur and was found by "the seven Anunnaki who judge" to have committed the crime of rape; they sentenced him to exile in the Abzu. (He was pardoned only when he married the young goddess, who had followed him into exile.) Many songs celebrated the love affair between Inanna and a young god named Dumuzi, in which their "sleep-outs" were described with touching tenderness: O that they put his hand in my hand for me. O that they put his heart next to my heart for me. Not only is it sweet to sleep hand in hand with him. Sweetest of sweet is also the loveliness of joining heart to heart with him. We can understand the approving tone of the verse because Dumuzi was the intended bridegroom of Inanna, chosen by her with the approval of her brother Utu/Shamash. But how to explain a text in which Inanna describes passionate lovemaking with her own brother?

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THE WARS OF GODS AND MEN My beloved met me, took his pleasure of me. rejoiced together with me. The brother brought me to his house, made me lie on its sweet bed . . . In unison, the tongue-making in unison, my brother of fairest face made fifty times.

This can only be understood if we bear in mind that the code prohibited marriage, but not lovemaking, between full brother and sister. On the other hand, marriage with a half-sister was allowed; male progeny by a half-sister even had precedence in the hierarchical order. And while rape was condemned, sexeve n irregular and violentwas condoned if done for the sake of su ccession to the throne. A long tale relates how Enki. seeking a male son by his (and Enlil’s) half-sister Sud, forced his attentions on her when she was alone and "poured the semen in the womb." When she gave birth to a daughter (rather than to a son), Enki lost no time making love to the girl as soon as she became "young and fair ... He took his joy of her, he embraced her, lay in her lap: he touches the thighs, he touches the . . . with the young one he cohabits." This went on unabashedly with a succession of young daughters, until Sud put a curse on Enki, which paralyzed him; only then did these sexual antics in search of a male heir stop. When Enki engaged in these sexual efforts, he was already espoused to Ninki, which illustrates that the same code which condemned rape did not prohibit extramarital affairs per se. We also know that the gods were allowed any number of wives and concubines (a text catalogued as CT-24 listed six of Anu’s concubines), but, if married, they had to select one as their official spousepreferring, as we have mentioned, a half-sister for this role. If the god, apart from his given name and many epithets, was also bestowed with a title-name, his official consort was also honored with the feminine form of such title. Thus when AN received his title-name ("The Heavenly"), his consort was called ANTU, Anu and Antum in Akkadian. The nurse who had married Enlil ("Lord of Command") received the title-name Ninlil ("Lady of Command"); Enki’s spouse Damkina was called Ninki, and soon. Because of the importance of the family relationships between these great Anunnaki, many so-called God Lists prepared by ancient scribes were genealogical in nature. In one such major list, titled by the ancient scribes the "AN : ilu Anum’’series, there are

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listed the "forty-two foreparents of Enlil," clearly arranged as twenty-one divine couples. This must have been a mark of great royal lineage, for two similar documents for Anu also list his twenty-one ancestral couples on Nibiru. We learn that the parents of Anu were AN.SHAR.GAL ("Great Prince of Heaven") and KI.SHAR.GAL ("Great Princess of Firm Ground"). As their names indicate, they were not the reigning couple on Nibiru: rather, the father was the Great Prince, meaning the heir apparent; and his spouse was a great princess, the firstborn daughter of the ruler (by a different wife) and thus a half-sister of Anshargal. In these genealogical facts lies the key to the understanding of the events on Nibiru before the landing on Earth, and on Earth thereafter. Sending Ea to Earth for gold implies that the Nibiruans had already been aware of the metal’s availability on Earth well before the landing was launched. How? One could offer several answers: They could have probed Earth with unmanned satellites, as we have been doing to other planets in our Solar System. They could have surveyed Earth by landing on it, as we have done on our Moon. Indeed, their landing on Mars cannot be ruled out as we read texts dealing with the space voyages from Nibiru to Earth. Whether and when such manned premeditated landings on Earth had taken place, we do not know. But there does exist an ancient chronicle dealing with an earlier landing in dramatic circumstances: when the deposed ruler of Nibiru escaped to Earth in his spacecraft! The event must have happened before Ea was sent to Earth by his father, for it was through that event that Anu became Nibiru’s ruler. Indeed the event was the usurpation of the throne on Nibiru by Anu. The information is contained in a text whose Hittite version has been titled by scholars Kingship in Heaven. It throws light on life at the royal court of Nibiru and tells a tale of betrayal and usurpation worthy of a Shakespearean plot. It reveals that when the time for succession arrived on Nibiruthrough natural death or otherwiseit was not Anshargal, Anu’s father and the hei r apparent, who had ascended the throne. Instead a relative named Alalu (Alalush in the Hittite text) became the ruler. As a gesture of reconciliation or by custom, Alalu appointed Anu to be his royal cup-bearer, an honored and trusted position

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also known to us from several Near Eastern texts and royal depictions (Fig. 22). But after nine Nibiruan years, Anu (Anush in the Hittite text) "gave battle to Alalu" and deposed him:

Fig. 22 Once in the olden days, Alalush was king in Heaven. Alalush was seated on the throne; The mighty Anush. first among the gods. was standing before him: He would bow to his feet. set the drinking cup in his hand. For nine counted periods, Alalush was king in Heaven. In the ninth counted period. Anush gave battle to Alalush. It was then, the ancient text tells us, that the dramatic flight to Earth had occurred: Alalush was defeated, he fled before Anush Down he descended to the dark-hued Earth. Anush took his seat upon the throne.

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While it is quite possible that much about Earth and its resources may have been known on Nibiru even before Alalu’s flight, the fact is that we do have in this tale a record of the arrival on Earth of a spaceship bearing Nibiruans before Ea’s mission to Earth. The Sumerian King Lists report that the first administrator of Eridu was called Alulima name that could have been yet anoth er epithet for Ea/Enki, or the Sumerian rendering of Alalu’s name; the possibility thus comes to mind that, though deposed, Alalu was sufficiently concerned about Nibiru’s fate to advise his deposer that he had found gold in Earth’s waters. That this is indeed what had happened might be indicated by the fact that a reconciliation between deposed and deposer did ensue; for Anu went ahead and appointed Kumarbi, a grandson of Alalu, to be his royal cup-bearer. But the gesture of reconciliation only caused history on Nibiru to repeat itself. In spite of all the bestowed honors, the young Kumarbi could not forget that Anu had usurped the throne from his grandfather; and as time went on, Kumarbi’s enmity toward Anu was becoming more and more obvious, and Anu "could not withstand the gaze of Kumarbi’s eyes." And so it was that, having decided to leave Nibiru for Earth and even take the Heir Apparent (Enlil) with him, Anu deemed it safer also to take along the young Kumarbi. Both decisionsto take Enlil with him and to take Kumarbi alongended up mak ing the visit one marred by strife andfor Anualso filled with p ersonal agony. The decision to bring Enlil to Earth and put him in charge led to heated arguments with Enkiarguments echoed in the texts so far discovered. The angry Enki threatened to leave Earth and return to Nibiru: but could he be trusted not to usurp the throne there? If. as a compromise. Anu himself were to stay on Earth, appointing Enlil as surrogate ruler on Nibiru, could Enlil be trusted to step down when Anu returned? Finally it was decided to draw lots: let chance determine how it shall be. The division of authority that ensued is repeatedly mentioned in Sumerian and Akkadian texts. One of the longest of the Earth Chronicles, a text called The Atra-Hasis Epic, records the drawing of lots and its outcome: The gods clasped hands together, then cast lots and divided: Anu to heaven went up; To Enlil the Earth was made subject; That which the sea as a loop encloses,

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THE WARS OF GODS AND MEN they gave to the prince Enki. To the Abzu Enki went down, assumed the rulership of the Abzu.

Believing that he had managed to separate the rival brothers, "Anu to Heaven went up." But in the skies above Earth, an unexpected turn of events awaited him. Perhaps as a precaution, Kumarbi was left on the space platform orbiting Earth; when Anu returned to it, ready to take off on the long voyage back to Nibiru, he was confronted by an angry Kumarbi. Harsh words soon gave way to a scuffle: "Anu gave battle to Kumarbi, Kumarbi gave battle to Anu." As Kumarbi bested Anu in the wrestling, "Anu struggled free from the hands of Kumarbi." But Kumarbi managed to grab Anu by his feet, and "bit between his knees," hurting Anu in his "manhood." Ancient depictions were found of the event (Fig. 23a), as well as of the habit of wrestling Anunnaki (Fig. 23b) to hurt one another in the genitals.

Fig. 23 Disgraced and in pain, Anu took off on his way to Nibiru, leaving Kumarbi behind with the astronauts manning the space platforms and shuttlecraft. But before he departed, he put on Kumarbi a curse of "three monsters in his belly." The similarity of this Hittite tale to the Greek tale of the castration of Uranus by Cronos, and the swallowing by Cronos of his

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sons, needs no elaboration. And, as in the Greek tales, this episode set the stage for the wars between the gods and the Titans. After Anu had left, Earth Mission was launched in earnest. As more Anunnaki landed on Earththeir number rose in time to 600some were assigned to the Lower World to hel p Enki mine the gold; others manned the ore ships; and the rest stayed with Enlil in Mesopotamia. There, additional settlements were established in accordance with a master plan laid out by Enlil, as part of a complete organizational plan of action and clear-cut procedures: He perfected the procedures, the divine ordinances; Established five cities in perfect places, Called them by name, Laid them out as centers. The first of these cities, Eridu, He granted to Nudimmud, the pioneer. Each of these pre-Diluvial settlements in Mesopotamia had a specific function, revealed by its name. First was E.RI.DU "House in Faraway Built"the gold-extracting facili ty by the waters’ edge, which for all time remained Ea’s Meso potamian abode. Next came BAD.TIBIRA"Bright Place Where the Ores Are Made Final"the metallurgical center for smelti ng and refining. Next LA.RA.AK"Seeing the Bright Glow"was a beacon-city to guide the landing shuttlecraft. SIPPAR"Bird City"was the Landing Place; and SHU.RUP.PAK-"The P lace of Utmost Well-Being"was equipped as a medical cen ter; it was put in the charge of SUD ("She Who Resuscitates"), a half-sister of both Enki and Enlil. Another beacon-city. LA.AR.SA ("Seeing the Red Light"), was also built, for the complex operation depended on close coordination between the Anunnaki who had landed on Earth and 300 astronauts, called IGI.GI ("Those Who See and Observe"), who remained in constant Earth orbit. Acting as intermediaries between Earth and Nibiru, the Igigi stayed in Earth’s skies on orbiting platforms, to which the processed ores were delivered from Earth by shuttlecraft, thereafter to be transferred to proper spaceships, which could ferry the gold to the Home Planet as it periodically neared Earth in its vast elliptical orbit. Astronauts and equipment were delivered to Earth by the same stages, in reverse. All of that required a Mission Control Center, which Enlil pro-

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ceeded to build and equip. It was named NIBRU.KI ("The EarthPlace of Nibiru")Nippur in Akkadian. There, atop a n artificially raised platform equipped with antennasthe prototyp e of the Mesopotamian "Towers of Babel" (Fig. 24)was a secret chamber, the DIR.GA ("Dark, Glowing Chamber") where space charts ("the emblems of the stars") were displayed and where the DUR.AN.KI ("Bond Heaven-Earth") was maintained.

The Chronicles have asserted that the first settlements of the Anunnaki on Earth were "laid out as centers." To this enigmatic statement was added the puzzle of the claim by post-Diluvial kings that in reestablishing in Sumer the cities wiped out by the Flood, they had followed The everlasting ground plan. that which for all time the construction has determined. It is the one which bears the drawings from the Olden Times and the writing of the Upper Heaven. The puzzle will be solved if we mark out those first cities established by Enki and Enlil on the region’s map and connect them with concentric circles. They were indeed "laid out as centers": all were equidistant from the Mission Control Center in Nippur. It was indeed a plan "from Upper Heaven." for it made sense only to those who could view the whole Near East from high above Earth: Choosing the twin-peaked Mount Araratthe area’s mo st conspic-

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uous featureas their landmark, they placed the spa ceport where the north line based on Ararat crossed the visible Euphrates River. In this "everlasting ground plan," all the cities were arranged as an arrow, marking out the Landing Path to the Spaceport at Sippar (Fig. 25). The periodic deliveries of gold to Nibiru mitigated the concerns.

Fig. 25

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even the rivalries, on that planet, for Anu stayed on as its ruler for a long time thereafter. But on Earth all the main actors were present on the "dark-hued" stage to give vent to every imaginable emotion and to incredible conflicts.

5

THE WARS OF THE OLDEN GODS

Anu’s first visit to Earth and the decisions then reached set the course of events on Earth for all the millennia that followed. In time they led to the creation of The AdamMan as we know him. Homo sapiens; they also planted the seeds of future conflict on Earth between Enlil and Enki and their descendants. But first there were the lingering and bitter struggles between the House of Anu and the House of Alalu, an enmity that burst out on Earth into the War of the Titans. It was a war that pitted "the gods who are in heaven" against the "gods who are upon dark-hued Earth"; it was. in its last climactic phase, an uprising of the Igigi! That it had taken place in the early days of the settlement of the Nibiruans on Earth and in the aftermath of Anu’s first visit to Earth, we know from the Kingship in Heaven text. Recalling the adversaries, it refers to them as "the mighty olden gods, the gods of the olden days." After naming five ancestors as "the fathers and mothers of the gods" who preceded Anu and Alalu, it begins the tale with the usurpations of the throne on Nibiru. the flight of Alalu, the visit of Anu to Earth, and the ensuing conflict with Kumarbi. The story in the Kingship in Heaven text is augmented and continued in several other Hittite/Hurrian texts, which scholars call collectively The Kumarbi Cycle. Laboriously pieced together (and still badly fragmented), the texts have recently become more intelligible by the discovery of additional fragments and versions, reported and fitted into place by H. Guterbock (Kumarbi Mythen von Churritischen Kronos) and H. Otten (Mythen vom Gone KumarbiNeue Fragmenle). How long Kumarbi remained aloft after the fight with Anu is not clear from these texts. We do learn that after the passage of some time, and after Kumarbi managed to spit out the "stones" that Anu caused to grow in his belly. Kumarbi came down to Earth. For rea91

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sons that may have been explained in missing parts of the texts, he went to Ea in the Abzu. Mutilated verses then deal with the appearance on the scene of the Storm God Teshub, who, according to the Sumerians, was Enlil’s youngest son Ishkur/Adad. The Storm God annoys Kumarbi by telling him of the wonderful attributes and objects that each god will grant him, Teshub; among these attributes shall be Wisdom, which shall be transferred away from Kumarbi. "Filled with fury Kumarbi went to Nippur." Breaks in the texts leave us ignorant as to what went on there, at Enlil’s headquarters; but after a stay of seven months Kumarbi went back to consult with Ea. Ea suggested that Kumarbi "ascend to heaven" and seek the help of Lama, who was "mother of the two gods" and thus, apparently, an ancestral matriarch of the two contesting dynasties. With some self-interest, Ea offered to transport Kumarbi to the Celestial Abode in his MAR.GID.DA (celestial chariot), which the Akkadians called Ti-ia-ri-ta, "the flying vehicle." But the goddess, having found out that Ea was coming without the permission of the Assembly of the Gods, sent "lightning winds" against Ea’s spacecraft, forcing him and Kumarbi to return to Earth. But rather than go down all the way, Kumarbi chose to stay with the orbiting gods whom the Hittite/Hurrian text calls Irsirra ("Those Who See and Orbit"), the Sumerian IGI.GI. With ample time on his hands, "Kumarbi was full with thoughts . . .thinking them out in his mind ... he nurses thoughts of creating misfortune ... he plots evil." The essence of his thoughts was that he should be proclaimed "the father of all the gods," the supreme deity! Gaining the backing of the orbiting Irsirra gods, Kumarbi "put swift shoes on his feet" and flew down to Earth. There he sent his emissary to the other leading gods, demanding that they recognize his supremacy. It was then that Anu decided that enough was enough. To vanquish once and for all the grandson of his adversary Alalu, Anu ordered his own grandson, the "Storm God" Teshub, to find Kumarbi and kill him. Ferocious battles then ensued between the terrestrial gods led by Teshub and the sky-borne gods led by Kumarbi; in one battle alone, no less than seventy gods participated, all riding in celestial chariots. Though most battle scenes are lost in the damaged text, we know that in the end Teshub had prevailed. But the defeat of Kumarbi did not end the struggle. We learn from additional Hittite epic tales in the Kumarbi Cycle that before

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his demise, Kumarbi managed to impregnate a goddess of the mountain with his seed, leading to the birth of his Avenger, the "Stone God" Ullikummi. As he hid his marvelous (or monstrous) son among the Irsirra gods, he instructed him to grow and attack Teshub’s "beautiful city Kummiya . . . Attack the Storm God and tear him to pieces . . . shoot down all the gods from the sky like birds!" Once he attained victory on Earth. Ullikummi was to "ascend to Heaven for Kingship" and seize by force the throne on Nibiru. Having issued these instructions, Kumarbi passed away from the scene. For a long time the child was hidden. But as he grew upassuming giant proportionshe was seen one day by U tu/Shamash as he was roaming the skies. Utu rushed to Teshub’s abode, to inform him of the appearance of the Avenger. After giving Utu food and drink to becalm himself, Teshub urged him to "mount thy chariot and ascend to the skies," to keep an eye on the growing Ullikummi. Then he went up the Mountain of Viewing to see the Stone God for himself. "He looked at the awesome Stone God, and in wrath shook his fist." Realizing there was no alternative to battle, Teshub readied his chariot for combat; the Hittite text calls it by its Sumerian name ID.DUG.GA, "The Flowing Leaden Rider." The instructions for outfitting the celestial chariot, for which the Hittite text heavily employed the original Sumerian terminology, merit quoting. They called for revving up the vehicle with the "Great Cracker"; attaching the "Bull" (power-plant) that "Lights Up" in front and the "Bull for Lofty Missile" in the back end; installing the radarlike or navigational device "That Which Shows The Way" in the forepart; activating the instruments with the powerful energy "Stones" (minerals); and then arming the vehicle with the "Storm Thunderer," loading it with no less than eight hundred "Fire Stones": The "Great Cracker" of the "Bright Lead Rider" let them lubricate with oil and stir up. The "Bull that Lights Up" let them put between the horns. The tail’s "Bull that is Lofty Missile" let them plate with gold. The forepart’s "That Which Shows The Way" let them put in and turn, provide it with powerful "Stones" inside. Let them bring out the "Storm Thunderer" which scatters rocks for 90 furlongs,

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THE WARS OF GODS AND MEN making sure the "Fire Stones" with 800 ... to cover. The "Lightning Which Flashes Frightfully" let them bring out from its storage chamber. Let them bring out the MAR.GID.DA and make it ready!

"From the skies, from among the clouds, the Storm God set his face upon the Stone God." After the i n i t i a l unsuccessful attacks. Ninurta, the brother of Teshub/Adad, joined the battles. But the Stone God remained unharmed and carried the battle to the very gates of Kummiya. the Storm God’s city. In Kummiya, Teshub’s spouse Hebat was following the battle reports in an inner chamber of the god’s house. But the missiles of Ullikummi "forced Hebat to leave the house, and she could no longer hear the messages of the gods . . . neither the messages of Teshub, nor the messages of all the gods." She ordered her messenger to "put the Swift Shoes on his feet" and go to the place where the gods were assembled, to bring back news of the battle; for she feared that "the Stone God may have killed my husband, the noble prince." But Teshub was not killed. Advised by his attendant to hide at some mountainous sites, he refused: If we do that, he said, "there will be no king in Heaven!" The two then decided to go to Ea in the Abzu, to seek there an oracle according to "the old tablets with the words of fate." Realizing that Kumarbi had brought forth a monster that was getting out of hand. Ea went to Enlil to warn him of the danger: "Ullikummi will block off the Heaven and the gods’ holy houses!" An assembly of the Great Anunnaki was called. With all at a loss for a solution, Ea had one: From the sealed storehouse of the "stone cutters," let them bring out a certain Olden Metal Cutter, and let them cut under the feet of Ullikummi the Stone God. When this was achieved, the Stone God was crippled. When the gods heard this, "they came to the place of assembly, and all the gods began to bellow against Ullikummi." Teshub. encouraged, jumped into his chariot; "he caught up with the Stone God Ullikummi at the sea, and engaged him in battle." But Ullikummi was still defiant, declaring: "Kummiya I shall destroy, the Sacred House I shall take over, the gods I shall drive out . . . up to Heaven I shall go to assume Kingship!" The closing lines of the Hittite epic are completely damaged; but can we doubt that they told us the Sanskrit tale of the final battle between Indra and the "demon" Vritra?

The Wars of the Olden Gods And then was seen a dreadful sight, when god and demon met in fight. His sharpened missiles Vritra shot, his thunderbolts and lightnings hot . . . The lightnings then began to flash, the direful thunderbolts to crash, by Indra proudly hurled . . . And soon the knell of Vritra’s doom was sounded by the clang and boom of Indra’s iron shower. Pierced, cloven, crushed, with horrid yell the dying demon headlong fell . . . And Indra smote him with a bolt between the shoulders.

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These, we believe, were the battles of the "gods" and the Titans of the Greek tales. No one has yet found the meaning of "Titans": but if the tales had a Sumerian origin, and if so did these gods’ names, then TI.TA.AN in Sumerian would have l ite r all y meant "Those Who in Heaven Live"precisely the designatio n of the Igigi led by Kumarbi; and their adversaries were the Anunnaki "Who are on Earth." Sumerian texts indeed record an olden life-and-death battle between a grandson of Anu and a "demon" of a different clan; the tale is known as The Myth of Zu. Its hero is Ninurta, Enlil’s son by his half-sister Sud; it could well have been the original tale from which the Hindu and Hittite tales were borrowed. The setting for the events described in the Sumerian text is the time that had followed Anu’s visit to Earth. Under the overall command of Enlil, the Anunnaki have settled to their tasks in the Abzu and in Mesopotamia: The ores arc mined and transported, then smelted and refined. From a busy spaceport in Sippar, shuttlecraft take the precious metals aloft to the orbiting stations operated by the Igigi, thence on to the Home Planet by periodically visiting spaceships. The complex system of space operationsthe comings and goings by the space vehicles and communications between Earth and Nibiru, while both planets pursue their own destined orbitsis coordinated from Enlil’s Mission Control Center in Nippur. There, atop a raised platform, was the DIR.GA room, the most restricted "holy of holies" where the vital celestial charts and orbital data panelsthe "Tablets of Destinies"were installed.

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It was into this sacred chamber that a god named Zu gained access, seizing the vital tablets and thereby holding in his hands the fate of the Anunnaki on Earth and of Nibiru itself. By combining portions of Old Babylonian and Assyrian versions of the Sumerian text, a good deal of the tale has been restored. But damaged portions still held the secret of Zu’s true identity, as well as an explanation of how he had gained access to the Dirga. Only in 1979 did two scholars (W. W. Hallo and W. L. Moran) come up with the answer by using a tablet found in the Babylonian Collection of Yale University to reconstruct the beginning of the ancient tale. In Sumerian the name ZU meant "He Who Knows." one expert in certain knowledge. Several references to the evil hero of this tale as AN.ZU"He Who Knows the Heavens"suggest a conne ction with the space program that had linked Earth with Nibiru; and the now-restored beginning of the chronicle indeed relates how Zu. an orphan, was adopted by the astronauts who manned the shuttlecraft and orbiting platforms, the Igigilear ning from them the secrets of the heavens and of space travel. The action begins as the Igigi, "being gathered from all parts," decided to make an appeal to Enlil. Their complaint was that "until that time for the Igigi a break-taking place had not yet been built." In other words, there simply was no facility on Earth for the rest and recreation of the Igigi, where they could relax from the rigors of space and its weightlessness. To voice their complaint they selected Zu to be their spokesman, sending him to Enlil’s center in Nippur. Enlil, "the father of the gods, in the Dur-An-Ki, saw him, and thought of what they [the Igigi] said." As "in his mind he pondered" the request, "he studied the heavenly Zu closely." Who, after all, was this emissary, not one of the astronauts and yet wearing their uniform? As his suspicions grew, Eaaware of Zu’s true ancestryspoke up; he suggested to Enlil that a dec ision on the request of the Igigi could be postponed if Zu were delayed at Enlil’s headquarters. "Your service let him enter," Ea said to Enlil; "in the sanctuary, to the innermost seat, let him be the one to block the way." To the words that Ea spoke to him the god [Enlil] consented. At the sanctuary Zu took up his position . . . At the entrance to the chamber Enlil had assigned him.

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And so it was, with Ea’s connivance, that an adversary goda secret descendant of" Alaluwas admitted to Enlil’s i nnermost and most sensitive chamber. We read that there Zu "constantly views Enlil, the father of the gods, the god of the Bond-Heaven-Earth ... his celestial Tablet of Destines Zu constantly views." And soon a scheme took shape: "The removal of the Enlilship he conceives in his heart": I will take the celestial Tablet of Destinies; The decrees of the gods I will govern; I will establish my throne, be master of the Heavenly Decrees; The Igigi in their space I will command! "His heart having thus plotted aggression," Zu saw his chance one day as Enlil went to take a cooling swim. "He seized the Tablet of Destinies in his hands" and in his Bird "took off and flew to safety in the HUR.SAG.MU" ("Mountain of me Sky-Chambers"). No sooner had this happened than everything came to a standstill: Suspended were the divine formulas; The lighted brightness petered out; Silence prevailed. In space, the Igigi were confounded; The sanctuary’s brilliance was taken off. At first "father Enlil was speechless." As the communications were restored, "the gods on Earth gathered one by one at the news." Anu, on Nibiru, was also informed. It was clear that Zu must be captured and the Tablet of Destinies restored to the Dir-Ga. But who will do it? Several of the younger gods known for their valor were approached. But none dared track Zu to the distant mountain, for he was now as powerful as Enlil, having also stolen the "Brilliance" of Enlil; "and he who opposes him shall become as clay ... at his Brilliance the gods waste away." It was then that Ninurta, Enlil’s legal heir, stepped forth to undertake the task, foras his mother Sud had pointed outZu deprived not only Enlil but also Ninurta of the "Enlilship." She advised him to attack Zu in his hideaway mountain also with a weapon of "Brilliance," but to do so only after he was able to approach Zu behind a dust screen. To achieve the latter she lent Ninurta her own "seven whirlwinds that stir up the dust." With "his battle courage grown firmer," Ninurta repaired to

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Mount Hazzithe mountain encountered in the Kumarbi tales where he hitched to his chariot his seven weapons, attached the whirlwinds that stir up the dust, and set out against Zu "to launch a terrifying war, a fierce battle’": Zu and Ninurta met at the mountainside. When Zu perceived him. he broke out in rage. With his Brilliance, he made the mountain bright as daylight; He let loose rays in a rage. Unable to identify his challenger because of the dust storm, Zu shouted to Ninurta: "I have carried off all Authority, the decrees of the gods I |now| direct! Who are thou to come fight with me? Explain thyself!" But Ninurta continued to "advance aggressively" against Zu, announcing that he was designated by Anu himself to seize Zu and restore the Tablet of Destinies. Hearing this, Zu cut off his Brilliance, and "the face of the mountain was covered with darkness." Unafraid. Ninurta "entered the gloom." From the "breast" of his vehicle, he let loose a Lightning at Zu. "but the shot could not approach Zu; it turned back." With the powers Zu had obtained, no lightning bolt could "approach his body." So "the battle was stilled, the conflict ceased; the weapons were stopped in the midst of the mountain; they vanquished not Zu." Stalemated. Ninurta asked his younger brother Ishkur/Adad to obtain the advice of Enlil. "Ishkur, the prince, took the report; the news of the battle he reported to Enlil." Enlil instructed Ishkur to go back and tell Ninurta: "In the battle do not tire; prove thy strength!" More practically, he sent Ninurta a lillua missile (pictographically written )to attach to the Stormer that shoots the projectiles. Ninurta in his "Whirlwind Bird." he said, should then come as close as possible to the Bird of Zu, until they are "wing to wing." Then he should aim the missile at the "pinions" of Zu’s Whirlbird. and "let the missile fly like a lightning; when the Fiery Brilliance will engulf the pinions, his wings will vibrate like butterflies; then will Zu be vanquished." The final battle scenes are missing from all the tablets, but we know that more than one "Whirlbird" participated in the combat. Fragments of duplicates, found in the ruins of a Hittite archive at a site now called Sultan-Tepe, tell us that Ninurta arrayed "seven whirlwinds which stir up the dust," armed his chariot with the

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"111 Winds" weapons, and attacked Zu as suggested by his father. "The earth shook . . . the [illegible] became dark, the skies became black ... the pinions of Zu were overcome." Zu was captured and brought back before Enlil in Nippur; the Tablet of Destinies was reinstalled where it belonged: "Lordship again entered the Ekur; the Divine Formulas were returned." The captured Zu was put on trial before a court-martial consisting of the Seven Great Anunnaki; he was found guilty and sentenced to death; Ninurta, his vanquisher, "cut his throat." Many depictions were found showing the trial scene, in which Zu, on account of his association with the Igigi astronauts, was dressed up as a bird. An archaic relief found in central Mesopotamia illustrated the actual execution of Zu. This one shows Zuwho b elonged to those "Who Observe and See"as a demonic cock with an extra eye in the forehead (Fig. 26).

Fig. 26 ***

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The defeat of Zu lingered in the memory of the Anunnaki as a great deliverance. Perhaps because of the assumption that the spirit of Zurepresenting betrayal, duplicity, and all evi l in generalpersists in causing ill and suffering, the trial and execution of Zu were transmitted to mankind’s generations in the form of an elaborate ritual. In this annual commemoration a bull was chosen to stand for Zu and atone for his evil deed. Long instructions for the ritual have been found in both Babylonian and Assyrian versions, all indicating their earlier Sumerian source. After extensive preparations, a "great bull, strong bull who treads upon clean pastures" was brought into the temple and purified on the first day of a certain month. It was then whispered into the bull’s left ear through a reed tube: "Bull, the guilty Zu are you"; and into the right ear: "Bull, you have been chosen for the rite and the ceremonies." On the fifteenth day the bull was brought before the images of "the Seven Gods Who Judge" and the symbols of the twelve celestial bodies of the Solar System. The trial of Zu was then reenacted. The bull was put down before Enlil, "the Great Shepherd." The accusing priest recited rhetorical accusational questions, as though addressed to Enlil: How could you have given "the stored treasure" to the enemy? How could you have let him come and dwell in the "pure place"? How could he gain access to your quarters? Then the playacting called for Ea and other gods to beseech Enlil to calm himself, for Ninurta had stepped forward and asked his father: "Point my hands in the right direction! Give me the right words of command!" Following this recital of the evidence given at the trial, judgment was passed. As the bull was being slaughtered in accordance with detailed instructions, the priests recited the bull’s verdict: His liver was to be boiled in a sacrifical kettle; his skin and muscles were to be burned inside the temple; but his "evil tongue shall remain outside." Then the priests, playing the roles of the other gods, broke out in a hymn of praise to Ninurta: Wash your hands, wash your hands! You are now as Enlil, wash your hands! You are as Enlil [upon] the Earth; May all the gods rejoice in you! When the gods looked for a volunteer to fight Zu, they promised the vanquisher of Zu:

The Wars of the Olden Gods Thy name shall be the greatest in the Assembly of the Great Gods; Among the gods, thy brothers, thou shall have no equal; Glorified before the gods and potent shall be thy name!

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After Ninurta’s victory the promise had to be kept. Bui therein was the rub and the seed of future fights among the gods: Ninurta was indeed Enlil’s Legal Heir but on Nibiru, not on Earth. Now, as the commemorative temple ritual makes clear, he was made "as Enlilupon Earth." We know from other texts dealing with the gods of Sumer and Akkad that their hierarchical order was also expressed numerically. Anu was given the highest number of the Sumerian sexagesimal system, 60. His Legal Heir, Enlil, had the rank of 50; the firstborn son (and heir in the event of Enlil’s demise), Ea, was 40. Now, as the enigmatic statement that Ninurta has become "as Enlil" attests, he, too, was given the rank of 50. The partly mutilated ending of the temple ritual text contains the following legible verses: "O Marduk, for your king speak the words: ’I release!’ O Adad, for your king speak the words: ’I release!’ " We can safely guess that the mutilated lines also included a similar release by Sin of his claim to kingship among the gods and recognition of Ninurta’s Enlilship. We know that thereafter, Sin Enlil’s firstborn on Earthheld the rank of 30, hi s son Shamash 20, and his daughter Ishtar 15, and Ishkur (Adad in Akkadian) the rank of 10. (There is no record of Marduk’s numerical rank.) The conspiracy of Zu and his evil plotting remained also in mankind’s memory, evolving into a fear of birdlike demons who can cause affliction and pestilence (Fig. 27). Some of these demons were called Lillu, a term that played on the double meaning "to howl" and "of the night"; their female leader, LillituLilith was depicted as a naked, winged goddess with birdlike feet (Fig. 28). The many shurpu ("purification by burning") texts that have been found were formulas for incantations against these evil spiritsforerunners of the sorcery and witchcraft t hat had lasted throughout the millennia. In spite of the solemn vows taken after the defeat of Zu to honor and respect Enlil’s supremacy and Ninurta’s positio as second-inn command, the basic factors causing rivalry and contention had remainedbreaking into the open from time to time i n the ensuing

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Fig. 27 millennia. Realizing that this would be so, Anu and Enlil provided Ninurta with new, marvelous weapons. Anu gave him the SHAR.UR ("Supreme Hunter") and the SHAR.GAZ ("Supreme Smiter"); Enlil gave him several weapons, of which the unique IBa weapon with "fifty killing heads"was the most awes ome, leading to references in the chronicles to Ninurta as "The Lord of the Ib." Thus armed, Ninurta became the "Foremost Warrior of Enlil," ready to fight off all challenges to the Enlilship. The next such challenge came in the shape of a mutiny of the Anunnaki who were working in the gold mines of the Abzu. The mutiny, and the events that had led to it and followed it, are fully described in a text called by scholars The Atra-Hasis Epica fullfledged Earth Chronicle which, inter alia, records the events that had led to the creation of Homo sapiensMan as we k now him. The text informs us that after Anu had gone back to Nibiru and Earth was divided between Enlil and Enki, the Anunnaki toiled in the mines of the Abzu for "forty counted periods"f orty orbits of their planet, or 144,000 Earth-years. But the work was diffi-

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Fig. 28 cult and backbreaking: "inside the mountains ... in the deeply cut shafts . . . the Anunnaki suffered the toil; excessive was their toil, for forty counted periods." The mining operations, deep inside the earth, were never interrupted: the Anunnaki "suffered the toil day and night." But as the

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shafts grew deeper and the toil harsher, dissatisfaction grew: "They were complaining, backbiting, grumbling in the excavations." To help maintain discipline Enlil sent Ninurta to the Abzu. but this strained relations with Enki even more. It was then that Enlil decided to go to the Abzu and personally evaluate the situation. The discontended Anunnaki seized the opportunity to mutiny! The Alra-Hasis chronicle, in language as vivid as that of a modern reporter, in more than 150 lines of text, unambiguously describes the events that followed: How the rebellious Anunnaki put their tools on fire and, in the middle of the night, marched on Enlil’s dwelling; how some shouted "Let us kill him ... Let us break the yoke!"; how an unnamed leader reminded them that Enlil was the "Chief Officer of Old Time," and advised negotiations; and how Enlil, enraged, took up his weapons, but he, too, was reminded by his chamberlain: "My lord, these are your sons. . . ." As Enlil remained a prisoner in his own quarters, he sent a message to Anu and asked that he come to Earth. When Anu arrived, the Great Anunnaki assembled for a court-martial. "Enki, Ruler of the Abzu. was also present." Enlil demanded to know who the instigator of the mutiny was, calling for a death penalty. Not getting the support of Anu, Enlil offered his resignation: "Noble one," he said to Anu, "take away the office, take away the power; to Heaven will I ascend with you." But Anu, calming Enlil, also expressed understanding of the miners’ hardships. Encouraged, Enki "opened his mouth and addressed the gods." Repeating Anu*s summation, he had a solution to offer: While the Chief Medical Officer, their sister Sud, was here in the Abzu with them: Let her create a Primitive Worker; And let him bear the yoke . . . Let the Worker carry the toil of the gods, Let him bear the yoke! In the following one hundred lines of the Alra-Hasis text, and in several other "Creation of Man" texts that have been discovered in various states of preservation, the tale of the genetic engineering of Homo sapiens has been told in amazing detail. To achieve the feat Enki suggested that a "Being that already exists"A pewomanbe used to create the Lulu Amelu ("The Mixed Worker") by "binding" upon the less evolved beings "the mold of the gods." The goddess

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Sud purified the "essence" of a young male Anunnaki: she mixed it into the egg of an Apewoman. The fertilized egg was then implanted in the womb of a female Anunnaki, for the required period of pregnancy. When the "mixed creature" was bom, Sud lifted him up and shouted: "I have created! My hands have made it!" The "Primitive Worker" Homo sapienshad come into being. It happened some 300,000 years ago: it came about through a feat of genetic engineering and embryo-implant techniques which mankind itself is beginning to employ. There has undoubtedly been a long process of evolution; but then the Anunnaki had taken a hand in the process and jumped the gun on evolution, "creating" us sooner than we might have evolved on our own. Scholars have been searching for a long time for the "missing link" in man’s evolution. The Sumerian texts reveal that the "missing link" was a feat of genetic manipulation performed in a laboratory. . . . It was not a feat over and done with in an instant. The texts make clear that it had taken the Anunnaki considerable trial and error to achieve the desired "perfect model" of the Primitive Worker, but once achieved, a mass-production process was launched: fourteen "birth goddesses" at a time were implanted with the genetically manipulated Apewomen eggs: seven to bear male and seven to bear female Workers. As soon as they grew up, the Workers were put to work in the mines; and as their numbers grew, they assumed more and more of the physical chores in the Abzu. The armed clash between Enlil and Enki that was soon to take place, however, was over these same slave laborers. . . . The more the production of ores improved in the Abzu, the greater was the work load on the Anunnaki that had remained to operate the facilities in Mesopotamia. The climate was milder, rains were more plentiful, and the rivers of Mesopotamia were constantly overflowing. Increasingly the Mesopotamian Anunnaki "were digging the river," raising dikes and deepening the canals. Soon they too began to clamor for the slave workers, the "creatures of bright countenance" but with thick black hair: The Anunnaki stepped up to Enlil . . . Black-headed Ones they were requesting of him. To the Black-headed people to give the pickax to hold. We read of these events in a text named by Samuel N. Kramer The Myth of the Pickax. Though portions are missing, it is under-

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stood that Enki refused Enlil’s request for the transfer of Primitive Workers to Mesopotamia. Deciding to take matters into his own hands. Enlil took the extreme step of disconnecting the communications with the home planet: " I n the "Bond Heaven-Earth’ he made a gash . . . verily did he speed to disconnect Heaven from Earth." Then he launched an armed attack against the Land of the Mines. The Anunnaki in the Abzu assembled the Primitive Workers in a central compound, strengthening its walls against the coming attack. But Enlil fashioned a marvelous weapon, the AL.A.NI ("Ax That Produces Power") equipped with a "horn" and an "earth splitter" that could drill through walls and earthworks. With these weapons Enlil drove a hole through the fortifications. As the hole widened "Primitive Workers were breaking out toward Enlil. He eyed the Black-headed Ones in fascination." Thereafter the Primitive Workers performed the manual tasks in both Lands: In the Land of the Mines they "bore the work and suffered the toil"; in Mesopotamia, "with picks and spades they built gods’ houses, they built the big canal banks; food they grew for the sustenance of the gods." Many ancient drawings engraved on cylinder seals depicted these Primitive Workers performing their tasks, naked as the animals of the field (Fig. 29). Various Sumerian texts recorded this animallike stage in human development:

Fig. 29

The Wars of the Olden Gods When Mankind was first created. They knew not the eating of bread. Knew not the dressing of garments. Ate plants with their mouth like sheep. Drank water from the ditch . . .

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How long, however, could young female Anunnaki be asked (or forced) to perform the roles of "birth goddesses"? Unbeknownst to Enlil, and with the connivance of Sud, Enki contrived to give the new creature one more genetic twist: granting to the hybrid beingsincapable of procreating, as all hybrids are the ability to have offspring, the sexual "Knowing" for having children. The event is echoed in the biblical tale of Adam and Eve in the Garden of Eden, and although the original Sumerian text of the tale has not yet been found, a number of Sumerian depictions of the event were indeed discovered. They show different aspects of the tale: the Tree of Life; the offering of the forbidden fruit; the angry encounter that ensued between the "Lord God" and the "Serpent." Yet another shows Eve girdled in a garment around her loins while Adam is still naked (Fig. 30), another detail related in the Bible.

Fig. 30 While the Serpent God features in all these ancient depictions, the illustration reproduced here is of particular significance as it writes out, in archaic Sumerian the god’s epithet/name as The "star" spells "god" and the triangular symbol reads BUR. BURU. or BUZURall terms that make the epithet/name mean "God Who Solves Secrets." "God of the Deep Mines." and variations thereof. The Bible (in the original Hebrew) calls the god who

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tempted Eve Nahash, translated "Serpent," but literally meaning "He Who Solves Secrets" and "He Who Knows Metals," the exact parallels of the god’s name in the Sumerian depiction. This depiction is of further interest because it shows the Serpent God with his hands and feet in tethers, suggesting that Enki was arrested after his unauthorized deed. In his anger Enlil ordered the expulsion of The Adamthe Homo sapiens Earthlingfrom the E.DIN ("The Abode o f the Righteous Ones"). No longer confined to the settlements of the Anunnaki, Man began to roam the Earth. "And Adam knew Eve his wife, and she conceived and bore Cain . . . and she bore again his brother Abel." The gods were no longer alone on Earth. Little did the Anunnaki then know the role that the Primitive Worker would play in the wars between them.

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Ever since George Smith found and reported in 1876 (The Chaldean Account of Genesis) detailed Mesopotamian tales of Creation, followed by L. W. King’s The Seven Tablets of Creation, scholars and theologians alike have come to recognize that the Creation Tales of the Old Testamant (Genesis Chapters 1 through 3) are condensed and edited versions of original Sumerian texts. A century later, in our work, The 12th Planet (1976), we have shown that these texts were no primitive myths, but depositories of advanced scientific knowledge with which modern scholars are only now beginning to catch up. The unmanned space probes of Jupiter and Saturn confirmed many "incredible" facets of the Sumerian knowledge regarding our Solar System, such as that the outer planets have numerous satellites and that water is present on some of them. Those distant planets, and some of their principal satellites, were found to have active cores that generate internal heat; some radiate out more heat than they can ever receive from the distant Sun. Volcanic activity provided those celestial bodies with their own atmospheres. All the basic requirements for the development of life exist out there, just as the Sumerians had said 6,000 years ago. What, then, of the existence of a twelfth member of our Solar Systema tenth planet beyond Pluto, the Sumerian Ni biru (and Babylonian Marduk)a planet whose existence was a b asic and far-reaching conclusion in The 12th Planet? In 1978, astronomers at the U.S. Naval Observatory in Washington determined that Plutobeing smaller than for merly believedcould not by itself account for perturbation s in the orbits of Uranus and Neptune; they postulated the existence of yet another celestial body beyond Pluto. In 1982 the U.S. National Aeronautics and Space Administration (NASA) announced its conclusion that there indeed exists such a body; whether or not it is another large planet, it planned to determine by deploying in a certain manner its two Pioneer spacecraft that had been hurtling into space beyond Saturn. 109

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And at the close of 1983, astronomers at the Jet Propulsion Laboratory in California announced that IRASthe infra red telescope mounted on a spacecraft and launched under NASA’s auspices with the cooperation of other nationshad discovere d beyond Pluto a very distant ’"mystery celestial body" about four times the size of Earth and moving toward Earth. They have not yet called it a planet; but our Earth Chronicles leave the ultimate finding in no doubt. In 1983, rocks were found in Antarctica and elsewhere which are undoubtedly fragments of the Moon and Mars; and the scientists are totally baffled as to how that could have happened. The Sumerian tale of the Creation of the Solar System, the collision between Nibiru’s satellites and Tiamat, and the rest of the cosmogony in the celebrated Epic of Creation offer a comprehensive explanation. And what about the texts describing how Man was created through genetic manipulation: in vitro fertilization and reimplantation? Recent advances in genetic sciences and technologies have affirmed the Sumerian concept of gradual evolution on the one hand, and on the other hand, the (otherwise inexplicable) appearance of the biologically advanced Homo sapiens through genetic engineering by the Anunnaki. Even the very recent method of test tube procreationextracting a female egg, impregnating i t with purified male semen, and reimplanting the fertilized egg in a woman’s wombis the very same procedure described in the Su merian texts from millennia ago. If the two principal eventsthe creation of Earth a nd the creation of Manare correctly reported in the Bible, o ught we not to accept the veracity of the biblical tale regarding the emergence of mankind on Earth? And if the biblical tales are but a condensed version of more detailed, earlier Sumerian chronicles, could not the latter be used to enhance and complete the biblical record of those earliest times? Since one is the reflection of the other, let us hold up a mirror to that ancient flame of memories. . . . Let us continue the unraveling of the wondrous tale. After relating how "The Adam" (literally, "the Earthling") was granted the ability to procreate, the Book of Genesis moves from recounting the general events on Earth to the saga of a specific branch of mankind: the person named Adam and his descendants.

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"This is the Book of the Generations of Adam," the Old Testament informs us. Such a book, we can safely assume, had surely existed. The evidence strongly suggests that the person whom the Bible called Adam was the one whom the Sumerians called Adapa, an Earthling "perfected" by Enki and deemed to have been genetically related to him. "Wide understanding Enki perfected for him, to disclose the designs of the Earth; to him he gave Knowing; but immortality he did not give him." Portions of the "Tale of Adapa" have been found; the complete text might well have been the "Book of the Generations of Adam" to which the Old Testament refers. Assyrian kings probably had access to such a record, for many of them claimed to have retained one or another of Adapa’s virtues. Sargon and Sennacherib held that they had inherited the wisdom that Enki had granted Adapa; Sinsharishkun and Esarhaddon boasted that they were bom "in the image of the wise Adapa"; according to an inscription of Esarhaddon. he had erected in the temple of Ashura statue with the image of Adapa; and Ashurbanipal asserted that he had learned "the secret of tablet-writing from before the Deluge" as Adapa had known. The Sumerian sources hold that there had been both rural culturescultivation and shepherdingas well as urb an settlements before the Deluge had swept all off the face of the Earth. The Book of Genesis relates that the first son of Adam and Eve, Cain, "was a tiller of the earth," and his brother Abel "was a herder of sheep." Then, after Cain was exiled "away from the presence of the Lord" for having killed Abel, urban settlementsCities of Manwere established: in the land of Nud, east of Eden, Cain had a son whom he named Enoch and built a city called likewise, the name meaning "Foundation." The Old Testament, having no particular interest in the line of Cain, skips quickly to the fourth generation after Enoch, when Lamech was born: And Lamech took unto himself two wives: The name of one was Adah, and the name of the other Zillah. And Adah bore Jabal; he was the father of such as dwell in tents and have cattle. And his brother’s name was Jubal; he was the father of all such as play lyre and pipe. And Zillah also bore Tubal-Cain, an artificer of gold and copper and iron.

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The pseudepigraphical Book of Jubilees, believed to have been composed in the second century B.C. from earlier material, adds the information that Cain espoused his own sister Awan and she bore him Enoch "at the close of the fourth Jubilee. And in the first year of the first week of the fifth Jubilee, houses were built on the earth, and Cain built a city and called its name Foundation, after the name of his son." Where did this additional information come from? It has long been held that this part of the Genesis tale stands alone, without corroboration or parallel in the Mesopotamian texts. But we have found that it is just not so. First, we have come upon a Babylonian tablet in the British Museum (No. 74329, Fig. 31), catalogued as "containing an otherwise unknown myth." Yet it may in fact be a Babylonian/Assyrian version from circa 2000 B.C. of a missing Sumerian record of the Line of Cain! As copied by A. R. Millard and translated by W. G. Lambert (Kadmos, vol. VI), it speaks of the beginnings of a group of people who were ploughmen, which corresponds to the biblical "tiller of the land." They are called Amakandu"People Who In Sorrow Roam"; it parallels the condemnation of Cain: "Banned be thou from the soil which hath received thy brother’s blood ... a restless nomad shaft thou be upon the earth." And, most remarkably, the Mesopotamian chief of these exiled people was called Ka’in! Also, just as in the biblical tale: He built in Dunnu a city with twin towers. Ka’in dedicated to himself the lordship over the city. The name of this place is intriguing. Because the order of syllables could be reversed in Sumerian without changing the meaning, the name could also be spelled NU.DUN, paralleling the biblical name Nud as the place of Cain’s exile. The Sumerian name meant "the excavated resting place"very much similar to the biblical interpretation of the name as meaning "Foundation." After the death (or murder) of Ka’in, "he was laid to rest in the city of Dunnu, which he loved." As in the biblical tale, the Mesopotamian text records the history of four following generations: brothers married their sisters and murdered their parents, taking over the rulership in Dunnu as well as settling in new places, the last of which was named Shupat ("Judgment").

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Fig. 31

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A second source indicating Mesopotamian chronicles for the biblical tale of Adam and his son Cain are Assyrian texts. We find, for example, that an archaic Assyrian King List states that in the earliest times, when their forefathers were tent-dwellersa term duplicated in the Bible regarding the line of Cain the patriarch of their people was named Adamu, the biblical Adam. We also find among traditional Assyrian eponyms of royal names the combination Ashur-bel-Ka’ini ("Ashur, lord of the Ka’inites"); and the Assyrian scribes paralleled this with the Sumerian ASHUR-EN.DUNI ("Ashur is lord of Duni"), implying that the Ka’ini ("The people of Kain") and the Duni ("The people of Dun") were one and the same; and thus reaffirming the biblical Cain and Land of Nud or Dun. Having dealt briefly with the line of Cain, the Old Testament turned its full attention to a new line descended of Adam: "And Adam knew his wife again, and she bore a son, and called his name Seth, for [she said] the Lord hath granted me another offspring instead of Abel, whom Cain had slain." The Book of Genesis then adds: "One hundred and thirty years did Adam live when he begot a son in his likeness and after his image, and called his name Seth. "And the days of Adam after he had begotten Seth were eight hundred years, and he begot [other) sons and daughters; and all the days that Adam lived were nine hundred and thirty years, and he died. And Seth lived a hundred and five years and begot Enosh; and after he begot Enosh Seth lived eight hundred and seven years, and he begot [other] sons and daughters; and all the days of Seth were nine hundred and twelve years, and he died." The name of Seth’s son and the next pre-Diluvial patriarch in which the Bible was interested was Enosh; it has come to mean in Hebrew "Human, Mortal," and it is clear that the Old Testament considered him the progenitor of the human lineage at the core of the ancient chronicles. It states in respect to him, that "It was then that the name of Yahweh began to be called," that worship and priesthood began. There are a number of Sumerian texts that shed more light on this intriguing aspect. The available portions of the Adapa text state that he was "perfected" and treated as a son by Enki in Enki’s city Eridu. It is likely then, as William Hallo (Antediluvian Cities) had suggested, that the great-grandson of Enosh was named Yared to mean "He of Eridu." Here, then, is the answer: While the Bible loses interest in the banished descendants of Adam, it fo-

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cuses its attention on the patriarchs from Adam’s line who had stayed in Edensouthern Mesopotamiaand were the fi rst to be called to priesthood. In the fourth generation after Enosh the firstborn son was named Enoch; scholars believe that here the name’s meaning stemmed from a variant of the Hebrew root, connoting "to train, to educate." Of him the Old Testament briefly states that he "had walked with the Deity" and did not die on Earth, "for the Deity had taken him." The sole verse in Genesis 5:24 is substantially enlarged upon in the extra-biblical Books of Enoch. They detail his first visit with the Angels of God to be instructed in various sciences and ethics. Then, after returning to Earth to pass the knowledge and the requisites of priesthood to his sons, he was taken aloft once more, to permanently join the Nefilim (the biblical term meaning "Those Who Had Dropped Down") in their celestial abode. The Sumerian King List records the priestly reign of Enmeduranki in Sippar, then the location of the Spaceport under the command of Utu/Shamash. His name, "Priestly lord of the Dur-an-ki," indicates that he had been trained in Nippur. A little-known tablet, reported by W. G. Lambert ("Enmeduranki and Related Material"), reads as follows: Enmeduranki [was] a prince in Sippar, Beloved of Anu, Enlil and Ea. Shamash in the Bright Temple appointed him. Shamash and Adad [took him] to the assembly [of the gods]. . . They showed him how to observe oil on water, a secret of Anu, Enlil and Ea. They gave him the Divine Tablet, the kibdu secret of Heaven and Earth . . . They taught him how to make calculations with numbers. When the instruction of Enmeduranki in the secret knowledge of the gods was accomplished, he was returned to Sumer. The "men of Nippur, Sippar and Babylon were called into his presence." He informed them of his experiences and of the establishment of priesthood. It shall be passed, the gods commanded, from father to son: "The learned savant, who guards the secrets of the gods, will bind his favored son with an oath before Shamash and Adad . . . and will instruct him in the secrets of the gods." The tablet concludes with a postscript: "Thus was the line of

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priests createdthose who are allowed to approach S hamash and Adad." By the time of the seventh generation after Enosh, on the eve of the Deluge, the Earth and its inhabitants were gripped by a new Ice Age. The Mesopotamian texts detail the sufferings by mankind, the shortages of food, even cannibalism. The Book of Genesis only hints at the situation by stating that when Noah ("Respite") was born, he was so named by his father in the hope that his birth shall signal a respite "from the work and toil that cometh from the Earth which the Lord hath cursed." The biblical version tells us little about Noah, apart from the fact that he was "righteous and of pure genealogy." The Mesopotamian texts inform us that the hero of the Deluge lived in Shuruppak, the medical center run by Sud. The Sumerian texts relate that as mankind’s hardships were increasing, Enki suggested, and Enlil vehemently opposed, the taking of measures to alleviate the suffering. What upset Enlil no end was the increasing sexual relationships between the young male Anunnaki and the Daughters of Man. The Book of Genesis describes the "taking of wives" by the Nefilim in the following words: And it came to pass, When the Earthlings began to increase in number upon the face of the Earth, and daughters were born unto them That the sons of the gods saw the daughters of the Earthlings that they were compatible; And they took unto themselves wives of whichever they chose. A "mythical tablet" (CBS-14061) reported by E. Chiera (Sumerian Religious Texts) tells the story of those early days and of a young god named Martu, who complained that he, too, should be permitted to espouse a human wife. It happened, the text begins, when The city of Nin-ab existed, Shid-tab did not exist; The holy tiara existed, the holy crown did not exist . . . Cohabitation there was . . . Bringing forth [of children] there was.

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"Nin-ab," the text continues, "was a city in the settled Great Land." Its high priest, an accomplished musician, had a wife and a daughter. As the people gathered to offer the gods the roasted meat of the sacrifices, Martu, who was single, saw the priest’s daughter. Desiring her, he went to his mother and complained: In my city I have friends, they have taken wives. I have companions, they have taken wives. In my city, unlike my friends, I have not taken a wife; I have no wife, I have no children. Asking whether the maiden whom he desired "appreciated his gaze," the goddess gave her consent. The other young gods then prepared a feast; as the marriage was announced, "in the city of Nin-ab, the people by the sound of the copper drum were called; the seven tambourines were sounded." This growing togetherness between the young astronauts and the descendants of the Primitive Worker was not to Enid’s liking. The Sumerian texts tell us that "as the Land extended and the people multiplied," Enlil became increasingly "disturbed by Mankind’s pronouncements" and its infatuation with sex and lust. The gettogethers between the Anunnaki and the daughters of Man caused him to lose sleep. "And the Lord said: ’I will destroy the Earthling whom I have created off the face of the Earth.’ The texts inform us that when it was decided to develop the deep mines in the Abzu, the Anunnaki also proceeded to establish a scientific monitoring station at the tip of Africa. It was put in charge of Ereshkigal, a granddaughter of Enlil. A Sumerian epic tale recorded the hazardous voyage of Enki and Ereshkigal from Mesopotamia to that far-off mountainland (Kur)a text t hat implies that Ereshkigal was either abducted or in some other manner coerced by Enki on that voyage, having been "carried off to Kur as a prize." (Ereshkigal, we know from other epics, was later on attacked at her station by Nergal, one of Enki’s sons, as a result of an insult involving Ereshkigal’s emissary. At the last moment, Ereshkigal saved her life by offering Nergal to marry her and control together with her the station’s "Tablets of Wisdom.") Enlil now saw his chance to get rid of the Earthlings when this scientific station at the tip of Africa began to report a dangerous situation: the growing ice cap over Antarctica had become unstable, resting upon a layer of slippery slush. The problem was that this instability had developed just as Nibiru was about to make its ap-

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proach to Earth’s vicinity; and Nibiru’s gravitatio nal pull could upset the ice cap’s balance and cause it to slip into the Antarctic Ocean. The immense tidal waves that this would cause could engulf the whole globe. When the Igigi orbiting Earth confirmed the certainty of such a catastrophe, the Anunnaki began to assemble in Sippar. the spaceport. Enlil, however, insisted that mankind be kept unaware of the coming Deluge; and at a special session of the Assembly of the Gods, he made all of them, and especially Enki, swear to keep the secret. The last part of the Atra-Hasis text, a major part of the Epic of Gilgamesh, and other Mesopotamian texts describe at length the events that followedhow the catastrophe of the Del uge was used by Enlil to achieve the annihilation of mankind; and how Enki, opposed to the decision which Enlil forced upon the Assembly of the Gods, contrived to save his faithful follower Ziusudra ("Noah") by designing for him a submersible vessel that could withstand the avalanche of water. The Anunnaki themselves, on a signal, "lifted up" in their Rukub ilani ("chariots of the gods"), the fired-up rocket ships "setting the land ablaze with their glare." Orbiting the Earth in their shuttlecraft, they watched in horror the onslaught of the tidal waves below. All that was upon the Earth was swept off in one colossal avalanche of water: A.MA.RU BA.UR RA.TA"The Flood swept thereover." Sud, who had created Man with Enki. "saw and wept. . . . Ishtar cried out like a woman in travail . . . the gods, the Anunnaki. weep with her." Rolling back and forth, the tidal waves swept the soil away, leaving behind vast deposits of mud: "All that had been created, turned back to clay." In The 12th Planet we have presented the evidence for our conclusion that the Deluge, bringing about an abrupt end to the last Ice Age, had occurred some 13,000 years ago. As the waters of the Deluge "went back from off the land" and started to subside, the Anunnaki began to land on Mount Nisir ("Mount of Salvation")Mount Ararat. There Ziusudra /Noah also arrived, his vessel guided by a navigator provided by Enki. Enlil was outraged to discover that the "seed of Mankind" was saved; but Enki persuaded him to relent: The gods, he argued, could no longer exist on Earth without the help of man. "And the Lord blessed Noah and his sons, and said unto them: ’Be fruitful and multiply, and replenish the Earth.’ "

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The Old Testament, focusing its interest on the line of Noah alone, lists no other passengers in the rescue ship. But the more detailed Mesopotamian Deluge texts also mention the Ark’s navigator and disclose that at the last moment friends or helpers of Ziusudra (and their families) also came on board. Greek versions of the account by Berossus state that after the Deluge, Ziusudra, his family, and the pilot were taken by the gods to stay with them; the other people were given directions to find their way back to Mesopotamia by themselves. The immediate problem facing all that were rescued was food. To Noah and his sons the Lord said: "All the animals that are upon the earth, and all that flies in the skies, and all that creepeth on the ground, and all the fishes of the sea, into your hands are given; all that teemeth and that liveth, shall be yours for food." And then came a significant addition: "As grassy vegetation all manner of grain have I given you." This little-noticed statement (Genesis 9:3), which touches on the origins of agriculture, is substantially enlarged upon in the Sumerian texts. Scholars are agreed that agriculture began in the MesopotamiaSyriaTsraei crescent but are at a loss to explain why it did not begin in the plains (where cultivation is easy) but rather in the highlands. They are agreed that it began with the harvesting of "wild ancestors" of wheat and barley some 12,000 years ago but are baffled by the genetic uniformity of those early grain grasses; and they are totally at a loss to explain the botano-genetic feat wherebywithin a me re 2,000 yearssuch wild emmers doubled, trebled, and quadrupled their chromosome pairs to become the cultivable wheat and barley of outstanding nutritional value with the incredible ability to grow almost anywhere and with the unusual twice-a-year crops. Coupled with these puzzles was the equal suddenness with which every manner of fruit and vegetable began to appear from the same nuclear area at almost the same time, and the simultaneous "domestication" of animals, starling with sheep and goats that provided meat, milk, and wool. How did it all come about when it did? Modern science has yet to find the answer; but the Sumerian texts had already provided it millennia ago. Like the Bible, they relate how agriculture began after the Deluge, when (in the words of Genesis) "Noah began as a husbandman"; but like the Bible, which records that there had been tilling of the land (by Cain) and shepherding (by Abel) long before the Deluge, so do the Sumerian chronicles tell of the development of crop-growing and cattle-rearing in prehistoric times.

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When the Anunnaki had landed on Earth, a text titled by scholars The Myth of Cattle and Grain states, none of the domesticated grains or cattle had yet been in existence: When from the heights of Heaven to Earth Anu had caused the Anunnaki to come forth. Grains had not yet been brought forth. had not yet vegetated . . . There was no ewe, a lamb had not yet been dropped; There was no she-goat. a kid had not yet been dropped. The ewe had not yet given birth to her lambs. the she-goat had not yet given birth to her kid. Weaving [of wool] had not yet been brought forth, had not yet been established. Then, in the "Creation Chamber" of the Anunnaki, their laboratory for genetic manipulation, Lahar ("woolly cattle") and Anshan ("grains") "were beautifully fashioned": In those days, in the Creation Chamber of the gods, in the House of Fashioning, in the Pure Mound, Lahar and Anshan were beautifully fashioned. The abode was filled with food for the gods. Of the multiplying of Lahar and Anshan the Anunnaki, in their Holy Mound, eatbut were not satiated. The good milk from the sheepfold the Anunnaki, in their Holy Mound, drink but are not satiated. The Primitive Workersthose who "knew not the eatin g of bread . . . who ate plants with their mouths"were already in existence: After Anu. Enlil, Enki and Sud had fashioned the black-headed people. Vegetation that luxuriates they multiplied in the Land. Four-legged animals they artfully brought into existence; In the E.DIN they placed them.

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So, in order to increase the production of grains and cattle to satiate the Anunnaki, a decision was made: Let NAM.LU.GAL.LU "civilized mankind"be taught the "tilling of the land" and the "keeping of sheep ... for the sake of the gods": For the sake of the satiating things, for the pure sheepfold. Civilized Mankind was brought into existence. Just as it describes what had been brought into existence at that early time, so does this text also list the domesticated varieties that had not then been brought forth: That which by planting multiplies, had not yet been fashioned: Terraces had not yet been set up . . . The triple grain of thirty days did not exist: The triple grain of forty days did not exist: The small grain, the grain of the mountains, the grain of the pure A.DAM, did not exist . . . Tuber-vegetables of the field had not yet come forth. These, as we shall see, were introduced on Earth by Enlil and Ninurta some time after the Deluge. After the Deluge had swept all off the face of the Earth, the first problem facing the Anunnaki was where to get the seeds needed for renewed cultivation. Fortunately specimens of the domesticated cereals had been sent to Nibiru; and now "Anu provided them, from Heaven, to Enlil." Enlil then looked for a safe place where the seeds could be sown to restart agriculture. The earth was still covered with water, and the only place that seemed suitable was "the mountain of aromatic cedars." We read in a fragmented text reported by S. N. Kramer in his Sumerische Literarische Texte aus Nippur: Enlil went up the peak and lifted his eyes; He looked down: there the waters filled as a sea. He looked up: there was the mountain of the aromatic cedars. He hauled up the barley, terraced it on the mountain. That which vegetates he hauled up, terraced the grain cereals on the mountain.

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The selection of the Cedar Mountain by Enlil and its conversion into a Restricted ("Holy") Place was. most likely, not accidental. Throughout the Near Eastindeed, worldwidethere is only one unique Cedar Mountain of universal fame: in Lebanon. It is the location, to this very day (at Baalbek in Lebanon), of a vast platform supported by colossal stone blocks (Fig. 32) that are still a marvel of technology. It was, as we have elaborated in The Stairway to Heaven, a Landing Place of the Anunnaki; a platform that persistent legends hold to have been built in pre-Diluvial times, even as early as the days of Adam. It was the only place, after the Deluge, immediately suitable for handling the shuttlecraft of the Anunnaki: the spaceport at Sippar was washed away and buried under layers of mud.

Fig. 32 With seeds available, the question was where to sow them. . . . The lowlands, still filled with mud and water, were unsuitable for habitation. The highlands, though freed from under the avalanche of water, were soggy with the rains that began to pour down with the neothermal age. The rivers had not found their new courses: the

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waters had nowhere to go; cultivation was impossible. We read this description in a Sumerian text: Famine was severe, nothing was produced. The small rivers were not cleaned, the mud was not carried off . . . In all the lands there were no crops, only weeds grew. The two great rivers of Mesopotamia, the Euphrates and Tigris, were also not functioning: "The Euphrates was not bound together, there was misery; the Tigris was confounded, jolted and injured." The one who rose to the task of building dams in the mountains, digging new channels for the rivers, and draining off the excess water was Ninurta: "Thereon the lord sets his lofty mind; Ninurta, the son of Enlil, brings great things into being": To protect the land, a mighty wall he raised. With a mace he smote the rocks; The stones the hero heaped, made a settlement . . . The waters that had been scattered, he gathered; What by the mountains had been dispersed, he guided and sent down the Tigris. The high waters it pours off the farmed land. Now. behold Everything on Earth rejoiced at Ninurta, the lord of the land. A long text, gradually pieced together by scholars, The Feats and Exploits of Ninurta, adds a tragic note to Ninurta’s efforts to bring back order to the Earth on which he was superior. To cover all the problem spots at once, Ninurta rushed from place to place in the mountains in his airship; but "His Winged Bird on the summit was smashed; its pinions crashed down to the earth." (An unclear verse suggests that he was rescued by Adad.) We know from the Sumerian texts that first to be cultivated on the mountain slopes were fruit trees and bushes and most certainly grapes. The Anunnaki, the texts state, gave mankind "the excellent white grapes and the excellent white wine; the excellent black grapes and the excellent red wine." No wonder we read in the Bible that when "Noah began as a husbandman, he planted a vineyard; and he drank of the wine and became drunken."

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When the drainage works carried out in Mesopotamia by Ninurta made cultivation possible in the plains, the Anunnaki "from the mountain the cereal grain they brought down," and "the Land [Sumer] with wheat and barley did become acquainted." In the millennia that followed mankind revered Ninurta as the one who had taught it farming; a "Farmer’s Almanac" attributed to him was actually found by archaeologists in a Sumerian site. The Akkadian name for him was Urash"The One of the Plough"; a Sumerian cylinder seal depicted him (some believe it shows Enlil) granting the plow to mankind (Fig. 33).

Fig. 33 While Enlil and Ninurta were credited with granting agriculture to mankind, the credit for the introduction of domesticated herds was given to Enki. It was after the first grains were already in cultivation but not yet "the grain that multiplies," the grains with the doubled, tripled, and quadrupled chromosomes; these were created by Enki artificially, with Enlil’s consent: At that time Enki spoke to Enlil: "Father Enlil, flocks and grains have made joyful the Holy Mound, have greatly multiplied in the Holy Mound. Let us, Enki and Enlil, command: The woolly-creature and grain-that-multiplies let us cause to come out of the Holy Mound." Enlil agreed, and abundance followed: The woolly-creature they placed in a sheepfold. The seeds that sprout they give to the mother,

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for the grains they establish a place. To the workmen they give the plough and the yoke . . . The shepherd makes abundance in the sheepfold; The young woman sprouting abundance brings; she lifts her head in the field: Abundance had come from heaven. The woolly-creature and grains that are planted came forth in splendor. Abundance was given to the congregated people. The revolutionary agricultural toola simple, but i ngeniously designed, wooden implementthe plow, was at first p ulled, as the above text states, by putting a yoke on the farm workers. But then Enki "brought into existence the larger living creatures"domesticated cattleand bulls replaced people as pullers of the plow (Fig. 34). Thus, the texts conclude, did the gods "increase the fertility of the land."

Fig. 34 While Ninurta was busy damming the mountains flanking Mesopotamia and draining its plains. Enki returned to Africa to assess the damage the Deluge had caused there. As it turned out, Enlil and his offspring ended up controlling all the high ground from the southeast (Elam, entrusted to Inanna/Ishtar) to the northwest (the Taurus Mountains and Asia Minor, given to Ishkur/Adad), with the highland arching in between given to Ninurta in the south and Nannar/Sin in the north. Enlil himself retained the central position overlooking the olden E.DIN; the Landing Place on the Cedar Mountain was put under the command of Utu/Shamash. Where were Enki and his clan to go? As Enki surveyed Africa it was evident to him that the Abzu alonethe continent’s southern partwas insufficien t. Just as in

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Mesopotamia "abundance" was based on riverine cultivation, so it had to be in Africa; and he turned his attention, planning, and knowledge to the recovery of the Valley of the Nile. The Egyptians, we have seen, held that their great gods had come to Egypt from Ur (meaning "the olden place"). According to Manetho, the reign of Ptah over the lands of the Nile began 17,900 years before Menes; i.e., circa 21,000 B.C. Nine thousand years later Ptah handed over the Egyptian domain to his son Ra; but the latter’s reign was abruptly interrupted after a brief 1,000 years, i.e., circa 11,000 B.C; it was then, by our reckoning, that the Deluge had occurred. Then, the Egyptians believed, Ptah returned to Egypt to engage in great works of reclamation and to literally raise it from under the inundating waters. We find Sumerian texts that likewise attest that Enki went to the lands of Mcluhha (Ethiopia/Nubia) and Magan (Egypt) to make them habitable for man and beast: He proceeds to the Land Meluhha; Enki, lord of the Abzu, decrees its fate: Black land, may your trees be large trees, may they be the Highland trees. May thrones fill your royal palaces. May your reeds be large reeds, may they be the Highland reeds . . . May your bulls be large bulls, may they be the Highland bulls . . . May your silver be as gold. May your copper be tin and bronze . . . May your people multiply; May your hero go forth as a bull . . . These Sumerian records, linking Enki with the African lands of the Nile, assume a double significance: they corroborate the Egyptian tales with Mesopotamian tales and link Sumerian gods especially the Enki-godswith the gods of Egypt; fo r Ptah, we believe, was none other than Enki. After the lands were made habitable again, Enki divided the length of the African continent between his six sons (Fig. 35). The southernmost domain was regranted to NER.GAL ("Great Watcher") and his spouse Ereshkigal. To his north, in the mining regions, GIBIL ("The One of Fire") was installed, having been taught by his father the secrets of metalworking. NIN.A.GAL

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("Prince of Great Waters") was, as his name implied, given the region of the great lakes and the headwaters of the Nile. Farther north, in the grazing plateau of the Sudan, the youngest son, DUMU.ZI ("Son Who Is Life"), whose nickname was "The Herder," was given reign.

Fig. 35 The identity of yet another son is in dispute among the scholars (we shall offer our own solution later on). But there is no doubt who the sixth sonactually Enki’s firstborn and leg al heirwas: He was MAR.DUK ("Son of the Pure Mound"). Because one of his fifty epithets was ASAR, which sounds so much like the Egyptian As-Sar ("Osiris" in Greek), some scholars have speculated that Marduk and Osiris were one and the same. But these epithets (as "All-Powerful" or "Awesome") were applied to diverse deities, and Asar meaning "All-Seeing" was also the epithet-name of the Assyrian god Ashur. In fact, we find more similarities between the Babylonian Marduk and the Egyptian god Ra: the former was the son of Enki, the latter of Ptah, the two, Enki-Ptah, being in our view one and the same; whereas Osiris was the great-grandson of Ra and thus of a much later generation than either Ra or Marduk. In fact, there is found in Sumerian texts scattered, but persistent, evidence supporting our belief that the god called Ra by the Egyptians and Marduk by the Mesopotamians was one and the same deity. Thus, a self-laudatory hymn to Marduk (tablet Ashur/4125) declares that one of his epithets was "The god IM.KUR.GAR RA"-"Ra Who Beside the Mountainland Abides." Moreover, there is textual evidence that the Sumerians were aware of the deity’s Egyptian name, Ra. There were Sumerians

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whose personal names incorporated the divine name RA; and tablets from the time of the Ur III Dynasty mention "Dingir Ra" and his temple E.Dingir.Ra. Then, after the fall of that dynasty, when Marduk attained supremacy in his favored city Babylon, its Sumerian name KA.DINGIR ("Gateway of the Gods") was changed to KA.DINGIR.RA-"Ras Gateway of the Gods." Indeed, as we shall soon show, Marduk’s rise to prominence began in Egypt, where its best-known monumentthe Gre at Pyramid of Gizahad played a crucial role in his turbulent career. But the Great God of Egypt, Marduk/Ra, yearned to rule the whole Earth, and to do so from the olden "Navel of the Earth" in Mesopotamia. It was this ambition that led him to abdicate the divine throne of Egypt in favor of his children and grandchildren. Little did he know that this would lead to two Pyramid Wars and to his own near death.

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"And the sons of Noah that came out of the ark were Shem, Ham and Japhet . . . these were the three sons of Noah of whom all the Earth was overspread." Thus is the biblical tale of the Deluge followed by the recital of the Table of Nations (Genesis 10), a unique document, at first doubted by scholars because it listed then unknown nation-states, then taken apart critically, and finallyafter a ce ntury and a half of archaeological discoveriesamazing in its accuracy. It is a document that holds a wealth of reliable historical, geographical, and political information concerning the rise of mankind’s remnants from the mud and desolation following the Deluge, to the heights of civilizations and empires. Leaving the all-important line of Shem to the last, the Table of Nations begins with the descendants of Japhet ("The Fair One"): "And the sons of Japhet: Gomer and Magog and Madai, Javan and Tubal and Meshech and Tiras. And the sons of Gomer: Ashkenaz and Riphat and Togarmah; and the sons of Javan: Elishah and Tarshish, the Kittim and the Dodanim. From them branched out the island nations." While the later generations had thus spread to coastal areas and islands, the unnoticed fact was that all the first seven nation/sons corresponded to the highlands of Asia Minor, the Black Sea and the Caspian Sea areashighlands t hat were habitable soon after the Deluge, unlike the lower lying coastal areas and islands that could become habitable only much later. The descendants of Ham ("He Who is Hot" and also "The Dark-Hued One"), first "Cush and Mizra’im and Put and Canaan" and thereafter a host of other nation-states, correspond to the African nation-lands of Nubia, Ethiopia, Egypt, and Libya as the core nations of African resettlement, again beginning with the topographically higher areas, then spreading to the lowlands. "And Shem, the father of all who descended of Eber, also had offspring; he was the elder brother of Japhet.’’ Th first nation-sons of e Shem were "Elam and Ashur, Arpakhshad and Lud and Aram," nation-states that encompassed the highlands arching from the Persian 129

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Gulf" in the south to the Mediterranean Sea in the northwest and bordering the great Land-Between-the-Rivers, which was as yet not habitable. Those were the lands one could call the Spaceport Lands: Mesopotamia, where the pre-Diluvial spaceport had been; the Cedar Mountain, where the Landing Place remained functioning; the Land of Shalem, where the post-Diluvial Mission Control Center was to be established; and the adjoining Sinai peninsula, site of the future spaceport. The name of the forefather of all these nations, Shem meaning "Sky Chamber"was thus quite appropriate. The broad division of mankind into three branches, as related in the Bible, followed not only the geography and topography of the areas to which man had spread, it also followed the division of the Earth between the descendants of Enlil and the descendants of Enki. Shem and Japhet are depicted in the Bible as good brothers, whereas the attitude toward the line of Hamand esp ecially Canaanis one of bitter memories. In this there lie t ales yet to be toldtales of gods and men. and their wars. . . . The tradition of the division of the ancient settled world into three branches is also in accord with what we know of the rise of civilizations. Scholars have recognized an abrupt change in human culture about 11,000 B.C.the time of the Deluge, according to ou r findingsand have named that era of domestication Mesolithic (Middle Stone Age). Circa 7400 B.C.exactly 3,600 years lateranother a brupt advancement has been recognized. Scholars have named it Neolithic ("New Stone Age"); but its principal feature was the switch from stone to clay and the appearance of pottery. And then, "suddenly and inexplicably"but exactly 3,600 years laterthere bloss omed out (circa 3800 B.C.) in the plain between the Euphrates and Tigris rivers the high civilization of Sumer. It was followed, circa 3100 B.C., by the civilization of the Nile River; and circa 2800 B.C., the third civilization of antiquity, that of the Indus River, made its appearance. These were the three regions allotted to mankind; of them evolved the nations of the Near East, Africa, and Indo-Europea d ivision faithfully recorded in the Old Testament’s Table of Nations. All that, Sumerian chronicles held, was the result of deliberate decisions by the Anunnaki: The Anunnaki who decree the fates sat exchanging their counsels regarding the Earth. The four regions they created.

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With these simple words, echoed in several Sumerian texts, the post-Diluvial fate of Earth and its inhabitants was decided. Three regions were allotted to mankind’s three civilizations; the fourth was retained by the Anunnaki for their own use. It was given the name TIL.MUN, "Land of the Missiles." In The Stairway to Heaven we provided the evidence identifying Tilmun with the Sinai peninsula. Although as far as human habitation was concerned, it was the descendants of Shem"Sand Dwellers" in Egyptian scriptureswho could reside in the unrestricted areas of the peninsula, when it came to allotting the territory among the Anunnaki, profound differences arose. Control of the site of the postDiluvial spaceport was tantamount to control of the links between Earth and Nibiru, as the experiences with Kumarbi and Zu had so clearly shown. In the rekindled rivalry between the clans of Enlil and Enki, a neutral authority over the Land of the Missiles was called for. The solution was ingenious. Of equal lineage with them was their sister Sud. As a daughter of Anu, she bore the title NIN.MAH ("Great Lady"). She was one of the original group of Great Anunnaki who were pioneers on Earth, a member of the Pantheon of Twelve. She bore a son to Enlil, a daughter to Enki, and was lovingly called Mammi ("Mother of the Gods"). She helped create Man. With her medical skills she saved many a life and was also known as NIN.TI ("Lady Life"). But she never had her own dominions. To make Tilmun her domain was an idea that no one opposed. The Sinai peninsula is a barren place, occupied by high granite peaks in the south, a mountainous plateau in the center, and a hardsoiled plain in its northern third, surrounded by chains of low mountains and hills. Then there is a strip of sand dunes, sliding to the Mediterranean coast. But where water can be retained, as in several oases or in riverbeds that fill up during brief winter rains and keep the moisture below the surface, luxuriant date palms, fruits, and vegetables grow, and herds of sheep and goats can graze. The region must have been as forbidding millennia ago as it is now. But although an abode was made for Sud in one of Mesopotamia’s rebuilt sites, she decided to go and take personal possession of the mountainous region. With all her attributes of status and knowledge, she always played a secondary role. When she came to Earth, she was young and beautiful (Fig. 36a); now she was old

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and nicknamed "The Cow" (Fig. 36b) behind her back. So now that she was given her own domain, she decided to go there. Proudly she declared: "A Mistress I am now! Alone will I stay there, reigning forever!"

Fig. 36 Unable to dissuade her, Ninurta applied his damming and channeling waters to make his mountain region livable. We read of these deeds of the "Feats and Exploits of Ninurta," as he mother: Since you, noble lady, alone to the Land of Landing had gone. Since to the Land of Casting Down unafraid you went A dam I shall heap up for you, so that the Land may have a mistress. Completing his irrigation works, and bringing over people to perform the required tasks, Ninurta assured his mother that she would have an abundance of vegetation, wood products, and minerals in her mountain abode: Its valleys shall be verdant with vegetation. Its slopes shall produce honey and wine for you. Shall produce . . . zabalum-trees and boxwood; its terraces shall be adorned with fruit as a garden; The Harsag shall provide you with the fragrance of the gods, shall provide you with the shiny lodes; experience in mother’s new in Tablet IX addresses his

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Its mines will as tribute copper and tin give you; Its mountains shall multiply cattle large and small; The Harsag shall bring forth the four-legged creatures. This is indeed a befitting description of the Sinai peninsula: a land of mines, a major source in antiquity of copper, turquoise, and other minerals; a source of the acacia wood, which was used for temple furnishings; a verdant place wherever water was available; a place where flocks could graze. Is it an accident that the principal winter-river of the peninsula is still called el Arish"The Husbandman"the very nickname (Urash) of Ninurta? Making a home for his mother in the Sinai’s southern region of high granite peaks, Ninurta bestowed on her a new title: NIN.HAR.SAG ("Lady of the Head Mountain"); it was the title by which Sud was to be called ever since. The term "head mountain" indicates that it was the highest peak in the area. This is the mountain nowadays known as Mount St. Katherine, a peak revered from antiquity, millennia before the nearby monastery was built. Rising nearby is the slightly lower peak called by the monks Mount Moses, suggesting that it is the Mount Sinai of the Exodus. Though this is doubtful, the fact remains that the twin peaks have been deemed to be sacred from antiquity. We believe that this was so because they played a pivotal role in the planning of the post-Diluvial spaceport and the Landing Corridor leading to it. These new plans adopted the old principles; and to understand the grand post-Diluvial design, we must first review the manner in which the pre-Diluvial spaceport and its Landing Corridor were developed. At that time the Anunnaki first selected as their focal point the twin-peaked Mount Ararat, the highest peak in Western Asia and thus the natural landmark most visible from the skies. The next natural and visible features were the Euphrates River and the Persian Gulf. Drawing an imaginary north-south line from Ararat, the Anunnaki determined that the spaceport shall be where the line intersected the river. Then, diagonally to it from the direction of the Persian Gulfat a precise angle of forty-five d egreesthey drew the Landing Path. They then laid out their first settlements so as to mark out a Landing Corridor on both sides of the Landing Path. In the center point, Nippur was established as a Mission Control Center; all the other settlements were equidistant from it (Fig. 25). The post-Diluvial space facilities were planned on the same principles. The twin-peaked Mount Ararat served as the major fo-

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cal point; a line at forty-five degrees marked the Landing Path, and a combination of natural and artificial landmarks outlined an arrowlike Landing Corridor. The difference was, however, that this time the Anunnaki had at their disposal the ready-made Platform in the Cedar Mountain (Baalbek), and they incorporated it into the new Landing Grid. As before the Deluge, the twin-peaked Mount Ararat was to serve again as the northern landmark, anchoring the Landing Corridor and the Landing Path in the center of the Corridor (Fig. 37).

Fig. 37

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The southern line of the Landing Corridor was a line connecting the twin-peaked Ararat with the highest peak in the Sinai peninsula, the Harsag (Mount St. Katherine), and its twin, the slightly lower Mount Moses. The northern line of the Landing Corridor was a line extending from Ararat through the Landing Platform of Baalbek and continuing into Egypt. There the terrain is too flat to offer natural landmarks, and it was thus, we are certain, that the Anunnaki proceeded to build the artificial twin peaks of the two great pyramids of Giza. But where was this anchor to be erected? Here came into play an east-west imaginary line, arbitrarily conceived by the Anunnaki in their space sciences. They arbitrarily divided the skies enveloping Earth into three bands or ’"ways." The northern one was the "Way of Enlil," the southern one the "Way of Enki," and the central one the "Way of Anu." Separating them were the lines known to us as the 30th parallel north and the 30th parallel south. The 30th parallel north appears to have been of particular "sacred"significance. Holy cities from antiquity o n, from Egypt to Tibet, have been located on it. It was chosen to be the line on which (at the intersection of the Ararat-Baalbek line) the great pyramids were to be built; and also the line which would indicate, in the Sinai’s central plain, the site of the Spaceport (SP). A line in the precise middle of the Landing Corridor, the Landing Path, was to lead to the exact location of the Spaceport on the 30th parallel. This, we believe, is how the Landing Grid was laid out, how the site of the Spaceport was marked off, and how the great pyramids of Giza had come into being. By suggesting that the great pyramids of Giza were built not by Pharaohs but by the Anunnaki millennia earlier, we of course contradict long-held theories concerning these pyramids. The theory of nineteenth-century Egyptologists, that the Egyptian pyramids, including the unique three at Giza, were erected by a succession of Pharaohs as grandiose tombs for themselves, has long been disproven: not one of them was found to contain the body of the Pharaoh who was their known or presumed builder. Accordingly, the Great Pyramid of Giza was supposed to have been built by Khufu (Cheops), its twin by a successor named Chefra (Chephren), and the third, small one by a third successor, Menkara (Mycerinus)all kings of the sixth dynasty. The Sphinx, the same Egyptologists presume,

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must have been built by Chephren, because it is situated next to a causeway leading to the Second Pyramid. For a while it was believed that proof had been found in the smallest one of the three pyramids of Giza and the identity of the Pharaoh who had built it established. The credit for this was claimed by a Colonel Howard Vyse and his two assistants, who claimed to have discovered within the pyramid the coffin and mummified remains of the Pharaoh Menkara. The fact, however known to scholars for some time now but for some reason still hardly publicizedis that neither the wooden coffin nor the skeletal remains were authentic. Someoneundoubtedly tha t Colonel Vyse and his cronieshad brought into the pyramid a coffin dating from about 2.000 years after Menkara had lived, and bones from the even much later Christian times, and put the two together in an unabashed archaeological fraud. The current theories regarding the pyramids’ builders are anchored to an even greater extent on the discovery of the name Khufu inscribed in hieroglyphics within a long-sealed compartment within the Great Pyramid and thus apparently establishing the identity of its builder. Unnoticed has gone the fact that the discoverer of that inscription was the same Colonel Vyse and his assistants (the year was 1837). In The Stairway to Heaven we have put together substantial evidence to show that the inscription was a forgery, perpetrated by its "discoverers." At the end of 1983, a reader of that book came forward to provide us with family records showing that his great-grandfather, a master mason named Humphries Brewer, who was engaged by Vyse to help use gunpowder to blast his way inside the pyramid, was an eyewitness to the forgery and, having objected to the deed, was expelled from the site and forced to leave Egypt altogether! In The Stairway to Heaven we have shown that Khufu could not have been the builder of the Great Pyramid because he had already referred to it as existing in his time in a stela he had erected near the pyramids; even the Sphinx, supposedly erected by the next-after successor of Khufu, is mentioned in that inscription. Now we find that pictorial evidence from the time of the Pharaohs of the very first dynastylong before Khufu a nd his successorsconclusively shows that these early kings had already witnessed the Giza marvels. We can clearly see the Sphinx both in depictions of the king’s journey to the Afterlife (Fig. 38a) and in a scene of his investiture by "Ancient Ones" arriving in Egypt by boat (Fig. 38b). We also submit in evidence the well-known vic-

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Fig. 38 tory tablet of the very first Pharaoh, Menes, which depicts his forceful unification of Egypt. On one side he is shown wearing the white crown of Upper Egypt, defeating its chieftains and conquering their cities. On the other side the tablet shows him (Fig. 39a) wearing the red crown of Lower Egypt, marching through its districts and beheading its chieftains. To the right of his head the artist spelled out the epithet "Nar-Mer" acquired by the king; to the left the tablet depicts the most important structure in the newly acquired districtsthe pyramid (Fig. 39b). All scholars agree that the tablet depicts realistically the places, fortifications, and enemies encountered by Menes in his campaign to unify Upper and Lower Egypt; yet the pyramid symbol is the only one that appears to have escaped the otherwise careful interpretation. We hold that this symbol, as all others on the tablet, was drawn and included so prominently in the Lower Egypt side because such a structure had actually existed there. The whole Giza complexpyramids and Sphinxhad thus already existed when kingship began in Egypt; its builders were not and could not have been the Pharaohs of the sixth dynasty. The other pyramids of Egyptsmaller, primitive by c omparison, some fallen even before completion, all crumblinghad indeed been built by various Pharaohs; not as tombs, nor as cenotaphs (monumental symbolic tombs), but in emulation of the gods. For it was held and believed in antiquity that the Giza pyramids and the Sphinx that accompanies them showed the way to the Stairway to Heaventhe Spaceportin the Sinai peni nsula. Build-

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Fig. 39 ing pyramids so that they might journey to the Afterlife, the Pharaohs adorned them with appropriate symbols, with illustrations of the journey, and in several instances also covered the walls with quotations from The Book of the Dead. The three pyramids of Giza, unique in their external and internal construction, size, and incredible durability, are also distinguished in that there is no inscription or decoration whatsoever inside them. They are just stark, functional structures, rising from the plain as twin beacons to play a

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role not in the service of men but of those "Who From Heaven to Earth Came." The three pyramids of Giza, we have concluded, were built by first erecting the smaller Third Pyramid as a scale model. Then, in keeping with the preference for twin-peaked focal points, the two large pyramids were erected. Although the Second Pyramid is smaller than the Great Pyramid, it appears to be of the same height; this is because it is built on somewhat higher ground, so that to achieve the same height, it need not have been as tall as the first one. Apart from its incomparable size, the Great Pyramid is also unique in that, in addition to the descending passage that is found in all the other pyramids, it has a unique Ascending Passage, a level Corridor, two Upper Chambers, and a series of narrow compartments (Fig. 40). The uppermost chamber is reached via an incredibly elaborate Grand Gallery and an Antechamber that could be sealed with one pull of a cord. The uppermost chamber containedstill doesan unusual hollowed-out stone block whose fashioning required amazing technology and which rang out as a bell; above the chamber are the narrow series of low and rugged spaces, offering extreme resonance.

Fig. 40

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What was the purpose of all that? We have found many similarities between these unique features of the Great Pyramid and the pre-Diluvial E.KUR ("House Which Is Like a Mountain") of Enlil, his ziggurat in Nippur. Like the Great Pyramid, it rose high to dominate the surrounding plain. In pre-Diluvial times the Ekur of Nippur housed the DUR.AN.KI "Link Heaven-Earth"and served as Mission Control C enter, equipped with the Tablets of Destinies, the orbital data panels. It also contained the DIR.GA, a mysterious "Dark Chamber" whose "radiance" guided the shuttlecraft to a landing at Sippar. But all thatthe many mysteries and functions of th e Ekur described in the tale of Zuwas before the Deluge. Wh en Mesopotamia was reinhabited and Nippur was reestablished, the abode of Enlil and Ninlil there was a large temple surrounded by courtyards, with gates through which the worshipers could enter. It was no longer forbidden territory; the space-related functions, as the Spaceport itself, had shifted elsewhere. As a new, mysterious, and awesome Ekur, the Sumerian texts described a "House Which Is Like a Mountain" in a distant place, under the aegis of Ninharsag, not of Enlil. Thus, the epic tale of an early post-Diluvial Sumerian king named Etana, who was taken aloft toward the Celestial Abode of the Anunnaki, states that his ascent began not far from the new Ekur, at the "Place of the Eagles"not far, that is, from the Spaceport. An Akkadian "Book of Job" titled Ludlul Bel Nimeqi ("I Praise the Lord of Deepness") refers to the "irresistible demon that has exited from the Ekur" in a land "across the horizon, in the Lower World [Africa]." Not recognizing the immense antiquity of the Giza pyramids or the identity of their true builders, scholars have also been puzzled by this apparent reference to an Ekur far from Sumer. Indeed, if one is to follow accepted interpretations of Mesopotamian texts, no one in Mesopotamia was ever aware of the existence of the Egyptian pyramids. None of the Mesopotamian kings who invaded Egypt, none of the merchants who traded with her, none of the emissaries who had visited merenot one of them had noticed these colossal mon uments . . . Could that be possible? We suggest that the Giza monuments were known in Sumer and Akkad. We suggest that the Great Pyramid was the post-Diluvial Ekur, of which the Mesopotamian texts did speak at length (as we shall soon show). And we suggest that ancient Mesopotamian drawings depicted the pyramids during their construction and after they had been completed!

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We have already shown what the Mesopotamian "pyramids" the ziggurats or stage-towerslooked like (Fig. 24) . We find completely different structures on some of the most archaic Sumerian depictions. In some (Fig. 41) we see the construction of a structure with a square base and triangular sidesa smooth-si ded pyramid. Other depictions show a completed pyramid (Fig. 42 a,b) with the

Fig. 41

Fig. 42

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serpent symbol clearly locating it in an Enki territory. And yet another (Fig. 43) endows the completed pyramid with wings, to indicate its space-related function. This depiction, of which several were found, shows the pyramid together with other amazingly accurate features: a crouching Sphinx facing toward the Place of Reeds; another Sphinx on the other side of the Lake of Reeds, supporting the suggestion in Egyptian texts that there was another, facing the Sphinx in the Sinai peninsula. Both the pyramid and the Sphinx near it are located by a river, as the Giza complex is indeed located by the Nile. And beyond all that is the body of water on which the horned gods are sailing, just as the Egyptians had said that their gods had from the south, via the Red Sea.

Fig. 43 The striking similarity between this archaic Sumerian depiction and the archaic Egyptian one (Fig. 38a) offers compelling evidence of the common knowledge, in Egypt as in Sumer, of the pyramids and the Sphinx. Indeed, even in such a minor detail as the precise slope of the Great Pyramid52the Sumerian depicti on appears to be accurate. The inevitable conclusion, then, is that the Great Pyramid was known in Mesopotamia, if for no other reason than because it was built by the same Anunnaki who had built the original Ekur in Nippur; and likewise and quite logically, it, too, was called by them E.KUR"House Which Is Like a Mountain." Like i ts predecessor, the Great Pyramid of Giza was built with mysterious dark chambers and was equipped with instruments for guiding the shuttlecraft to the post-Diluvial Spaceport in the Sinai. And, to as-

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sure its neutrality, the Pyramid was put under the patronage of Ninharsag. Our solution gives meaning to an otherwise enigmatic poem exalting Ninharsag as mistress of the "House With a Pointed Peak"a pyramid: House bright and dark of Heaven and Earth, for the rocketships put together; E.KUR, House of the Gods with pointed peak; For Heaven-to-Earth it is greatly equipped. House whose interior glows with a reddish Light of Heaven. pulsating a beam which reaches far and wide; Its awesomeness touches the flesh. Awesome ziggurat, lofty mountain of mountains Thy creation is great and lofty, men cannot understand it. The function of this "House of the Gods With Pointed Peak" is then made clear: it was a "House of Equipment" serving to "bring down to rest" the astronauts "who see and orbit," a "great landmark for the lofty Shews" (the "sky chambers"): House of Equipment, lofty House of Eternity: Its foundation are stones [which reach] the water; Its great circumference is set in the clay. House whose parts are skillfully woven together; House, the tightness of whose howling the Great-Ones-Who-See-and-Orbit brings down to rest . . . House which is great landmark for the lofty Shew; Mountain by which Utu ascends. [House] whose deep insides men cannot penetrate . . . Anu has magnified it. The text then goes on to describe the various parts of the structure: its foundation, "which is clad in awe"; its entrance, which opens and closes as a mouth, "glowing in a dim green light"; the threshold ("like a great dragon’s mouth opened in wait"); the doorjambs ("like two edges of a dagger that keeps enemies away"). Its inner chamber is "like a vulva." guarded by "daggers which dash from dawn to dusk"; its "outpouring"tha t which it emits"is like a lion whom no one dares attack." An ascending gallery is then described: "Its vault is like a rain-

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bow, the darkness ends there; in awesomeness it is draped; its joints are like a vulture whose claws are ready to clasp." There, at the top of the gallery, is "the entryway to the Mountain’s top"; "to foe it is not opened; only to Them Who Live, for them it is opened." Three locking devices"the bolt, the bar a nd the lock . . . slithering in an awe-inspiring place"protect the way into the uppermost chamber, from which the Ekur "surveys Heaven and Earth, a net it spreads out." These are details whose accuracy amazes as one reads them in conjunction with our present knowledge of the insides of the Great Pyramid. The entrance into it was through an opening in its north face, hidden by a swivel stone that indeed opened and closed "like a mouth." Stepping onto a platform, the entrant faced an opening into a descending passage, "like a great dragon’s mouth opened in wait" (Fig. 44a). The gaping entrance was protected from the pyramid’s weight above it by two pairs of diagonally placed massive stone blocks, "like two edges that keep enemies away," revealing an enigmatic carved stone in the entrance’s midst (Fig. 44b). A short distance down the descending passage, an ascending passage began. It led to a horizontal passage through which one could reach the heart of the pyramid, an inner Chamber of Emissions "like a vulva." The ascending passage also led to a majestic ascending gallery, most elaborately constructed, its walls getting closer to each other by stages as they rise, giving the entrant a feel-

Fig. 44

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ing that these wall joints are "like a vulture whose claws are ready to clasp" (Fig. 45). The gallery led to the uppermost chamber, from which a "net"a force field"surveyed Heaven a nd Earth." The way to it was through an antechamber, built with great complexity (Fig. 46), where three locking devices were indeed installed, ready to "slither" down and "to foe not open." After so describing the Ekur inside and out, the laudatory text provides information regarding the functions and location of the structure: On this day the Mistress herself speaks truly; The Goddess of the Rocketships, the Pure Great Lady, praises herself: "I am the Mistress; Anu has determined my destiny; the daughter of Anu am I. Enlil has added to me a great destiny; his sister-princess am I. The gods have given unto my hand the pilot-guiding instruments of Heaven-Earth; Mother of the sky-chambers am I. Ereshkigal allotted to me the place-of-opening of the pilot-guiding instruments; The great landmark, the mountain by which Utu rises, I have established as my dais." If, as we have concluded, Ninharsag was the neutral Mistress of the Pyramid of Giza, it follows that she should have been known and revered as a goddess also in Egypt. This, indeed, is the case; except that to the Egyptians she was known as Hat-Hor. Textbooks will tell us that the name means "House of Horus"; but that is only superficially correct. The reading stems from the hieroglyphic writing of the name depicting a house and a falcon, the falcon having been the symbol of Horns because he could soar as a falcon. What the goddess’s name literally meant was: "Goddess Whose Home Is Where the ’Falcons’ Are," where the astrona uts make their home: the Spaceport. This spaceport, we have determined, was located in the postDiluvial era in the Sinai peninsula; accordingly, the title Hat-Hor, "Home of the Falcons," would require that the goddess bearing it should be Mistress of the Sinai peninsula. That, indeed, she was;

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Fig. 45

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the Egyptians considered the Sinai peninsula to have been the domain of Hathor. All the temples and stelae erected by Egyptian Pharaohs in the peninsula were dedicated exclusively to this goddess. And. like Ninharsag in her later years. Hathor, loo, was nicknamed "The Cow" and was depicted with cow’s horns. But was Hathor alsoas we have claimed for Ninharsa g Mistress of the Great Pyramid? That, amazingly but not surprisingly, she was. The evidence comes in the form of an inscription by the Pharaoh Khufu (circa 2600 B.C.) on a commemorative stela he erected at Giza in a temple dedicated to Isis. Known as the Inventory Stela, the monument and its inscription clearly establish that the Great Pyramid (and the Sphinx) had already existed when Khufu (Cheops) began to reign. All he claimed was to have built the temple to Isis beside the already existing Pyramid and Sphinx: Live Horus Mezdau. To king of Upper and Lower Egypt. Khufu. Life is given! He founded the House of Isis. Mistress of the Pyramid, beside the House of the Sphinx. At his time. then. Isis (the wife of Osiris and the mother of Horus) was considered to have been the "Mistress of the Pyramid" But as the continuing inscription makes clear, she was not the Pyramid’s first mistress: Live Horus Mezdau. To king of Upper and Lower Egypt. Khufu. Life is given! For his divine mother Isis. Mistress of "Die Western Mountain of Hathor, " he made [this] writing on a stela. Thus, not only was the Pyramid a "Mountain of Hathor"the exact parallel of the Sumerian "House Which Is Like a Mountain"but also it was her western mountain, implyin g that she also had an eastern one. That, we know from the Sumerian sources, was the Har-Sag, the highest peak in the Sinai peninsula. ** *

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In spite of the rivalry and suspicions between the two divine dynasties, there is little doubt that the actual work of constructing the Spaceport and the control and guidance facilities fell into the hands of Enki and h is descendants. Ninurta proved himself capable of damming and irrigation works; Utu/Shamash knew how to command and operate the landing and takeoff facilities; but only Enki, the master engineer and scientist who had been through all this before, had the required knowhow and experience for planning the massive construction works and supervising their execution. There is not even a hint in Sumerian texts that describe the achievements of Ninurta and Utu that either one of them had planned or engaged in space-related construction works. When Ninurta, in later times, called upon a Sumerian king to build him a ziggurat with a special enclosure for his Divine Bird, it was another god, accompanying Ninurta. who gave the king the architectural plans and building instructions. On the other hand, several texts reported that Enki had passed to his son Marduk the scientific knowledge he had possessed. The texts report a conversation between father and son. after Marduk had approached his father with a difficult question: Enki answered his son Marduk: "My son. what is it you do not know? What more could I give to you? Marduk, what is it that you do not know? What could I give you in addition? Whatever I know, you know!" Since the similarities between Ptah and Enki as the father, and Marduk and Ra as son, are so strong, we should not be surprised at all to find that Egyptian texts did connect Ra with space facilities and with related construction works. In this he was assisted by Shu and Tefnut, Geb and Nut, and Thoth, the god of magical things. The Sphinx, the "divine guide" that showed the way eastward exactly along the 30th parallel, bore the features of Hor-Akhti ("Falcon of the Horizon")the epithet for Ra. A stela er ected near the Sphinx in Pharaonic times bore an inscription that directly named Ra as the engineer ("Extender of the Cord") who built the "Protected Place" in the "Sacred Desert." from which he could "ascend beautifully" and "traverse the skies":

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Thou extendest the cords for the plan, thou didst give form to the lands . . . Thou didst make secret the Lower World . . . Thou hast built for thee a place protected in the sacred desert, with hidden name. Thou risest by day opposite them . . . Thou art rising beautifully . . . Thou art crossing the sky with a good wind . . . Thou art traversing the sky in the celestial barque . . . The sky is jubilating, the Earth is shouting of joy. The crew of Ra do praising every day; He comes forth in triumph. Egyptian texts asserted that Shu and Tefnut were involved in Ra’s extensive space-related works by "upholding the skies over Earth." Their son Geb bore a name that stemmed from the root gbb"to pile up, to heap up"attesting, scholars ag ree, to his engaging in works that entailed piling up; a strong suggestion of his involvement in the actual construction of the pyramids. An Egyptian tale concerning the Pharaoh Khufu and his three sons reveals that in those days the secret plans of the Great Pyramid were in the custody of the god whom the Egyptians called Thoth, the god of astronomy, mathematics, geometry, and land surveying. It will be recalled that a unique feature of the Great Pyramid was its upper chambers and passages. However, because these passages were sealed offwe shall show how, when, a nd whyjust where they branch off from the descending passage, all the Pharaohs who attempted to emulate the Giza pyramids built theirs with lower chambers only, being either unable to emulate the upper chambers for lack of precise architectural knowledge, or (in time) simply unaware of their existence. But Khufu, it seems, was aware of the existence of these two secret chambers within the Great Pyramid, and at one point was on the verge of discovering the plans of their construction, for he was told where the god Thoth had hidden them. Written on the so-called Westcar Papyrus and titled "Tales of the Magicians," the tale relates that "one day, when king Khufu reigned over all the land," he called in his three sons and asked them to tell him tales of the "deeds of the magicians" of olden times. First to speak was "the royal son Khafra" who related "a tale of the days of thy [Khufu’s] forefather Nebka . . . of what came to pass when he

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went into the temple of Ptah." It was a tale of how a magician brought a dead crocodile back to life. Then the royal son Bau-ef-Ra told of a miracle in the days of Khufu’s earlier forefather, when a magician parted the waters of a lake, so that a jewel could be retrieved from its bottom; "and then the magician spake and used his magic speech and he brought the water of all the lake again to its place." Somewhat cynical, the third son Hor-De-Def arose and spoke, saying: "We have heard about the magicians of the past and their doings, the truth of which we cannot verify. Now I know of things done in our time." The Pharaoh Khufu asked what they were; and Hor-De-Def answered that he knew of a man named Dedi who knew how to replace a decapitated head, to tame a lion, and who also knew "the Pdut numbers of the chambers of Thoth." Hearing this, Khufu became extremely curious, for he had been seeking to find out the "secret of the Chambers of Thoth" in the Great Pyramid (already blocked and hidden in Khufu’s time!). So he ordered that the sage Dedi be found and fetched from his abode, an island off the tip of the Sinai peninsula. When Dedi was brought before the Pharaoh, Khufu first tested his magical powers, such as bringing back to life a goose, a bird, and an ox, whose heads were cut off. Then Khufu asked: "Is it true what is said, that thou knowest the Pdut numbers for the Iput of Thoth?" And Dedi answered: "I know not the numbers, O king, but I know the place the Pdut are in." Egyptologists are by and large agreed that Iput conveyed the meaning "secret chambers of the primeval sanctuary" and Pdut meant "designs, plans with numbers." Answering Khufu, the magician (his age was given as one hundred and ten years) said: "I know not the information in the designs, O king, but I know where the plans-with-numbers were hidden by Thoth." In answer to further questioning he said: "There is a box of whetstone in the sacred chamber called the Chart Room in Heliopolis; they are in that box." Excited, Khufu ordered Dedi to go and find the box for him. But Dedi answered that it was neither he nor Khufu who could obtain the box; it was destined to be found by a future descendant of Khufu. This, he said, was decreed by Ra. Yielding to the god’s will, Khufu, as we have seen, ended up only building near the Sphinx a temple dedicated to the Mistress of the Pyramid. The circle of evidence is thus complete. Sumerian and Egyptian texts confirm each other and our conclusions: The same neutral

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goddess was the mistress of Sinai’s highest peak and of the artificial mountain erected in Egypt, both to serve as anchors of the Landing Corridor. But the Anunnaki’s desire to keep the Sinai peninsula and its facilities neutral did not prevail for long. Rivalry and love tragically combined to upset the status quo; and the divided Earth was soon embroiled in the Pyramid Wars.

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"In the year 363 His Majesty Ra, the holy one, the Falcon of the Horizon, the Immortal who forever lives, was in the land of Khenn. He was accompanied by his warriors, for the enemies had conspired against t h e i r lord. . . . Horus, the Winged Measurer, came to the boat of Ra. He said to his forefather: ’O Falcon of the Horizon, I have seen the enemy conspire against thy Lordship, to take the Luminous Crown unto themselves.’ . . . Then Ra, the holy one, the Falcon of the Horizon, said unto Horus, the Winged Measurer: ’Lofty issue of Ra, my begotten: Go quickly, knock down the enemy whom you have seen.’ Thus began the tale inscribed on the temple walls in the ancient Egyptian city of Edfu. It is the tale, we believe, of what could only be called the First Pyramid Wara war that had its roots in the never-ending struggle for control over Earth and its space facilities and in the shenanigans of the Great Anunnaki, especially Enki/Ptah and his son Ra/Marduk. According to Manetho, Ptah turned over the dominion over Egypt after a reign of 9,000 years; but the reign of Ra was cut short after 1,000 yearsby the Deluge, we have concluded. Then there followed a reign of 700 years by Shu, who helped Ra "control the skies over Earth," and the 500-year reign of Geb ("Who Piles Up the Earth"). It was at that time, circa 10,000 B.C., that the space facilitiesthe Spaceport in the Sinai and the Giza pyramidswere built. Although the Sinai peninsula, where the Spaceport was established, and the Giza pyramids were supposed to remain neutral under the aegis of Ninharsag, it is doubtful whether the builders of these facilitiesEnki and his descendantshad re ally any intention of relinquishing control over these installations. A Sumerian text, which begins with an idyllic description, has been named by scholars a "Paradise Myth." Its ancient name was Enki and Ninharsag, and it is, in fact, a record of the politically motivated lovemaking between the two, a tale of a deal 153

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between Enki and his half-sister Ninharsag pertaining to the control of Egypt and the Sinai peninsulaof the pyr amids and the Spaceport. The tale’s time is after Earth was apportioned between the Anunnaki, with Tilmun (the Sinai peninsula) granted to Ninharsag and Egypt to Enki’s clan. It was then, the Sumerian tale relates, that Enki crossed the marshy lakes that separated Egypt and the Sinai peninsula and came unto the lonely Ninharsag for an orgy of lovemaking: To the one who is alone. To the Lady of Life, mistress of the land. Enki came unto the wise Lady of Life. He causes his phallus to water the dikes; He causes his phallus to submerge the reeds . . . He poured his semen into the great lady of the Anunnaki, poured the semen in the womb of Ninharsag; She took the semen into the womb, the semen of Enki. Enki’s real intention was to obtain a son by his half-sister; but the offspring was a daughter. Enki then made love to the daughter as soon as she became "young and fair," and then to his granddaughter. As a result of these sexual activities, a total of eight godssix female and two malewere born. Angered by the incest, Ninharsag used her medical skills to sicken Enki. The Anunnaki who were with him pleaded for his life, but Ninharsag was determined: "Until he is dead, I shall not look upon him with the ’Eye of Life’!" Satisfied that Enki had indeed been finally stopped. Ninurta who went to Tilmun for inspectionreturned to Mesop otamia to report the developments at a meeting attended by Enlil, Nanna/Sin, Utu/Shamash and Inanna/Ishtar. Unsatisfied, Enlil ordered Ninurta to return to Tilmun and bring back Ninharsag with him. But in the interim, Ninharsag had pity on her brother and changed her mind. "Ninharsag seated Enki by her vulva and asked: ’My brother, what hurts thee?’ " After she cured his body part by part, Enki proposed that the two of them as masters of Egypt and the Sinai assign tasks, spouses, and territories to the eight young gods: Let Abu be the master of the plants; Let Nintulla be the lord of Magan; Let Ninsutu marry Ninazu;

The Pyramid Wars Let Ninkashi be she who sates the thirsts; Let Nazi marry Nindara; Let Azimua many Ningishzida; Let Nintu be the queen of the months; Let Enshag be the lord of Tilmun!

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Egyptian theological texts from Memphis likewise held that "there came into being" eight gods from the heart, tongue, teeth, lips, and other parts of the body of Ptah. In this text, too, as in the Mesopotamian one. Ptah followed up the bringing forth of these gods by assigning abodes and territories to them: "After he had formed the gods, he made cities, established districts, put the gods in their sacred abodes; he built their shrines and established their offerings." All that he did "to make rejoice the heart of the Mistress of Life." If, as it appears, these tales had a basis in fact, then the rivalries that such confused parentages brought about could only be aggravated by the sexual shenanigans attributed to Ra as well. The most significant among these was the assertion that Osiris was truly the son of Ra and not of Geb, conceived when Ra had come by stealth unto his own granddaughter. This, as we have earlier related, lay at the core of the Osiris-Seth conflict. Why had Seth, to whom Upper Egypt had been allotted by Geb, coveted Lower Egypt, which was granted to Osiris? Egyptologists have offered explanations in terms of geography, the land’s fertility, etc. But as we have shown, there was one more factorone that, from the gods’ point of view, was more important than how many crops a region could grow; the Great Pyramid and its companions at Giza; whoever controlled them shared in the control of the space activities, of the comings and goings of the gods, of the vital supply link to and from the Twelfth Planet. For a while Seth succeeded in his ambition, having outwitted Osiris. But "in the year 363" following the disappearance of Osiris, the young Horus became the avenger of his father and launched a war against Seththe First Pyramid War. It was, a s we have seen, also the first war in which the gods involved men in their struggles. Supported by other Enki-gods reigning in Africa, the avenger Horus began the hostilities in Upper Egypt. Aided by the Winged Disk that Thoth had fashioned for him. Horus persistently advanced northward, toward the pyramids. A major battle took place

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in the "water district," the chain of lakes that separates Egypt from the Sinai peninsula, and a good many of Seth’s followers were slain. After peacemaking efforts by other gods had failed. Seth and Horns engaged in personal combat in and over the Sinai peninsula. In the course of one battle, Seth hid in "secret tunnels" somewhere in the peninsula; in another battle, he lost his testicles. So the Council of the Gods gave the whole of Egypt "as heritage . . . to Horus." And what had become of Seth, one of the eight gods descended from Ptah? He was banished from Egypt and took up abode in Asiatic lands to the east, including a place that enabled him "to speak out from the sky." Was he the god called Enshag in the Sumerian tale of Enki and Ninharsag, the one to whom Tilmun (the Sinai peninsula) was allotted by the two lovemakers? If so, then he was the Egyptian (Hamitic) god who had extended his domain over the land of Shem later known as Canaan. It was in this outcome of the First Pyramid War that there lies an understanding of biblical tales. Therein also lay the causes of the Second Pyramid War. In addition to the Spaceport and the guidance facilities, there was also a need after the Deluge for a new Mission Control Center, to replace the one that had existed before in Nippur. We have shown (in The Stairway to Heaven) that the need to equidistance this center from the other space-related facilities dictated its locating on Mount Moriah ("The Mount of Directing"), the site of the future city of Jerusalem. That site, by both Mesopotamian and biblical accounts, was located in the lands of Shema dominion of the Enlili tes. Yet it ended up under an illegal occupation by the line of Enki, the Hamitic gods, and by the descendants of the Hamitic Canaan. The Old Testament refers to the land of which Jerusalem in time became the capital as Canaan, after the fourth and youngest son of Ham. It also singled out Canaan for special rebuke and consigned his descendants to be subservient to the descendants of Shem. The improbable excuse for this treatment was that Hamn ot his son Canaanhad inadvertently seen the naked genitals of his father Noah; therefore, the Lord had put a curse upon Canaan: "Cursed be Canaan; a servant of servants shall he be unto his brethren . . . Blessed be Yahweh the god of Shem; may Canaan be a servant unto them." The tale in the Book of Genesis leaves many aspects unex-

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plained. Why was Canaan accursed if it was his father who had accidentally transgressed? Why was his punishment to be a slave of Shem and to the god of Shem? And how were the gods involved in the crime and its punishment? As one reads the supplemental information in the ex-biblical Book of Jubilees, it becomes clear that the real offense was the illegal occupation of Shem’s territory. After mankind was dispersed and its various clans allotted their lands, the Book of Jubilees relates, ’"Ham and his sons went to the land which he was to occupy, [the land] which he acquired as his portion in the country of the south." But then, journeying from where Noah had been saved to his allotted land in Africa, "Canaan saw the land of Lebanon [all the way down] to the river of Egypt, that it was very good." And so he changed his mind: "He went not into the land of his inheritance to the west of the sea [west of the Red Sea); he dwelt [instead] in the land of Lebanon, eastward and westward of the Jordan." His father and his brothers tried to dissuade Canaan from such an illegal act: "And Ham his father, and Cush and Mizra’im his brothers, said unto him: "Thou hast settled in a land which is not thine, and which did not fall to us by lot; do not do so; for if thou dost do so, thou and thy sons will be fallen in the land and be accursed through sedition; for by sedition ye have settled, and by sedition will thy children fall, and thou shall be rooted out forever. Dwell not in the dwelling of Shem; for to Shem and his sons did it come by their lot.’ " Were he to illegally occupy the territory assigned to Shem, they pointed out, "Cursed art thou and cursed shalt thou be beyond the sons of Noah, by the curse which we bound ourselves by an oath in the presence of the Holy Judge and in the presence of Noah our father. . . . "But Canaan did not hearken unto them, and dwelt in the land of Lebanon from Hamath to the entering of Egypt, he and his sons until this day. For this reason is that land named Canaan." Behind the biblical and pseudoepigraphical tale of a territorial usurpation by a descendant of Ham must lie a tale of a similar usurpation by a descendant of the God of Egypt. We must bear in mind that at the time the allotment of lands and territories was not among the peoples but among the gods; the gods, not the people, were the landlords. A people could only settle a territory allotted to their god and could occupy another’s terri-

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tory only if their god had extended his or her dominion to that territory, by agreement or by force. The illegal seizure of the area between the Spaceport in the Sinai and the Landing Place in Baalbek by a descendant of Ham could have occurred only if that area had been usurped by a descendant of the Hamitic deities, by a younger god of Egypt. And that, as we have shown, was indeed the result of the First Pyramid War. Seth’s trespass into Canaan meant that all the space-related sitesGiza, the Sinai peninsula, Jerusalemcame und er the control of the Enki gods. It was a development in which the Enlilites could not acquiesce. And so. soon thereafter300 ye ars later, we believethey deliberately launched a war to dislodg e the illegal occupiers from the vital space facilities. This Second Pyramid War is described in several texts, some found in the original Sumerian, others in Akkadian and Assyrian renderings. Scholars refer to these texts as the "Myths of Kur"’"myths" of the Mountai n Lands; they are. in fact, poetically rendered chronicles of the war to control the space-related peaksMount Moriah; the Hars ag (Mount St. Katherine) in the Sinai; and the artificial mount, the Ekur (the Great Pyramid) in Egypt. It is clear from the texts that the E nl il ite forces were led and commanded by Ninurta, "Enlil’s foremost warrior," and that the first encounters were in the Sinai peninsula. The Hamitic gods were beaten there; but they retreated to continue the war from the mountain lands of Africa. Ninurta rose to the challenge, and in the second phase of the war carried the battle to the strongholds of his foes; that phase entailed vicious and ferocious battles. Then, in its final phase, the war was fought at the Great Pyramid, the last and impregnable stronghold of Ninurta’s opponents; there the Hamitic gods were besieged until they ran out of food and water. This war, which we call the Second Pyramid War, was commemorated extensively in Sumerian recordsboth writ ten chronicles and pictorial depictions. Hymns to Ninurta contain numerous references to his feats and heroic deeds in this war; a great part of the psalm "Like Anu Art Thou Made" is devoted to a record of the struggle and the final victory. But the principal and most direct chronicle of the war is the epic text Lugal-e Ud Melam-bi, best collated and edited by Samuel

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Geller in Altorientalische Texte und Untersuchungen. Like all Mesopotamian texts, it is so titled after its opening line: King, the glory of thy day is lordly; Ninurta, Foremost, possessor of the Divine Powers, who into the throes of the Mountainlands stepped forth. Like a flood which cannot be stopped, the Enemyland as with a girdle you tightly bound. Foremost one, who in battle vehemently enters; Hero, who in his hand the Divine Brilliant Weapon carries; Lord: the Mountainland you subdued as your creature. Ninurta, royal son, whose father to him had given might; Hero: in fear of thee, the city has surrendered . . . O mighty one the Great Serpent, the heroic god, you tore away from all the mountains. Thus extolling Ninurta, his feats, and his Brilliant Weapon, the poem also describes the location of the conflict ("the Mountainlands") and his principal enemy: "The Great Serpent," leader of the Egyptian deities. The Sumerian poem identifies this adversary several times as Azag and once refers to him as Ashar, both well-known epithets for Marduk, thereby establishing the two principal sons of Enlil and EnkiNinurta and Mardukas the leaders of the opposing camps in the Second Pyramid War. The second tablet (one of thirteen on which the long poem was inscribed) describes the first battle. Ninurta’s upper hand is ascribed to both his godly weapons and a new airship that he built for himself after his original one had been destroyed in an accident. It was called IM.DU.GUD, usually translated "Divine Storm Bird" but which literally means "That Which Like Heroic Storm Runs"; we know from various texts that its wingspan was about seventyfive feet. Archaic drawings depicted it as a mechanically constructed "bird," with two wing surfaces supported by cross beams (Fig. 47a); an undercarriage reveals a series of round openings, perhaps air intakes for jetlike engines. This aircraft, from millennia ago. bears a remarkable resemblance not only to the early biplanes of the modem air age, but also an incredible likeness to the sketch made in 1497 by Leonardo da Vinci, depicting his concept of a man-powered flying machine (Fig. 47b).

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The Imdugud was the inspiration for Ninurta’s emblema heroic lion-headed bird resting on two lions (Fig. 48) or sometimes on two bulls. It was in this "crafted ship"a manuf actured vehicle"that which in war destroys the princely ab odes," that Ninurta soared into the skies during the battles of the Second Pyramid War. He soared so high that his companions lost sight of him. Then, the texts relate, "in his Winged Bird, against the walled abode" he swooped down. "As his Bird neared the ground, the summit [of the enemy’s stronghold] he smashed." Chased out of his strongholds, the Enemy began to retreat. While Ninurta kept up the frontal attack, Adad roamed the countryside behind the enemy lines, destroying the adversary’s food supplies: "In the Abzu, Adad the fish caused to be washed away . . .

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Fig. 48 the cattle he dispersed." When the Enemy kept retreating into the mountains, the two gods "like an onrushing flood the mountains ravaged." As the battles extended in time and scope, the two leading gods called on the others to join them. "My lord, to the battle which is becoming extensive, why don’t you go?" they asked a god whose name is missing in a damaged verse. The question was clearly also addressed to Ishtar, for she is mentioned by name: "In the clash of weapons, in the feats of heroship, Ishtar her arm did not hold back." As the two gods saw her, they shouted encouragingly to her: "Advance hither without stopping! Put your foot down firmly on the Earth! In the mountains, we await thee!" "The weapon which is lordly brilliant, the goddess brought forth ... a horn [to direct it] she made for it." As she used it against the enemy in a feat "that to distant days" shall be remembered, "the skies were like red-hued wool in color." The explosive beam "tore apart [the enemy), made him with his hand clutch his heart." The continued tale, on tablets v-viii, is too damaged to be properly read. The partial verses suggest that after the intensified attack with Ishtar’s assistance, there arose a great cry and lamentation in the Enemyland. "Fear of Ninurta’s Brilliance encompassed the land," and its residents had to use substitutes instead of wheat and barley "to grind and mill as flour." Under this onslaught the Enemy forces kept retreating south. It was then that the war assumed its ferocious and vicious character, when Ninurta led the Enlilite gods in an attack on the heartland of

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Nergal’s African domain and his temple-city, Meslam. They scorched the earth and made the rivers run red with the blood of the innocent bystandersthe men, women, and children of the Abzu. The verses describing this aspect of the war are damaged on the tablets of the main text; its details are, however, available from various other fragmented tablets that deal with the "overwhelming of the land" by Ninurta, "a feat whereby he earned the title "Vanquisher of Meslam." In these battles the attackers resorted to chemical warfare. We read that Ninurta rained on the city poisonbearing missiles, which "he catapulted into it; the poison, by itself, destroyed the city." Those who survived the attack on the city escaped to the surrounding mountains. But Ninurta "with the Weapon That Smites threw fire upon the mountains; the godly Weapon of the Gods, whose Tooth is bitter, smote down the people." Here, too, some kind of chemical warfare is indicated: The Weapon Which Tears Apart robbed the senses: The Tooth skinned them off. Tearing-apart he stretched upon the land; The canals he filled with blood, in the Enemyland for dogs like milk to lick. Overwhelmed by the merciless onslaught. Azag called on his followers to show no resistance: "The arisen Enemy to his wife and child called; against the lord Ninurta he raised not his ami. The weapons of Kur with soil were covered" (i.e.. hidden away); "Azag them did not raise." Ninurta took the lack of resistance as a sign of victory. A text reported by F. Hrozny ("Mythen von dem Gotte Ninib") relates how. after Ninurta killed the opponents occupying the land of the Harsag (Sinai) and went on "like a Bird" to attack the gods who "behind their walls retreated" in Kur, he defeated them in the mountains. He then burst out in a song of victory: My fearsome Brilliance like Anu’s is mighty; Against it, who can rise? I am lord of the high mountains. of the mountains which to the horizon raise their peaks. In the mountains, I am the master.

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But the claim of victory was premature. By his nonresistance tactics, Azag had escaped defeat. The capital city was indeed destroyed, but not so the leaders of the Enemy. Soberly, the text Lugal-e observed: "The scorpion of Kur Ninurta did not annihilate." Instead, the Enemy gods retreated into the Great Pryamid, where "the Wise Craftsman"Enki? Thoth?raised up a protective wall "which the Brilliance could not match." a shield through which the death rays could not penetrate. Our knowledge of this final and most dramatic phase of the Second Pyramid War is augmented by texts from "the other side." Just as Ninurta’s followers composed hymns to him, so did the followers of Nergal. Some of the latter, which have also been discovered by archaeologists, were put together in Gebete und Hymnen an Nergal by J. Bollenrucher. Recalling the heroic feats of Nergal in this war, the texts relate how, as the other gods found themselves hemmed in within the Giza complex, Nergal"Lofty Dragon Beloved of Ekur" "at night stole out" and, carrying awesome weapons and accompanied by his lieutenants, broke through the encirclement to reach the Great Pyramid (the Ekur). Reaching it at night, he entered through "the locked doors which by themselves can open." A roar of welcome greeted him as he entered: Divine Nergal, Lord who by night stole out, had come to the battle! He cracks his whip, his weapons clank . . . He who is welcome, his might is immense: Like a dream at the doorstep he appeared. Divine Nergal, the One Who Is Welcome: Fight the enemy of Ekur, lay hold on the Wild One from Nippur! But the high hopes of the besieged gods were soon dashed. We learn more of the last phases of this Pyramid War from yet another text, first pieced together by George A. Barton (Miscellaneous Babylonian Texts) from fragments of an inscribed clay cylinder found in the ruins of Enlil’s temple in Nippur. As Nergal joined the defenders of the Great Pyramid ("the Formidable House Which Is Raised Up Like a Heap"), he strengthened its defenses through the various ray-emitting crystals (mineral "stones") positioned within the pyramid:

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The Water-Stone, the Apex-Stone, the . . . -Stone, the .. . ... the lord Nergal increased its strength. The door for protection he . . . To heaven its Eye he raised, Dug deep that which gives life . . . ... in the House he fed them food. With the pyramid’s defenses thus enhanced, Ninurta resorted to another tactic. He called upon Utu/Shamash to cut off the pyramid’s water supply by tampering with the "watery stream" that ran near its foundations. The text here is too mutilated to enable a reading of the details; but the tactic apparently achieved its purpose. Huddled in their last stronghold, cut off from food and water, the besieged gods did their best to ward off their attackers. Until then, in spite of the ferocity of the battles, no major god had fallen a casualty to the fighting. But now one of the younger gods Horus, we believetrying to sneak out of the Great Pyramid disguised as a ram, was struck by Ninurta’s Brilliant Weapon and lost the sight of his eyes. An Olden God then cried out to Ninharsagreputed for her medical wondersto save the you ng god’s life: At that time the Killing Brightness came; The House’s platform withstood the lord. Unto Ninharsag there was an outcry: ". . .the weapon ... my offspring with death is accursed. . . . " Other Sumerian texts call t h i s young god "offspring who did not know his father," an epithet befitting Horus, who was born after his father’s death. In Egyptian lore the Legend of the Ram reports the injuries to the eyes of Horus when a god "blew fire" at him. It was then, responding to the "outcry." that Ninharsag decided to intervene to stop the fighting. The ninth tablet of the Lugal-e text begins with the statement of Ninharsag, her address to the Enlilite commander, her own son Ninurta, "the son of Enlil . . . the Legitimate Heir whom the

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sister-wife had brought forth." In telltale verses she announced her decision to cross the battle lines and bring an end to the hostilities: To the House Where Cord-Measuring begins. Where Asar his eyes to Anu raised, I shall go. The cord I will cut off, for the sake of the warring gods. Her destination was the "House Where Cord-Measuring begins," the Great Pyramid! Ninurta was at first astounded by her decision to "enter alone the Enemyland"; but since her mind was made up, he provided her with "clothes which should make her unafraid" (of the radiation left by the beams?). As she neared the pyramid, she addressed Enki: "She shouts to him . . . she beseeches him." The exchanges are lost by the breaks in the tablet; but Enki agreed to surrender the pyramid to her: The House that is like a heap, that which I have as a pile raised up its mistress you may be. There was, however, a condition: The surrender was subject to a final resolution of the conflict until "the destiny-determining time" shall come. Promising to relay Enki’s conditions, Ninharsag went to address Enlil. The events that followed are recorded in part in the Lugal-e epic and in other fragmentary texts. But they are most dramatically described in a text titled I Sing the Song of the Mother of the Gods. Surviving in great length because it was copied and recopied throughout the ancient Near East, the text was first reported by P. Dhorme in his study La Souveraine des Dieux. It is a poetic text in praise of Ninmah (the "Great Lady") and her role as Mammi ("Mother of the Gods") on both sides of the battle lines. Opening with a call upon "the comrades in arms and the combatants" to listen, the poem briefly describes the warfare and its participants, as well as its nearly global extent. On the one side were "the firstborn of Ninmah" (Ninurta) and Adad, soon joined by Sin and later on by Inanna/Ishtar. On the opposing side are listed Nergal, a god referred to as "Mighty, Lofty One" Ra/Mardukand the "God of the two Great Houses" (th e two

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great pyramids of Giza) who had tried to escape camouflaged in a ram’s skin: Horus. Asserting that she was acting with the approval of Anu, Ninharsag took the surrender offer of Enki to Enlil. She met him in the presence of Adad (while Ninurta remained at the battlefield). "O hear my prayers!" she begged the two gods as she explained her ideas. Adad was at first adamant: Presenting himself there, to the Mother, Adad thus said: "We are expecting victory. The enemy forces are beaten. The trembling of the land he could not withstand." If she wants to bring about a cessation of hostilities, Adad said, let her call discussions on the basis that the Enlilites are about to win: "Get up and gotalk to the enemy. Let him attend the discussions so that the attack be withdrawn." Enlil, in less forceful language, supported the suggestion: Enlil opened his mouth; In the assembly of the gods he said: "Whereas Anu at the mountain the gods assembled, warfare to discourage, peace to bring, and has dispatched the Mother of the Gods to entreat with me Let the Mother of the Gods be an emissary." Turning to his sister, he said in a conciliatory vein: "Go, appease my brother! Raise unto him a hand for Life; From his barred doorway, let him come out!" Doing as suggested, Ninharsag "his brother went to fetch, put her prayers before the god." She informed him that his safety, and that of his sons, was assured: "by the stars she gave a sign."

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As Enki hesitated she said to h i m tenderly: "Come, let me lead you out." And as he did, he gave her his hand. . . . She conducted him and the other defenders of the Great Pyramid to the Harsag, her abode. Ninurta and his warriors watched the Enkites depart. And the great and impregnable structure stood unoccupied, silent. Nowadays the visitor to the Great Pyramid finds its passages and chambers bare and empty, its complex inner construction apparently purposeless, its niches and nooks meaningless. It has been so ever since the first men had entered the pyramid. But it was not so when Ninurta had entered itcirca 867 0 B.C. according to our calculations. "Unto the radiant place," yielded by its defenders, Ninurta had entered, the Sumerian text relates. And what he had done after he had entered changed not only the Great Pyramid from within and without but also the course of human affairs. When, for the first time ever, Ninurta went into the "House Which Is Like a Mountain," he must have wondered what he would find inside. Conceived by Enki/Ptah. planned by Ra/Marduk, built by Geb, equipped by Thoth, defended by Nergal, what mysteries of space guidance, what secrets of impregnable defense did it hold? In the smooth and seemingly solid north face of the pyramid, a swivel stone swung open to reveal the entranceway, protected by the massive diagonal stone blocks, just as the text lauding Ninharsag had described. A straight Descending Passage led to the lower service chambers where Ninurta could see a shaft dug by the defenders in search for subterranean water. But his interest focused on the upper passages and chambers; there, the magical "stones" were arrayedminerals and crystals, some earthly, s ome heavenly, some the likes of which he had never seen. From them there were emitted the beamed pulsations for the guidance of the astronauts and the radiations for the defense of the structure. Escorted by the Chief Mineralmaster, Ninurta inspected the array of "stones" and instruments. As he stopped by each one of them, he determined its destinyto be smashed up an d destroyed, to be taken away for display, or to be installed as instruments elsewhere. We know of these "destinies," and of the order in which Ninurta had stopped by the stones, from the text inscribed on tablets 10-13 of the epic poem Lugal-e. It is by following and correctly interpreting this text that the mystery of the purpose and

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function of many features of the pyramid’s inner structure can be finally understood. Going up the Ascending Passage. Ninurta reached its junction with the imposing Grand Gallery and a Horizontal Passage. Ninurta followed the Horizontal Passage first, reaching a large chamber with a corbeled roof. Called the ’"vulva" in the Ninharsag poem, this chamber’s axis lay exactly on the east-west center line of the pyramid. Its emission ("an outpouring which is like a lion whom no one dares attack") came from a stone fitted into a niche that was hollowed out in the east wall (Fig. 49). It was the SHAM ("Destiny") Stone. Emitting a red radiance which Ninurta "saw in the darkness," it was the pulsating heart of the pyramid. But it was anathema to Ninurta, for during the battle, when he was aloft, this stone’s "strong power" was used "to grab to kill me, with a tracking which kills to seize me." He ordered it "pulled out . . . be taken apart . . . and to obliteration be destroyed."

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Returning to the junction of the passages, Ninurta looked around him in the Grand Gallery (Fig. 45). As ingenious and complex as the whole pyramid was. this gallery was breathtaking and a most unusual sight. Compared to the low and narrow passages, it rose high (some twenty-eight feet) in seven overlapping stages, its walls closing in ever more at each stage. The ceiling was also built in slanting sections, each one angled into the massive walls so as not to exert any pressure on the segment below it. Whereas in the narrow passages only "a dim green light glowed." the Gallery glittered in multicolored lights"its vault is like a r ainbow, the darkness ends there." The many-hued glows were emitted by twenty-seven pairs of diverse crystal stones that were evenly spaced along the whole length of each side of the Gallery (Fig. 50a). These glowing stones were placed in cavities that were precisely cut into the ramps that ran the length of the Gallery on both sides of its floor. Firmly held in place by an elaborate niche in the wall (Fig. 50b), each crystal stone emitted a different radiance, giving the place its rainbow effect. For the moment Ninurta passed by them on his way up; his priority was the uppermost Grand Chamber and its pulsating stone. Atop the Grand Gallery, Ninurta reached a great step which led through a low passage to an Antechamber of unique design (Fig. 46). There three portcullises"the bolt, the bar an d the lock" of the Sumerian poemelaborately fitted into grooves i n the walls and floor, hermetically sealed off the uppermost Great Chamber: "to foe it is not opened; only to Them Who Live, for them it is opened." But now, by pulling some cords, the portcullises were raised, and Ninurta passed through. He was now in the pyramid’s most restricted ("sacred") chamber, from which the guiding "Net" (radar?) was "’spread out" to "survey Heaven and Earth." The delicate mechanism was housed in a hollowed-out stone chest; placed precisely on the north-south axis of the pyramid, it responded to vibrations with bell-like resonance. The heart of the guidance unit was the GUG ("Direction Determining") Stone; its emissions, amplified by five hollow compartments constructed above the chamber, were beamed out and up through two sloping channels leading to the north and south faces of the pyramid. Ninurta ordered this stone destroyed: "Then, by the fate-determining Ninurta, on that day was the Gug stone from its hollow taken out and smashed." To make sure no one would ever attempt to restore the "Direction Determining" functions of the pyramid. Ninurta also ordered

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the three portcullises removed. First to be tackled were the SU ("Vertical") Stone and the KA.SHUR.RA ("Awesome, Pure Which Opens") Stone. Then "the hero stepped up to the SAG.KAL Stone" ("Sturdy Stone Which Is In Front"). "He called out his full strength," shook it out of its grooves, cut the cords that were holding it, and "to the ground set its course." Now came the turn of the mineral stones and crystals positioned atop the ramps in the Grand Gallery. As he walked down Ninurta stopped by each one of them to declare its fate. Were it not for breaks in the clay tablets on which the text was written, we would have had the names of all twenty-seven of them; as it is. only twenty-two names are legible. Several of them Ninurta ordered to be crushed or pulverized; others, which could be used in the new Mission Control Center, were ordered given to Shamash; and the rest were carried off to Mesopotamia, to be displayed in Ninurta’s temple, in Nippur, and elsewhere as constant evidence of the great victory of the Enlilites over the Enki-gods. All this, Ninurta announced, he was doing not only for his sake but for future generations, too: "Let the fear of thee"the Great Pyramid"be removed from my descendants; let their peace be ordained." Finally there was the Apex Stone of the Pyramid, the UL ("High As The Sky") Stone: "Let the mother’s offspring see it no more." he ordered. And, as the stone was sent crashing down, "let everyone distance himself," he shouted. The "Stones," which were "anathema" to Ninurta, were no more. The deed having been done, Ninurta’s comrades urged him to leave the battleground and return home. AN DIM DIM.MA, "Like Anu Art Thou Made," they told him in praise; "The Radiant House where the cord-measuring begins, the House in the land which thou hast come to knowrejoice in having ente red it." Now, return to thy home, where thy wife and son await thee: "In the city which thou lovest, in the abode of Nippur, may thy heart be at rest . . . may thy heart become appeased." The Second Pyramid War was over: but its ferocity and feats, and Ninurta’s final victory at the pyramids of Giza, were remembered long thereafter in epic and songand in a rem arkable drawing on a cylinder seal, showing Ninurta’s Divine Bird within a victory wreath, soaring in triumph above the two great pyramids (Fig. 51).

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Fig. 51 And the Great Pyramid itself, bare and void and without its apex stone, has been left standing as a mute witness to the defeat of its defenders.

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How did the Pyramid Wars end? They ended as great wars have ended in historic times: with a peace conference; with the gathering of the combatants, as at the Congress of Vienna (1814-1815), which redrew the map of Europe after the Napoleonic Wars, or the Paris Peace Conference that ended World War I (1914-1918) with the Treaty of Versailles. The first inkling that the warring Anunnaki had convened in a similar manner some ten thousand years ago comes from the text which George A. Barton found inscribed on a broken clay cylinder. It was an Akkadian version of a much earlier Sumerian text; and Barton concluded that the clay cylinder was deposited by the ruler Naram-Sin circa 2300 B.C. when this Akkadian king repaired the platform of Enlil’s temple in Nippur. Comparing the Mesopotamian text with texts inscribed at about the same time by Egyptian Pharaohs, Barton noted that the Egyptian texts "centered around the king and are interested in his fortunes as he enters among the gods"; the Mesopotamian text, on the other hand, "concerned itself with the community of the gods"; its subject was not the aspirations of the king but the affairs of the gods themselves. In spite of damage to the text, especially at the beginning, it is clear that the leading gods gathered in the aftermath of a great and bitter war. We learn that they convened at the Harsag, Ninharsag’s mountain abode in the Sinai, and that she played the role of peacemaker. Yet she is not treated by the text’s author as a really neutral personage: he repeatedly refers to her by the epithet Tsir ("Snake"), which stamped her as an Egyptian/Enkite goddess and conveyed a derogatory connotation. The text’s opening verses, as we have already stated, briefly described the last phases of the war and the conditions within the besieged pyramid that led to the defenders’ "outcry," leading to Ninharsag’s decision to intervene. We learn from the continuing ancient chronicle that Ninharsag first went with her idea of stopping the fighting and convening a peace conference to Enlil’s camp. 173

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The Enlilites’ first reaction to Ninharsag’s bold nitiative was to aci cuse her of giving aid and comfort to the "demons." Ninharsag denied the accusation: "My House is pure." she answered. But a god whose identity is unclear challenged her sarcastically: "Is the House which is loftier and brightest of all"the Great Pyramidals o "pure"? "Of that I cannot speak." Ninharsag answered; "its brilliance Gibil is soldiering." After the first accusations and explanations wore off some of the bitterness, a symbolic ceremony of forgiveness was performed. It involved two jars holding waters of the Tigris and Euphrates rivers, a ceremony of symbolic baptism making Ninharsag welcome again in Mesopotamia. Enlil touched her with his "bright scepter." and the "power of her was not overthrown." The objections of Adad to a peace conference rather than unconditional surrender were already reported by us in the previous chapter. But then Enlil agreed, saying to her: "Go, appease my brother." We have already read in another text how Ninharsag crossed the battle lines to arrange the cease-fire. Having brought out Enki and his sons, Ninharsag took them to her abode in the Harsag. The Enlilite gods were already there, waiting. Announcing that she was acting in behalf of "the great lord Anu . . . Anu the Arbiter," Ninharsag performed a symbolic ceremony of her own. She lighted seven fires, one each for the gathered gods: Enki and his two sons: Enlil and his three sons (Ninurta, Adad. and Sin). She uttered an incantation as she lit each fire: "A fiery offering to Enlil of Nippur. . . to Ninurta . . . to Adad. . . to Enki coming from the Abzu ... to Nergal coming from Meslam." By nightfall the place was ablaze: "as sunlight was the great light set off by the goddess." Ninharsag then appealed to the wisdom of the gods and extolled the virtues of peace: "Mighty are the fruits of the wise god; the great divine river to his vegetation shall come . . . its overflowing will make [the land) like a garden of god." The abundance of plants and animals, of wheat and other grains, of vines and fruits, and the benefits of a "triple-sprouting mankind" planting, building, and serving the godsall to follow peacewere then outlined by her. After Ninharsag had finished her oracle of peace, Enlil was the first one to speak. "Removed is the affliction from the face of the Earth," Enlil declared to Enki: "the Great Weapon is lifted up." He agreed to let Enki regain his abode in Sumer: "The E.DIN shall be a place for thy Holy House," with enough land around to bear fruit for the temple and to have seeded fields.

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On hearing this Ninurta objected. "Let it not come!" the "prince of Enlil" shouted. Again Ninharsag took the floor. She reminded Ninurta how he had toiled, "day and night with might," to enable cultivation and cattle herding in the land, how he "raised the foundations, filled [the earth], raised [the dykes]." Then the affliction of war destroyed it all, "all, in its entirety." "Lord of life, god of fruit," she appealed to him, "let the good beer pour in double measure! Make abundant the wool!"agree to the peace terms! Overcome by her plea, Ninurta relented: "O my mother, brilliant one! Proceed; the flour I will not withhold ... in the kingdom the garden will be restored . . . To end affliction, I [too] earnestly pray." Now the peace negotiations could proceed; and we pick up the tale of the unprecedented encounter between the two warring gods from the text I Sing the Song of the Mother of the Gods. First to address the assembled Anunnaki was Enki: Enki addressed to Enlil words of lauding: "O one who is foremost among the brothers. Bull of Heaven, who the fate of Mankind holds: In my lands, desolation is widespread; All the dwellings are filled with sorrow by your attacks." The first item on the agenda was thus the cessation of hostilitiespeace on Earthand Enlil readily agreed, on conditi on that the territorial disputes be brought to an end and the lands rightfully belonging to the Enlilites and the people of the line of Shem be vacated by the Enkites. Enki agreed to cede forever these territories: "I will grant thee the ruler’s position in the gods’ Restricted Zone; The Radiant Place, in thy hand I will entrust!" In so ceding the Restricted Zone (the Sinai peninsula with its Spaceport) and the Radiant Place (the site of Mission Control Center, the future Jerusalem) Enki had a firm condition. In return for granting Enlil and his offspring eternal rights to those lands and vital sites, the sovereignty of Enki and his descendants over the Giza complex had to be recognized for all time. Enlil agreed but not without a condition: The sons of Enki who had brought about the war and used the Great Pyramid for combat

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purposes should be barred from ruling over Giza, or over the whole of Lower Egypt, for that matter. Pondering the condition over, Enki agreed. He then and there announced his decision. The lord of Giza and Lower Egypt, he said, will be a young son of his, espoused to one of the female deities born when Enki had made love to Ninharsag: "For the formidable House Which Is Raised Like a Heap, he appointed the prince whose brilliant wife from the cohabitation with Tsir [Ninharsag] was brought forth. The strong prince who is like a fullgrown ibexhim he appointed, and commanded him to g uard the Place of Life." He then granted the young god the exalted title NIN.GISH.ZI.DA ("Lord of the Artifact of Life"). Who was Ningishzidda? Scholars find the information concerning him meager and confusing. He is mentioned in Mesopotamian texts in association with Enki, Dumuzi, and Ninharsag; in the Great God List he is included among the gods of Africa following Nergal and Ereshkigal. The Sumerians depicted him with Enki’s emblem of the entwined serpents and with the Egyptian Ankh sign (Fig. 52 a,b). Yet they viewed Ningishzidda favorably; Ninurta befriended him and invited him to Sumer. Some texts suggest that his mother was Ereshkigal, Enlil’s granddaughter; our own conclusion is that he was indeed a son of Enki, conceived during Enki’s and

Fig. 52

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Ereshkigal’s stormy voyage to the Lower World. As such, he was acceptable to both sides as guardian of the secrets of the pyramids. A hymn which Ake W. Sjoberg and E. Bergmann (’"The Collection of the Sumerian Temple Hymns") believe was composed by the daughter of Sargon of Akkad in the third millennium B.C. exalted the pyramid-house of Ningishzidda and confirmed its Egyptian location: Enduring place, light-hued mountain which in an artful fashion was founded. Its dark hidden chamber is an awe-inspiring place; in a Field of Supervision it lies. Awesome, its ways no one can fathom. In the Land of the Shield your pedestal is closely knit as a fine-mesh net . . . At night you face the heavens, your ancient measurements are surpassing. Your interior knows the place where Utu rises, the measure of its width is far reaching. Your prince is the prince whose pure hand is outstretched, whose luxuriant and abundant hair flows down on his back the lord Ningishzida. The concluding verses of the hymn twice restate the location of this unique structure: the "Land of the Shield." It is a term equivalent to the Akkadian meaning of the Mesopotamian name for Egypt: the Land Magan, "The Land of the Shield." And another hymn copied and translated by Sjoberg (tablet UET 6/1) called Ningishzidda "the falcon among the gods," a designation commonly applied in Egyptian texts to Egyptian gods and found in Sumerian texts only one other time, applied to Ninurta, conqueror of the pyramids. What did the Egyptians call this son of Enki/Ptah? Their "god of the cord who measures the Earth" was Thoth; he was (as the Tales of the Magicians related) the one appointed to be guardian of the secrets of the Giza pyramids. It was Thoth, according to Manetho, who replaced Horus on the throne of Egypt; it happened circa 8670 B.C. just at the time when the Second Pyramid War had e nded. Having thus settled the disputes between them, the great Anunnaki turned to the affairs of mankind. As one reads the ancient words it becomes clear that this peace conference dealt not only with the cessation of hostilities and the drawing of binding territorial lines; it also laid the plans for the

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manner in which the lands would be settled by mankind! We read that Enki "before the feet of the adversary [Enlil] laid the cities that were allotted him"; Enlil, in turn, "before the feet of his adversary [Enki] the land Sumer he laid out." We can envision the two brothers facing each other, Enkias alwaysthe more concerned of the two about mankind and its fate. Having dealt with the disputes among the Anunnaki themselves, he now turns to the future of mankind. In the aftermath of the Deluge, it was given farming and domesticated animals; now it was the chance to look and plan ahead, and he seized the opportunity. The ancient text may well describe a spontaneous act; Enki drawing on the ground, "before the feet of Enlil," a plan for the establishment of human settlement centers in his lands; agreeing, Enlil responds by drawing "before the feet of Enki" the plan for the restoration of the pre-Diluvial cities of southern Mesopotamia (Sumer). If the olden pre-Diluvial cities of Mesopotamia were to be restored, Enki had a condition: He and his sons were to be allowed to come freely to Mesopotamia; and he, Enki, was to be given back the site of Eridu, the hallowed place of his first Earth Station. Accepting the condition, Enlil said: "In my land, let your abode become everlasting; from the day that you shall come into my presence, the laden table shall exhale delicious smelis for thee." Enlil expressed the hope that in return for this hospitality, Enki would help bring prosperity also to Mesopotamia: "Pour abundance on the Land, each year increase its fortunes." And with all these matters settled, Enki and his sons departed for their African domains. After Enki and his sons had departed, Enlil and his sons contemplated the future of their territories, born old and new. The first chronicle, the one reported by Barton, relates that in order to reaffirm the status of Ninurta as second to Enlil and superior over his brothers, Enlil put him in charge of the Olden Land. The territories of Adad in the northwest were extended by a thin "finger" (Lebanon) to include the Landing Place at Baalbek. The territory that was in contentionwe can describe it as Greater Canaan, from the border of Egypt in the south to the border of Adad in the north, with modem Syria includedwas put under the aegis of Nannar and his offspr ing. To that effect "a decree was established," sealed, and celebrated with a meal offering shared by all me Enlilite gods. A more dramatic version of these final proceedings is found in the I Sing the Song of the Mother of the Gods text. We learn

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that at that crucial moment, the rivalry between Ninurtathe legal heir, being the son of Enlil by his half-sisterand Nannar, the firstborn of Enlil by his official spouse Ninlil. had broken out in full force. Enlil. we are told, contemplated favorably the attributes of Nannar: ’"A firstborn . . . of beautiful countenance, perfect of limbs, wise without compare." Enlil "him loved" because he gave him the two all-important grandchildren, the twins Utu/Shamash and Inanna/Ishtar; he called Nannar SU.EN"Multiplying Lord"an endearing epithet from which there stemmed the Akkadian/Semitic name for Nannar: Sin. But as much as Enlil had favored Nannar, the fact was that it was Ninurta who was the legal heir; he was "Enlil’s foremost warrior," and he led the Enlilites to victory. As Enlil wavered between Sin and Ninurta. Sin enlisted the help of his wife Ningal, who appealed to Enlil as well as to his spouse Ninlil, the mother of Sin: To the place of decision he called Ningal, Suen invited her to approach. A favorable decision she asked of the father . . . Enlil weighed [her words] . . . Before the mother she [pleaded] . . . "Remember the childhood," she said [to Ninlil] . . . The mother quickly embraced him . . . She said to Enlil: . . ."Follow your heart’s desire". . . Could one ever imagine, in those far-reaching decisions that were to affect the fate of gods and men for millennia to come, that the female spouses had played such a decisive role? We read of Ningal coming to the aid of her husband; we see Ninlil being enlisted in persuading the wavering Enlil. But then there entered the scene yet another great goddessand by her words ac hieved an unintended decision. . . . As Enlil was urged by Ninlil to "follow your heart" rather than his mind, to prefer the firstborn over the legal heir. "Ninurta opened his mouth and said ..." His words of opposition are lost by a damage to the verses; but, as the tale is continued, we learn that Ninharsag threw in her weight behind her son Ninurta: She cried out and lamented to her brother; Like a pregnant woman she was agitated, [saying:] "Inside the Ekur I call to my brother,

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my brother who an infant made me carry; upon my brother I call!" But Ninharsag’s appeal was ill-worded. She meant to appeal as Enlil’s sister in behalf of the child (Ninurta) she bore him; but her call sounded like an appeal to Enki. Enraged, Enlil shouted at her: "Who is this brother of yours that you call? This brother, who an infant made you carry?" And he made a decision favoring the line of Sin. Ever since then, and to this very day, the Land of the Spaceport has been known as Sin’s landthe Sinai pe ninsula. As his final act Enlil appointed Sin’s son as the commander of the Mission Control Center: He called in Shamash the grandchild of Ninlil. He took him [by the hand]; In Shulim he placed him. Jerusalem Ur-Shulim, the "City of Shulim"was give n to Shamash to command. Its name, SHU.LIM, meant "The Supreme Place of the Four Regions," and the Sumerian emblem of the "Four Regions" (Fig. 53a) applied to it, possibly the forerunner of the Jewish emblem called the Star of David (Fig. 53b). Replacing the pre-Diluvial Nippur as the post-Diluvial Mission Control Center, Jerusalem also acquired Nippur’s former title of being the Navel of the Earththe central point in t he Divine Grid that made the comings and goings between Earth and Nibiru possi-

Fig. 53

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ble. Emulating the concentric pre-Diluvial plan based on Nippur, the site selected for the "Navel of the Earth"Moun t Moriah was located on the middle line, the Landing Path, within the Landing Corridor (Fig. 54); it was equidistant from the Landing Platform in Baalbek (BK) and the Spaceport itself (SP). The two anchors of the Landing Corridor also had to be equidis-

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tant from Mission Control Center (JM); but here there was a need to make a change in the original plans, for the previous artificially constructed "House Which Is Like a Mountain"the Great Pyramidwas stripped of its crystals and equipment and was rendered useless by Ninurta. The solution was to erect, still precisely on the northwestern corridor line but north of Giza, a new Beacon City. The Egyptians called it the City of Annu; its hieroglyphic symbol depicted it as a high sloping tower (Fig. 55) with an even taller superstructure pointing skyward as an arrow. The Greeks, many millennia later, called the place Heliopolis ("City of Helios," the Sun god)the same name they applied to B aalbek. In both instances it was a translation of earlier names relating the two places to Shamash, "Who Is Bright as the Sun"; Baalbek, in fact, was called in the Bible Beth-Shemesh, House of Shamash, or Heliopolis in Greek.

Fig. 55 The shifting of the beacon site at the northwestern anchor of the Landing Corridor from Giza (GZ) to Heliopolis (HL) also required a shift in the southeastern anchor, to keep the two anchors equidistant from Mount Moriah. A mount only slightly lower than Mount St. Katherine, but still precisely on the Corridor line, was found and adapted to the task. It is called Mount Vmm-Shumar (Mount of Sumer’s MotherUS on our map). Sumerian geographica l lists called the two adjoining mountains in Tilmun KA HARSAG ("The Gateway Peak") and HARSAG ZALA.ZALAG ("Peak Which Emits the Brilliance"). The construction, manning, and operation of the aerospace facilities in Tilmun and Canaan required new supply routes and protective outposts. The sea lane to Tilmun was improved by the establishment of a port city ("Tilmun City," as distinguished from the "Land Tilmun") on the eastern shore of the Red Sea, probably

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where the port city of el-Tor still exists. It also led. we believe, to the establishment of the world’s oldest town: Jericho, which was dedicated to Sin (Yeriho in Hebrew) and his celestial symbol, the Moon. The age of Jericho has been an enigma that has continuously baffled the scholars. They broadly divide man’s advancement (which spread from the Near East) into the Mesolithic ("Middle Stone") Age, which saw the introduction of agriculture and animal domestication circa 11,000 B.C.; a Neolithic ("New Stone") Age 3,600 years later, bringing with it villages and pottery: and then, finally. Sumer’s urban civilization, again 3,600 years later. Yet here was Jericho: an urban site occupied and built by unknowns sometime circa 8500 B.C.. when man had not yet learned to lead even a village life. . . . The puzzles posed by Jericho pertain not only to its age, but also to what the archaeologists have found there: houses, built on stone foundations, had doors equipped with wooden jambs: the walls were carefully plastered and painted red, pink, and other colors sometimes even covered with murals. Neat hearths and basins were sunk in whitewashed plaster floors, floors that were often decorated with patterns. Below the floors the dead were sometimes buriedburied but not forgotten: at least ten skull s were found which were filled with plaster to recreate the features of the deceased (Fig. 56). The features they reveal were by all opinions more advanced and finer than those of the usual Mediterranean dwellers of the time. All this was protected by a massive wall that surrounded the town (millennia before Joshua!). It was raised in the middle of a ditch nearly thirty feet wide and seven feet deep, dug out of the rock "without the help of picks and hoes" (James Mellaart. Earliest Civilizations of the Near East). It was "an explosive development ... a spectacular development whose causes." Mellaart says, "are still unknown to us." The enigma of prehistoric Jericho is compounded by the evidence of its round grain silos, one of which was found still partly standing. In a hot depression near the Dead Sea. 825 feet below sea level, in an inhospitable place unsuitable for grain cultivation, there was found evidence of ample supplies and continued storage of wheat and barley. Who could have built this advanced town that early, who had come to live in such a place, and whom did it serve as a fortified store city? The solution to this enigma lies, in our opinion, in the chronology of the "gods," not of men. It lies in the fact that the incredible

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Fig. 56 first urban settlement in Jericho (from circa 8500 B.C. to 7000 B.C.) exactly matches the period which, according to Manetho, encompassed the reign of Thoth in Egypt (from about 8670 to 7100 B.C). His accession, as we have seen from the Mesopotamian texts, followed the Peace Conference. Egyptian texts say of his accession that it was pronounced "in the presence of the Determiners of Annu, following the night of the battle" and after he had helped "defeat the Storm Wind" (Adad) "and the Whirlwind" (Ninurta), and then assisted in "making the two combatants be at peace." The period the Egyptians associated with the reign of Thoth was a time of peace among the gods, when the Anunnaki first and foremost established settlements relating to the construction and protection of the new space facilities. The sea lane to Egypt and Tilmun, via the Red Sea, had to be augmented by a land route that could connect Mesopotamia with the Mission Control Center and the Spaceport. From time imme-

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morial this land route led up the Euphrates River to the major way station of Harran in the Balikh River region. From there the traveler had the choice of either to continue south down the Mediterranean coastthe road later called by the Romans Via Maris ("The Sea Way")or to proceed on the east side of the Jor dan, along the equally famous King’s Highway. The former was the shortest route to Egypt; the latter could lead to the Gulf of Eilat, the Red Sea, Arabia, and Africa, as well as into the Sinai peninsula; it could also lead to the western side of the Jordan via several suitable crossing points. It was the route over which the African gold was brought. The most vital of these, the one that led directly to Mission Control Center in Jerusalem, was the crossing point at Jericho. It was there that the Israelites crossed the Jordan into the Promised Land. It was there, we suggest, that millennia earlier the Anunnaki established a town to guard the crossing point and to supply the travelers with provisions for the continued journey. Until man made Jericho his home, it was an outpost of the gods. Would the Anunnaki have built a settlement only on the west side of the Jordan, leaving the more vital eastern side, where the King’s Highway ran, unprotected? It stands to reason that a settlement should have existed on the opposite, eastern side of the Jordan, too. Though little known outside of archaeological circles, such a place has indeed been found; and what was discovered there is even more astounding than what had been uncovered at Jericho. The puzzling place with astounding remains was first unearthed in 1929 by an archaeological mission organized by the Vatican’s Pontifical Biblical Institute. The archaeologists, led by Alexis Mallon, were surprised by the high level of civilization found there. Even the oldest level of habitation (circa 7500 B.C.) was paved with bricks, and though the period of settlement stretched from the end of the Stone Age to the Bronze Age, the archaeologists were amazed to find that the same civilization revealed itself at all levels. The place is named after the mound where it was foundTell Ghassul; its ancient name is not known. Together with several satellite settlements, it clearly controlled the vital crossover point and the road leading to ita road still followed to thi s day to a crossing point nowadays called the Allenby Bridge (Fig. 57). The strategic location of Tell Ghassul had been noted by the archaeologists when they began to dig up its remains: "From atop the mound, one has an interesting all-around view: the Jordan on the west as a dark

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line; to the northwest, the hillock of ancient Jericho; and beyond it, the mountains of Judea, including Beth-El and the Mount of Olives of Jerusalem. Bethlehem is obscured by Mount el-Muntar, but the heights of Tekoah and the environs of Hebron can be seen" (A. Mallon, R. Koeppel, and R. Neuville. Teleilat Ghassul, Compte Rendu des Fouilles de l’Institut Biblique Pontifical). To the north, the view was unobscured for some thirty miles; to the cast, one could see Mount Moab and the foremounts of Mount Nebo; to the south, "beyond the mirror of the Dead Sea, one could see the salt mountain. Mount Sodom." The principal remains uncovered at Tell Ghassul cover a period when it was occupied by highly advanced settlers from before 4000 B.C. to circa 2000 B.C. (when the place was abruptly abandoned).

Fig. 57

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The artifacts and irrigation system, of a much higher standard than had then prevailed in the area, convinced the archaeologists that the settlers had come from Mesopotamia. Of the three hillocks that together formed the large mound, two appear to have been used as abodes and one as a work area. The latter was found to have been subdivided into rectangularlike segments, within which there were built circular "pits," frequently in pairs. That they were not hearths for food preparation is suggested not only by their pairing and profusion (why would six or eight of them be required in one compartment?), but also by the fact that some of them were cylindrical and went quite deep into the ground. Combined with them were enigmatic "bands of ashes" (Fig. 58), the remains of some combustible material, which were covered with fine sand and then with regular soil, only to form the foundation of yet another layer of such "band of ashes."

Fig. 58 On the surface, the ground was strewn with pebbles, the remains of rocks broken up by some force that also blackened them. Among the artifacts found was a small, circular object made of fired clay (Fig. 59), shaped with precision for some unknown technical purpose. The mystery only deepened by the discoveries in the residential areas. There the walls of the rectangular houses collapsed as though hit by a sudden force just above ground level, as a result of which the upper parts of the walls collapsed neatly inward.

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Fig. 59 Because of this neat collapse, it was possible to piece together some of the astounding murals that were painted and overpainted on these walls. In one instance a cagelike mesh shown over the object created on the wall a three-dimensional illusion. In one house every wall appeared to have been painted with some scene; in another a recessed divan was so built that it enabled the dweller, while reclining, to view a mural that covered the whole opposite wall. It depicted a row of peoplethe first two of whom were seated on thronesfacing toward (or greeting) anoth er person who had apparently stepped out of an object emitting rays. The archaeologists who had discovered these murals during the 1931-32 and 1932-33 excavations theorized that the rayed object might have been similar to a most unusual rayed "star" found painted in another building. It was an eight-pointed "star" within a larger eight-pointed "star," culminating in a burst of eight rays (Fig. 60). The precise design, employing a variety of geometric shapes, was artistically executed in black, red, white, gray, and combinations thereof; a chemical analysis of the paints used showed that they were not natural substances but sophisticated compounds of twelve to eighteen minerals. The mural’s discoverers assumed that the eight-rayed "star" had some "religious significance," pointing out that the eightpointed star, standing for the planet Venus, was the celestial symbol of Ishtar. However, the fact is that no evidence of any religious worship whatsoever, no "cult objects," statuettes of gods, etc., had been found at Tell Ghassul, yet another anomaly of the place. This, we suggest, indicates that it was inhabited not by worshipers but by those who were the subject of worshiping: the "gods" of antiquity, the Anunnaki. In fact, we have come upon a similar design in Washington,

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Fig. 60 D.C. It can be seen in the foyer of the headquarters of the National Geographic Society: a floor mosaic of a compass denoting the Society’s interest in the four corners of the Earth and their intermediate points (east, northeast; north, northwest; west, southwest; south, southeast). It was this, we believe, that the design’s ancient painters, too, had in mind: to indicate their, and the place’s, association with the four regions of the Earth. That the rayed "star" had no sacred significance is further attested by the disrespect with which it was surrounded by graffiti. These (Fig. 60) depict thick-walled buildings, fins of fishes, birds, wings, a ship, and even (some suggest) a sea dragon (upper lefthand corner); in these graffiti, yellow and brown of various shades appear in addition to the colors already mentioned. Of particular interest are two shapes in which large twin "eyes" are prominent. We have a better knowledge of what they depicted, for such shapes were found painted, on a much larger scale and with greater detail, on the walls of other houses. The objects were depicted as spherical or oval in shape, their upper part layered and painted in black and white. The center was dominated by the two large "eyes," perfect black disks within white circles. The bottom part showed in red two (or four?) extended supports; between these

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mechanical legs there protruded from the object’s main body a bulbous contraption (Fig. 61). What were these objects? Were they the "Whirlwinds" of the Near Eastern texts (including the Old Testament), the "Flying Saucers" of the Anunnaki? The murals, the circular pits, the bands of ashes, the strewn, blackened pebbles, the location of the placeall that was uncovered and probably much that was notbespeak Tell Ghassul as a stronghold and supply depot for the patrol aircraft of the Anunnaki. The Tell Ghassul/Jericho crossing point played important and miraculous roles in several biblical events, a fact that may have enhanced the Vatican’s interest in the site. It was there that the prophet Elijah crossed the river (to its eastern bank) in order to keep an appointmentat Tell Ghassul?to be taken al oft by "a chariot of fire . . . in a Whirlwind." It was in that area that at the end of the Israelite Exodus from Egypt, Moses (having been denied by the Lord entry into Canaan proper) "went up from the plain of Moab"the area of Tell Ghassul"unto the M ount of Nebo, to its uppermost peak, which overlooked Jericho; and the Lord showed him all the land: the Gilead up to Dan, and the land of Naphtali and the land of Ephraim and Manasseh and the whole land of Judea, unto the Mediterranean; and the Negeb and the plain valley of Jericho, the city of datepalms." It is a description of a

Fig. 61

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view as encompassing as that seen by the archaeologists who stood atop Tell Ghassul. The crossing itself, under the leadership of Joshua, entailed the miraculous backing up of the Jordan’s waters, under the influence of the Holy Ark and its contents. It was then, "when Joshua was by Jericho, that he raised his eyes and lo and behold, there stood a man opposite him and his drawn sword in his hand; and Joshua went unto him and said unto him: "Art thou with us or with our enemies’?’ and he said: ’Neither; a captain of the hos of the Lord am t I.’ And Joshua fell on his face to the ground and bowed, and said unto him: ’What sayeth my lord unto his servant?’ a the captain nd of the host of Yahweh said unto Joshua: ’Remove thy shoe off thy foot, for the place where thou standeth is restricted.’ Then the captain of the troops of Yahweh divulged to him the Lord’s plan for the conquest of Jericho. Do not attempt to storm its walls by force, he said. Instead, carry the Ark of the Covenant around its walls seven times. And on the seventh day the priests sounded the trumpets, and the people let out a great cry, as they were commanded. "And the walls of Jericho came tumbling down." Jacob, too, crossing the Jordan at night on his return to Canaan from Harran, ran into "a man" and the two wrestled till dawn: only then did Jacob realize that his opponent was a deity; "and Jacob called the place Peni-El ("The Face of God’) for I had seen a god face to face and have survived." Indeed, the Old Testament clearly states that there had been in earlier times settlements of the Anunnaki at the vital approaches to the Sinai peninsula and Jerusalem. Hebron, the city guarding the route between Jerusalem and the Sinai, "was called earlier Kiryat Arba ("Stronghold of Arba"); a Great Man ("king") among the Anakim he was" (Joshua, 14:15). The descendants of the Anakim, we are further told, were still residing in the area during the Israelite conquest of Canaan; and there are numerous other biblical references to abodes of the Anakim on the east side of the Jordan. Who were these Anakim? The term is commonly translated "giants," just as the biblical term Nefilim had been translated. But we have already shown conclusively that by Nefilim ("Those Who Had Come Down") the Old Testament had referred to the "People of the Rocketships." The Anakim, we suggest, were none other than the Anunnaki. No one had hitherto paid any particular attention to the count of 3,650 years which Manetho assigned to the reign of the "demi-

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gods" who belonged to the dynasty of Thoth. We, however, find the figure highly significant, for it differs but by 50 years from the 3.600-year orbit of Nibiru. the home planet of the Anunnaki. It was no accident, we have maintained, that mankind’s advancement from the Stone Age to the high civilization of Sumer occurred in 3,600-year intervalscirca 11,000, 7400, and 3800 B.C. It was as though "a mysterious hand" had each time "picked Man out of his decline and raised him to an even higher level of culture, knowledge and civilization." we wrote in The 12th Planet: each instance, we hold, coincided with the recurrence of the time when the Anunnaki could come and go between Earth and Nibiru. These advances spread from the Mesopotamian nucleus throughout the ancient world; and the Egyptian "Age of the demigods" (offspring of the cohabitation of gods and humans) from circa 7100 B.C. to 3450 B.C. per Manethounquestionably coincides with the Neolithic period in Egypt. We can assume that at each of these intervals the fate of mankind and the gods’ relations with it were discussed by the Great Anunnaki, the "seven who decree." We know for sure that such a deliberation had taken place prior to the sudden and otherwise inexplicable blooming of the Sumerian civilization, for the Sumerians have left us records of such discussions! When the reconstruction of Sumer began, first to have been rebuilt on its soil were the Olden Cities but no longer as exclusive Cities of the Gods; for mankind was now allowed into these urban centers to tend the surrounding fields, orchards, and cattlefolds in behalf of the gods, and to be in the service of the gods in all conceivable manners: not only as cooks and bakers, artisans and clothiers, but also as priests, musicians, entertainers, and temple prostitutes. First to be reestablished was Eridu. Having been Enki’s first settlement on Earth, it was given to him anew in perpetuity. His initial shrine there (Fig. 62)a marvel of architecture in those early dayswas in time raised and expanded to a magnifice nt templeabode, the E.EN.GUR.RA ("House of the Lord Whose Return Is Triumphant"), adorned with gold, silver, and precious metals from the Lower World and protected by the "Bull of Heaven." For Enlil and Ninlil Nippur was reestablished; there they raised a new Ekur ("Mountain House"Fig. 63), this time equipped not as Mission Control Center but with awesome weapons: "the Lifted Eye which scans the land"; and "the Lifted Beam," which pene-

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Fig. 62 trates all. Their sacred area also housed Enlil’s "fast-stepping Bird" whose "grasp no one could escape." A "Hymn to Eridu" edited and translated by A. Falkenstein (Sumer, vol. VII) describes how Enki traveled to attend a gathering of all the great gods; the occasion was a visit by Anu to Earth, for one of those deliberations that determined the fate of gods and men on Earth every 3.600 years. After some celebrating, when "the gods the intoxicating beverage had drunk, the wine prepared by men," it was time for solemn decisions. "Anu sat on the seat of honor; near him sat Enlil; Ninharsag sat on an arm chair." Anu called the meeting to order, "and to the Anunnaki thus said": Great gods who had hither come, Annuna-gods, who to the Court of Assembly had come! My son had for himself a House built; The lord Enki Eridu like the mountain on Earth he raised; His House, in a beautiful place he built. To the place, Eridu, no one uninvited can enter . . . In its sanctuary, from the Abzu the Divine Formulas Enki had deposited. This brought the deliberations to the main item on the agenda:

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Fig. 63 Enlil’s complaint that Enki was withholding from the other gods the "Divine Formulas"the knowledge of more than on e hundred aspects of civilizationconfining advancement to Er idu and its people only. (It is an archaeologically confirmed fact that Eridu was Sumer’s oldest post-Diluvial city, the fountainhead of Sumerian civilization.) It was then decided that Enki must share the Divine Formulas with the other gods, so that they, too, could establish and reestablish their urban centers: civilization was to be granted to the whole of Sumer. When the official part of the deliberations was over, the gods who were on Earth had a surprise for the celestial visitors: midway between Nippur and Eridu they had built a sacred precinct in honor

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of Anu; an abode appropriately named E.ANNA"House of Anu." Before they left Earth back for the Home Planet, Anu and Antu his spouse paid an overnight visit to their Earthly temple; it was an occasion marked by pomp and circumstance. As the divine couple reached the new townlater to be known as Uruk (the biblical Erech)the gods accompanied them in a procession to the temple’s courtyard. While a sumptuous evening meal was prepared. Anu, seated on a throne, chatted with the male gods; Antu, accompanied by the female goddesses, changed her clothes in the temple’s section called "House of the Golden Bed." Priests and other temple attendants served "wine and good oil" and slaughtered in sacrifice "a bull and a ram for Anu, Antu and all the gods." But the banquet was delayed until it was dark enough to see the planets: "Jupiter, Venus, Mercury, Saturn, Mars and the Moonas soon as they shall appear." With this, and after a ceremonial washing of the hands, the first part of the meal was served: "Bull meat, ram meat, fowl . . . as well as prime beer and pressed wine." A pause was then made for the highlight of the evening. While one group of priests began to chant the hymn "Kakkab Anu etellu shamame, " "The Planet of Anu Rises in the Skies," a priest went up to the "topmost stage of the tower of the temple" to watch the skies for the appearance of the Planet of Anu, Nibiru. At the expected moment and in the predetermined spot in the heavens, the planet was sighted. Thereupon the priests broke out in singing the compositions "To the One Who Grows Bright, the Heavenly Planet of the Lord Anu" and "The Creator’s Image Has Arisen." A bonfire was lit in signal, and as the news spread from one observation post to another, bonfires were lit in one place after another. Before the night was over, the whole land was alight. In the morning, prayers of thanksgiving were offered in the temple’s chapel, and in a sequence filled with ceremony and symbolism, the celestial visitors began their departure. "Anu is leaving," the priests chanted; "Anu, great king of Heaven and Earth, we ask for your blessing," they intoned. After Anu gave the asked-for blessings, the procession wound its way down the "Street of the Gods" to the "Place of the barque of Anu." There were more prayers and hymn singing at a chapel called "Build Life on Earth." Now it was time for those remaining behind to bless the departing couple, and the following verses were recited:

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Great Anu, may Heaven and Earth bless you! May the gods Enlil, Ea and Ninmah bless you! May the gods Sin and Shamash bless you . . . May the gods Nergal and Ninurta bless you . . . May the Igigi who are in heaven and the Anunnaki who are on Earth, bless you! May the gods of the Abzu and the gods of the holy land bless you! And then Anu and Antu took off to the Spaceport. It was the seventeenth day of their visit to Earth, a tablet found in the archives of Uruk states. The momentous visit was over. Its decisions opened the way for the establishment of new cities besides the Olden Ones. First and foremost among them was Kish. It was put under the control of Ninurta. "Enlil’s Foremost Son"; he turned it into Sumer’s first administrative capital. For Nannar/Sin, "Enlil’s Firstborn," the new urban center of Ur ("The City") was establisheda place that was to become S umer’s economic heart. There were additional decisions concerning the new era in mankind’s advancement and its relations with the Anunnaki. We read in the Sumerian texts, concerning the crucial conclave that launched Sumer’s great civilization, that "the great Anunnaki who decree the fate" decided that the gods "were too lofty for Mankind." The term usedelu in Akkadianmeans exactly that: "Lofty Ones"; from it comes the Babylonian, Assyrian, Hebrew, and Ugaritic El the term to which the Greeks gave the connotation "god." There was a need, the Anunnaki decided, to give mankind "Kingship" as an intermediary between themselves and the human citizenry. All the Sumerian records attest that this major decision was taken during Anu’s visit, at a Council of the Great Gods. One Akkadian text (the Fable of the Tamarisk and the Datepalm) describes thus the meeting that had taken place "in long ago days, in far off times": The gods of the land, Anu, Enlil and Enki, convened an assembly. Enlil and the gods took counsel; Among them was seated Shamash; Among them was seated Ninmah.

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At that time "there was not yet kingship in the land; the rule was held by the gods." But the Great Council resolved to change that and to grant kingship to mankind. All the Sumerian sources agree that the first royal city was Kish. The men who were appointed by Enlil to be kings were called LU.GAL. "Mighty Man." We find the same record in the Old Testament (Genesis chapter 10): when mankind was establishing its kingdoms: Kish begot Nimrod; He was the first to be a Mighty Man in the Land . . . And the beginning of his kingship: Babel and Erech and Akkad, all in the land of Shin’ar [Sumer]. While the biblical text names the first three capitals as Kish, Babylon, and Erech, the Sumerian King Lists assert that Kingship moved from Kish to Erech and then to Ur, omitting any mention of Babylon. The apparent discrepancy has a reason: We believe it has to do with the incident of the Towerof Babel (Babylon), which the Old Testament records in no small detail. It was an incident, we believe, that had to do with Marduk’s insistence that he, rather than Nannar, should possess Sumer’s next capital. The time was clearly during the resettlement of the plain of Sumer(the biblical Shin’ar), when new urban centers were being built: And as they travelled from the east, they found a valley in the Land of Shin’ar and settled there. And they said unto one another: "Let us make bricks, and burn them by fire"; and the brick served them as stone, and the bitumen served them as mortar. It was then that the scheme which caused the incident was suggested by an unnamed instigator: "Come, let us build us a city, and a tower whose head shall reach the heavens." "And Yahweh came down to see the city and the tower which the humans were building"; and he said to unnamed colleagues: "This is just the beginning of their undertakings; from now on. anything that they shall scheme to do shall no longer be impossible for them." And Yahweh said to his colleagues: "Come, let us go down and confuse their language, so that they would not understand each

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other’s speech." Then the Lord "scattered them from there all over the face of the Earth, and they ceased to build the city." That there was initially a time when mankind "spoke in unison" is a tenet of Sumerian historical recollections. These also assert that the confusion of languages, accompanying the dispersion of mankind, was a deliberate act of the gods. Like the Old Testament, the writings of Berossus reported that "the gods introduced a diversity of tongues among men, who until that time had all spoken the same language." Like the biblical tale, the histories of Berossus connect the diversification of languages and the dispersion of mankind to the incident of the Tower of Babel: "When all men formerly spoke the same language, some among them undertook to erect a large and lofty tower, that they might climb up to heaven. But the Lord, sending forth a whirlwind, confounded their design, and gave to each tribe a particular language of its own." The conformity of the tales suggests the existence of a common, older source from which both the compilers of the Old Testament and Berossus had obtained their information. Although it is generally assumed that such an original text has not yet been found, the fact is that George Smith, in his very first publication in 1876, reported discovering at Ashurbanipal’s library in Nineveh "a mutilated account of part of the story of the Tower.’’ The tale, he concluded, was originally written on two tablets; on the one he had found (K-3657), there had been six columns of cuneiform text; but he could piece together only fragments of four columns. It is undoubtedly an Akkadian version of the Sumerian tale of the Tower of Babel; and it is clear from it that the incident was brought about not by mankind but by the gods themselves. Mankind was only a pawn in the struggle. As pieced together by George Smith, and retranslated by W. S. C. Boscawen in the Transactions of the Society of Biblical Archaeology (vol. V), the tale began with the identification of the instigator; damage to the lines, however, obliterated the name. "The thoughts" of this god’s heart "were evil; against the Father of the Gods [Enlil] he was wicked." To achieve his evil purpose "the people of Babylon he corrupted to sin," inducing "small and great to mingle on the mound." As the sinful work came to the attention of "the lord of the Pure Mound"already identified as Enlil in the Cattle an d Grain tale Enlil "to Heaven and on Earth spoke. ... He lifted his heart to the Lord of the Gods, Anu, his father; to receive a command his heart requested. At that time he also lifted up [his heart? voice?] to

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Damkina." We well know that she was the mother of Marduk; so all the clues point to him as the instigator. But Damkina stood by his side: "With my son I rise . . . " she said. The incomplete verse that follows has her stating that "his number"his numerical rank-status?was at issue. The legible portion of column III then deals with Enid’s efforts to talk the rebellious group out of their plans. Taking himself up in a Whirlwind, "Nunamnir [Enlil] from the heaven to earth spoke; [but] by his path they did not go; violently they fronted against him." When Enlil "saw this, to earth he descended." But even his very presence on the site did not make a difference. We read in the last column that "when a stop he did not make of the gods," he had no choice but to resort to force: To their stronghold tower, in the night, a complete end he made. In his anger, a command he also poured out: To scatter abroad was his decision. He gave a command their counsels to confuse. . . . their course he stopped. The ancient Mesopotamian scribe ended the tale of the Tower of Babel with a bitter memory: Because they "against the gods revolted with violence, violently they wept for Babylon; very much they wept." The biblical version also names Babel (Hebrew for Babylon) as the place where the incident had occurred. The name is significant, for in its original AkkadianBab-IIiit meant "Gate way of the Gods," the place by which the gods were to enter and leave Sumer. It was there, the biblical narrative states, that the perpetrators planned to construct "a tower whose head shall reach unto the heavens." The words are identical to the actual name of the ziggurat (seven-stage pyramid) which was the dominant feature of ancient Babylon (Fig. 64): E.SAG.ILA, "House Whose Head is Lofty." The biblical and the Mesopotamian textsundoubtedly based on an original Sumerian chroniclethus relate the s ame incident: Marduk’s frustrated attempt to prevent the transfer of kingship from Kish to Erech and Urcities destined to be pow er centers of Nannar/Sin and his childrenand to seize suzerainty for his own city, Babylon. By this attempt, however, Marduk started a chain of events replete with tragedies.

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Fig. 64

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10

THE PRISONER IN THE PYRAMID

The incident of the Tower of Babel brought to an unexpected end the longest era of Peace on Earth that Man can recall. The chain of tragic events the incident had triggered had. we believe, a direct bearing on the Great Pyramid and its mysteries. To resolve them we shall offer our own theory of how this unique structure had been planned and constructed, then plugged and broken into. To the many enigmas pertaining to the construction and purpose of the Great Pyramid at Giza, two more were added after its completion. All theories concerning them, having been based on the assumption of a royal burial as the pyramid’s purpose, have been found flawed and wanting. We believe that the answers lie not in the tales of the Pharaohs, but in the tales of the gods. Several references to the Great Pyramid in writings of classical Greek and Roman chroniclers attest to familiarity in their times with the swivel-stone entrance into the pyramid, the Descending Passage and the Subterranean Pit. There was no knowledge of the whole upper system of passages, galleries, and chambers, because the Ascending Passage was plugged tight with three large granite blocks and further camouflaged with a triangular stone, so that no one going down the Descending Passage ever suspected that there existed a junction with an upper passage (Fig. 65). Over the many centuries that followed, even the knowledge of the original entrance was forgotten; and when (in A.D. 820) the Caliph Al Mamoon decided to enter the pyramid, his men forced an entry by tunneling aimlessly through the masonry. Only when they heard a stone fall somewhere inside the pyramid did they tunnel in the direction of the sound, reaching the Descending Passage. The stone that had fallen was the triangular stone hiding the junction with the Ascending Passage; its fall revealed the granite plug. Unable even to dent the granite blocks, the men cut through the limestone masonry around them, discovering the Ascending Passage and the upper inner parts of the pyramid. As the Arab historians at202

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test, everywhere Al Mamoon and his men found nothing but emptiness. Clearing the Ascending Passage of debrispieces ofl imestone that had somehow slid down the passage to the granite plugsthey crawled up to the upper end of this passage. Coming out of its squarelike tunnel, they could stand up, for they had reached the junction of the Ascending Passage with a Horizontal Passage and with the Grand Gallery (Fig. 66). They followed the Horizontal Passage, reaching the vaulted chamber at its end (which later explorers named the "Queen’s Chamber"); it was bare, and so was its enigmatic niche (see Fig. 49). Returning to the junction of the passages, they clambered up the Grand Gallery (Fig. 45); its precisely cut grooves, now empty holes and nooks, helped the climb upa task made slippery by a layer of white dust th at covered the Gallery’s floor and ramps. They climbed over the Great Step, which rose from the upper end of the Gallery to become flush with the floor of the Antechamber; entering it, they found its blocking portcullises gone (Fig. 67). They crawled into the upper vaulted chamber (later named the "King’s Chamber"); it was bare, except for a hollowed-out stone block (nicknamed "The Coffer"), but it. too, was empty. Returning to the junction of the three passages (Ascending Passage, Grand Gallery, and Horizontal Passage), Al Mamoon’s men

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Fig. 66

Fig. 67

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noticed a gaping hole on the western side, where the ramp stone belonging there had been smashed away (Fig. 68). It led via a short horizontal passage to a vertical shaft, which the Arabs assumed was a well. As they clambered down this "well shaft" (as it came to be called), they found that it was but the upper part of a long (about 200 feet) series of twisting and turning connected shafts that ended with a six-foot link to the Descending Passage and thus provided a connection between the pyramid’s upper chambers and passages and its lower ones (Fig. 66). The evidence indicates that the lower opening was blocked up and hidden from whoever had come down the Descending Passage, until Al Mamoon’s men lowered themselves through the length of the Well Shaft and discovered and broke open its bottom end. The Arabs’ discoveries and later investigations have raised a host of puzzles. Why. when, and by whom was the Ascending Passage plugged up? Why, when, and by whom was the twisting Well Shaft tunneled through the pyramid and its rocky base?

Fig. 68

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The first and most persistent theory fitted the two puzzles into one answer. Holding that the pyramid was built by the Pharaoh Khufu (Cheops) to be his tomb, the theory suggested that after his mummified body was placed in the "Coffer" in the "King’s Chamber," workmen slid the three granite plug blocks from the Grand Gallery down the slope of the Ascending Passage, in order to seal off the tomb. This entrapped these workmen alive in the Grand Gallery. Outwitting the priests, the workmen removed the end stone in the ramp, dug out the Well Shaft, reached the Descending Passage, and saved themselves by climbing up it to the pyramid’s entrance/exit. But this theory does not stand up to critical scrutiny. The Well Shaft is made up of seven distinct segments (Fig. 66). It begins with the upper horizontal segment (A) leading from the Grand Gallery to a vertical segment (B), which connects via a twisting segment C with a lower vertical segment D. A long, straight, but sharply inclined segment E then follows, leading into a shorter segment F inclined at a different angle. At the end of F, a segment intended to be horizontal but, in fact, slightly slanting (G) then connects the Well Shaft with the Descending Passage. Apart from the connecting, horizontal segments A and G, the Well Shaft proper (segments B, C, D, E, and F), in spite of its changing of courses when viewed on a north-south plane, lies precisely on an east-west plane parallel to the pyramid’s plane of passages and chambers: the separating distance of about six feet is bridged at the top by segment A and at the bottom by segment G. While the three upper segments of the Well Shaft traverse some sixty feet through the pyramid’s limestone masonry, the lower segments were cut through some 150 feet of solid rock. The few workmen left behind to slide down the granite plugs (according to the above-mentioned theory) could not have been able to cut through the rock. Also, if the digging was from above, where is all the debris, which they could have only brought up as they dug down? With the Well Shaft’s twenty-eight-inch bore through most of its segments, the more than one thousand cubic feet of debris would have piled up in the upper passages and chambers. In view of these improbabilities, new theories were advanced based on an assumption that the Well Shaft was dug from the bottom up (the debris was then removed via the Descending Passage to outside the pyramid). But why? The answer is: an accident. As the Pharaoh was being entombed, an earthquake shook the pyramid, loosening prematurely the granite plugs. As a result, not mere

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laborers, but members of the royal family and high priests, were trapped alive. With the pyramid’s plans still available, rescue teams tunneled their way up, reached the Grand Gallery, and saved the dignitaries. This theory (as well as a long-discarded one about grave robbers digging their way up) falters, among other points, on the matter of precision. With the exception of segment C, which was tunneled through the masonry in a rough and irregular manner, and section G, two of whose squarish sides were left rough and not quite horizontal, all the other segments are straight, precise, carefully finished, and uniformly angled throughout their lengths. Why would rescue workers (or grave robbers) waste time to achieve perfection and precision? Why would they bother to smooth the sides, when such smoothness made climbing the shaft much more difficult? As the evidence mounted that no Pharaoh had ever been buried or enshrined within the Great Pyramid, a new theory gained adherents: The Well Shaft was cut to enable an examination of fissures that had developed in the rock as a result of an earthquake. The most articulate proponents of such a theory were the brothers John and Morton Edgar (The Great Pyramid Passages and Chambers), who, motivated by a religious zeal which saw in the pyramid an expression in stone of biblical prophecies, visited, cleared, examined, measured, and photographed every known part of the pyramid. They showed conclusively that the upper short horizontal passage to the Well Shaft (A), as well as the uppermost vertical section (B), were part and parcel of the original construction of the pyramid (Fig. 69). They also found that the lower vertical section (D) was carefully built with masonry blocks as it passed through a cavity (nicknamed The Grotto) in the bedrock (Fig. 70); it could have been so constructed only when the rock face was still exposed, before the Grotto was covered up with the masonry of the pyramid. In other words, this section, too, had to be parta very early partof the original construction of the pyra mid. As the pyramid was rising above its baseso the Edg ars theorizeda massive earthquake fissured the bedrock in several places. Needing to know the extent of the damage to determine whether the pyramid could still rise above the cracked bedrock, the builders cut through the rock segments E and F as Inspection Shafts. Finding the damage not too serious, the pyramid’s construction continued; but to allow periodic inspection, a short (about six-foot) passage (G) was tunneled from the Descending Passage to connect with section F, allowing entry into the Inspection Shafts from below.

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Fig. 69

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Fig. 70 Though the theories of the Edgars (further expounded by Adam Rutherford in Pyramidology) have been adopted by all such pyramidologists as well as by some Egyptologists, they still fall short of solving the enigmas. If the long sections E and F were emergency Inspection Shaftswhy their precise and time-consum ing construction? What was the purpose of the original vertical sections B

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and D? When and why was the irregular, twisting section C forced through the masonry? And what about the granite plugs: Why were they needed if there had been no funeral and no burial? To these questions there has been no satisfactory answer, neither by pyramidologists nor by Egyptologists. Yet the arduous and zealous measuring and remeasuring by both groups hold the key to the answers: the essential segments of the Well Shaft, we believe, were indeed executed by the original builders, but neither as an afterthought nor in response to an emergency. They were, rather, the fruit of forethought: features intended to serve as architectural guidelines in the construction of the pyramid. Much has already been written over the centuries of the Great Pyramid’s wonderful proportions and remarkable geometric ratios. However, because all other pyramids have only lower inner passages and chambers, the tendency has persisted to view the whole upper system as a later-phase development. As a result, little attention was paid to certain alignments between upper and lower features of the pyramid, which can be accounted for only if the upper and lower parts were planned and executed at one and the same time. Thus, for example, the point at the Grand Gallery where the floor rises abruptly to form the Great Step Up (U). the central axis of the "Queen’s Chamber" (Q), and a Recess (R) at the lowest short horizontal passageare all placed exactly on one line, the pyramid’s center line. Also, an enigmatic Down Step (5) in the upper Horizontal Passage is aligned with the point marking the end (P) of the Descending Passage. And there are more such puzzling alignments, as our next diagram will show. Were all these alignments coincidences, architectural freaksor the result of careful planning and layout? As we shall now show, these and other hitherto unrecognized alignments flowed from the ingenious, yet simple, planning of the pyramid. And we will also prove that the original segments of the Well Shaft were integral elements not only in the execution but also in the very planning of the pyramid. Let us begin with segment D, because we believe that it was the very first one. It is now generally agreed that the rocky knoll on which the pyramid was erected was flattened out in a stepped manner. The lowest face of the rock (which can be seen outside) formed the Base Line; the uppermost face of the rock is at the Grotto level; there, the bottom layer ("course") of the pyramid’s masonry can be seen. Since segment D lies below this masonry, it

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had to be cut and fashioned through the Grotto and the bedrock before anything above it was constructed; i.e., before the Well Shaft segments A, B, and C. Because the only way to tunnel through the rock is from its exposed face downward, segment E, which begins its downward slope precisely from the end of D, could have been cut only after segment D was completed; F had to follow E, and G came last. In other words, D must have been constructed with great precision (see Fig. 70), through the Grotto and the rock, before all the other segments of the Well Shaft. But why was it located where it is; why is it precisely vertical; why did it not continue all the way up but was made of the length of which it is? Why, for that mattera fact that has gone completel y unnoticedis segment E inclined to D and to the Base Li ne at the precise angle of 45o? And why, if E was meant to serve as a connecting shaft, did it not simply continue until it reached the Descending Passage but instead turned at an angle to become segment F? And why is this segment, F another unnoticed fe atureinclined to the Ascending Passage at the precise right angle of 90? To answer these questions we have asked ourselves: How did the pyramid’s architects design and achieve these symmetries, perfect alignments, and remarkable geometric congruations? The solution we have come up with can best be illustrated by a drawing (Fig. 71); it is a layout plan of the pyramid’s insides, prepared by uswe believeas it might have been drawn by the py ramid’s own builders: a simple, yet ingenious, architectural plan that achieves the impressive symmetry, alignments, and perfection with the aid of a few lines and three circles! The construction of the pyramid began with the leveling of the rocky knoll on which it was to rise. To give the structure greater stability the rock was cut to the Base Level only near the pyramid’s circumference; at its core the face of the rock was higher, rising in stages. It was then, we believe, that the Grottoa natural deformity in the rock or perhaps an artificial cavitywas selected as the point where the structure’s alignments were to begin. There, the first of the shafts, D, was placed vertically through the Grottopartly cut through the rock and partly b uilt with masonry blocks (see Fig. 70). Its height (see Fig. 71) delineates precisely the distance from the Base Level to the level where the rock ends and the masonry begins at the pyramid’s core. It has been long recognized that the value pi the factor governing the ratios between a circle or a sphere, its linear elements and its

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Fig. 71

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area projectionshas been employed in determining t he circumference, sides, and height of the pyramid. As our drawing clearly shows, not only the pyramid’s envelope but also everything inside it was determined with the aid of three equal circles. Theodolitic equipment placed within shaft D beamed upward a key vertical line whose function we shall soon describe. But first this equipment beamed out the horizontal rock/masonry line, on which the centers of the three circles were placed. The first of these (Point 1) was at D; Points 2 and 3, where its circle intersected the line, served as centers for the other two, overlapping circles. To draw these circles the pyramid’s architects, of course, had to decide on the proper radius. Researchers of the Great Pyramid have been long frustrated by the inability to apply to its perfect proportions any of the ancient Egyptian units of measurementneither the common cubit of 24 fingers nor the Royal cubit of 28 fingers (20.63" or 525 millimeters). Some three centuries ago Sir Isaac Newton concluded that an enigmatic "Sacred Cubit" of some 25.2" was used not only in the construction of the pyramid but also in the construction of Noah’s Ark and the temple in Jerusalem. Both Egyptologists and pyramidologists now accept this conclusion as far as the pyramid is concerned. Our own calculations show that the radius adopted for the three circles envisioned by us was equal to 60 such Sacred Cubits; the number 60 being, not accidentally, the base number of the Sumerian sexagesimal mathematical system. This measure of 60 Sacred Cubits is dominant in the lengths and heights of the pyramid’s inner structure as well as in the dimensions of its base. Having selected the radius, the three circles were drawn; and now the pyramid began to take shape: where the second circle intersected the Base Level (Point 4), the pyramid’s side was to rise at the angle of 52a perfect angle because it is the only one which incorporates the pi ratios into the pyramid. From the bottom of shaft D, shaft E was then tunneled down, precisely inclined at 45 to D. The theodolite-beam projected from E upward, intersecting circle 2 at Point 5, provided the sloping line for the pyramid’s side and also marked off the half-area Level, on which the King’s Chamber and the Antechamber were to be placed (the 5-U-K line) and the Grand Gallery was to end. Projected downwards, the E slope determined point P at which the Descending Passage was to end. and the vertical line from P determined the Down Step S in the upper Horizontal Passage. Turning to the third circle, we see that its center (Point 3)

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marked the vertical center line of the pyramid. Where it intersected the half-area Line, the Great Up Step (U) was placed, marking the end of the Grand Gallery and the beginning of the King’s Chamber floor. It also determined the position of the Queen’s Chamber (Q), which was placed exactly on the center line. By connecting Point 2 with Point U, the floor line of the Ascending Passage and the Grand Gallery was obtained. Shaft F was then tunneled from the end of the shaft E, precisely so that its beam intersected the ascending floor line 2-U at a right angle (90). From its intersection with the first c ircle (Point 6), a line was drawn through Point 2, all the way up to the side of the pyramid (Point 7). This delineated the Descending Passage, its junction with the Ascending Passage (at Point 2), and the entrance to the pyramid. The shafts D, E, and F and the three circles have thus made possible most of the essential features of the Great Pyramid. Still undetermined, however, were the points at which the Ascending Passage would end and the Grand Gallery begin and, accordingly, where the level of the Horizontal Passage to the Queen’s Chamber would be. Here was, we believe, where shaft B came into play. No one has so far pointed out the fact that its length is precisely equal to that of D and that it marks off exactly the distance between the Entrance Level and the level of the Horizontal Passage. B was placed where the Ascending Line intersected circle 2 (Point 8). Its vertical extension marks the beginning of the rising wall of the Grand Gallery; the distance from Point 8 to Point 9, where the beam from D intersects the horizontal line from 8, is the place of the grandiose intersection depicted in Fig. 68. Segment B, connected at Point 8 to the passages through the short level segment A, thus enabled the pyramid’s builders to complete it inside. When that was done, there was no longer any architectural or functional use for these segments, and the entrance to them was covered by placing there a well-fitting, wedge-shaped ramp stone (Fig. 72). Segments D, E, and F have also disappeared from view as the pyramid’s masonry rose over the rocky base. It was then, perhaps, the function of the less precisely built segment G to enable the withdrawal of the beaming-theodolites from the D-E-F segments, or to make last-minute checks. Finally, where the Descending Passage connected with this segment G, the opening was covered with

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a well-fitting stone block; and these lower segments, too, disappeared from view. The pyramid stood complete, with all the segments of the Well Shaft in their hidden places; all, that is, except one, which as we have shown had absolutely no function or purpose in the pyramid’s planning and construction. The exception is the irregular and uncharacteristic segment C. unevenly twisting through the masonry, rudely, crudely, and forcibly cut through the limestone courses in a manner that left many stone blocks broken and protruding. When, why. and how did this enigmatic section, C, come into being? That section, we believe, was not yet in existence when the pyramid was completed by its constructors. It was, we will show, hurriedly forced through later on, when Marduk was imprisoned alive in the Great Pyramid. That Marduk was imprisoned alive in the "Mountain Tomb," there is no doubt; texts that have been found and authoritatively translated attest to that. Other Mesopotamian texts throw light on

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the nature of his offense. All together they enable us to arrive at a plausible reconstruction of the events. Evicted from Babylon and Mesopotamia, Marduk returned to Egypt. He promptly established himself in Heliopolis, enhancing its role as his "cult center" by assembling his celestial memorabilia in a special shrine, to which Egyptians made pilgrimages for a long time thereafter. But seeking to reestablish his hegemony over Egypt, Marduk found that things had changed since he left Egypt to attempt his coup d’etat in Mesopotamia. Though Thoth, we gather, did not put up a struggle for supremacy, and Nergal and Gibil were far from the center of power, a new rival had emerged in the interim: Dumuzi. That younger son of Enki, his domain bordering Upper Egypt, was emerging as a pretender to the throne of Egypt. And behind his ambitions was none other than his bride Inanna/Ishtaranother cause for Marduk’s suspicions and dislike. The tale of Dumuzi and Inannahe a son of Enki. she a granddaughter of Enlilreads like an ancient tale of Rom eo and Juliet. Like Shakespeare’s drama, it, too, ended in tragedy, death, and revenge. The first presence of Inanna/Ishtar in Egypt is mentioned in the Edfu text dealing with the First Pyramid War. Called there Ashtoreth (her Canaanite name), she is said to have appeared on the battlefield among the advancing forces of Horus. The reason for this inexplicable presence in Egypt might have been to visit her bridegroom Dumuzi. through whose district the fighting force was passing. That Inanna had gone to visit Dumuzi ("The Herder") in his faraway rural district, we know from a Sumerian text. It tells us how Dumuzi stood awaiting her arrival and echoes his reassuring words to a bride baffled by a future in a foreign land: The young lad stood waiting; Dumuzi pushed open the door. Like a moonbeam she came forth to him . . . He looked at her, rejoiced in her. Took her in his arms and kissed her. The Herder put his arm around the maiden; "I have not carried you off into slavery," [he said]; "Your table will be a splendid table. the splendid table where I myself eat . . ."

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At that time Inanna/Ishtar had the blessing of her parents, Nannar/Sin and Ningal, as well as of her brother Utu/Shamash, to the Romeo-and-JuIiet love match between a granddaughter of Enlil and a son of Enki. Some brothers of Dumuzi, and probably Enki himself, also gave their consent. They presented Inanna with a gift of lapis lazuli, the blue-hued precious stone she cherished. As a surprise they hid beads and squares of the stone under a heap of her favorite fruit: dates. In the bedroom she found "a bed of gold, adorned with lapis lazuli, which Gibil had refined for her in the abode of Nergal." And then the fighting broke out, and brother fought brother. As long as the fighting was only between the descendants of Enki, no one saw any particular problem in having a granddaughter of Enlil around. But after the victory of Horus, when Seth occupied lands not his, the situation changed completely: The Second Pyramid War pitched the sons and grandchildren of Enlil against the descendants of Enki. "Juliet" had to be separated from her "Romeo." When the lovers were reunited after that war, and their marriage consummated, they spent many days and nights in bliss and ecstasythe subject of numerous Sumerian love songs . But even as they were making love Inanna was whispering provoking words to Dumuzi: As sweet as your mouth are your parts. they befit a princely status! Subdue the rebellious country, let the nation multiply: I will direct the country rightly! Another time she confessed to him her vision: I had a vision of a great nation choosing Dumuzi as God of its country . . . For I have made Dumuzi’s name exalted, I gave him status. With all that it was not a happy union, for it did not produce an heiran essential requirement, it appears, for carr ying out the divine ambitions. Thus it came to pass that in an attempt to have a male heir, Dumuzi resorted to a tactic adopted way back by his own father: he tried to seduce and have intercourse with his own sister. But whereas in bygone days Ninharsag agreed to Enki’s ad-

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vances, Dumuzi’s sister Geshtinanna refused. In his desperation Dumuzi violated a sexual taboo: he raped his own sister. The tragic tale is recorded on a tablet catalogued by scholars as CT. 15.28-29. The text relates how Dumuzi bade Inanna good-bye as he announced his plan to go to the desert-plain where his flocks were. By prearrangement his sister, "the song-knowing sister, was sitting there." She thought she was invited for a picnic. As they were "eating the pure food, dripping with honey and butter, as they were drinking the fragrant divine beer," and "were spending the time in a happy mood . . . Dumuzi took the solemn decision to do it." To prepare his sister for what he had in mind, Dumuzi took a lamb and copulated it with its mother, then had a kid copulate with its sister lamb. As the animals were committing incest, Dumuzi was touching his sister in emulation, "but his sister still did not understand." As Dumuzi’s actions became more and more obvious, Geshtinanna "screamed and screamed in protest"; but "he mounted her ... his seed was flowing into her vulva. . . ." "Halt!" she shouted, "it is a disgrace!" But he did not stop. Having done his deed, "the Shepherd, being fearless, being shameless, spoke to his sister." What he said is unfortunately lost to us due to breaks in the tablet. But we suspect that he had "fearlessly, shamelessly" as the text had statedgo ne on to explain to Geshtinanna the reasons for his deed. That it was premeditated is clear from the text; it is also stated that Inanna was in on the plan: Dumuzi, prior to leaving, "spoke to her of planning and advice" and Inanna "to her spouse answered about the plan, to him she gave her advice." Rape, under the moral codes of the Anunnaki, was a serious sexual transgression. In the earliest times, when the first teams of astronauts had landed on Earth, a court-martial sentenced their supreme commander Enlil to exile for having raped a young nurse (whom he later married). Dumuzi had surely known all this; so he either expected his sister to engage in the intercourse willingly or else had compelling reasons for his deed which overrode the prohibition. Inanna’s prior consent brings to mind the biblical tale of Abraham and his sonless wife Sarah, who offered him her maidservant so that he might have a male heir. Aware that he had done a horrible deed, Dumuzi was soon thereafter seized with a premonition that he was to pay for his deed with his life, as told in the Sumerian text SHA.GA.NE. IR IM.SHI "His Heart Was Filled With Tears." Composed in the form of a self-fulfilling dream, the text relates how Dumuzi fell asleep and

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dreamed that all his attributes of status and property were being taken away from him one by one, by the "Princely Bird’* and a falcon. The nightmare ended with Dumuzi seeing himself lying dead in the midst of his sheepfolds. Waking up, he asked his sister Geshtinanna to tell him the meaning of the dream. "My brother." she said, "your dream is not favorable, it is very clear to me." It foretold "bandits rising against you from ambush . . . your hands will be bound in handcuffs, your amis will be bound in fetters." No sooner had Geshtinanna finished talking than the evil ones appeared beyond the hill and caught Dumuzi. Bound in handcuffs and fetters. Dumuzi cried out an appeal to Utu/Shamash: "O Utu. you are my brother-in-law, I am your sister’s husband. . . . Change my hands into a gazelle’s hands, change my feet into a gazelle’s feet, let me escape the evil ones!" Hearing his appeal. Utu enabled Dumuzi to escape. Alter some adventures Dumuzi sought a hiding place in the house of Old Belilia questionable character playing a double ro le. Dumuzi was captured again and again escaped. In the end he found himself hiding once again in the sheepfolds. A strong wind was blowing, the drinking cups were overturned; the evil ones closed in on him all as he had seen in his dream. And in the end: The drinking cups lay on their side; Dumuzi was dead. The sheepfold was thrown into the wind. The arena of these events, in this text, is a desertlike plain neara river. The geography is enlarged upon in another version of the events, a text titled "The Most Bitter Cry." Composed as a lament by Inanna, it tells how seven deputies of Kur entered the sheepfold and aroused Dumuzi from his sleep. Unlike the previous version, which simply referred to the seizure of Dumuzi by "evil ones," this text makes it clear that they had come on higher authority: "My master has sent us for you," the chief deputy announced to the awakened god. They proceed to strip Dumuzi of his divine attributes: Take the divine headdress off your head, get up bareheaded; Take the royal robe off your body, get up naked;